Arthur Miller's Portrayal of Willy in "Death of a Salesman" Essay

In the first act, Miller introduces Willy Loman (salesman), and Linda Loman (Willy’s wife) first. In this scene, Willy comes home early from the road and claims he wasn’t feeling. Linda fixes him something to eat but when he sits to eat he ends up talking to his flashbacks. In the flashbacks, He is in a hotelroom with another women. The women is revealed to be his mistress when they kiss and he hands her a pair of stockings. Willy uses this mistress to become “well-liked”with the buyers connected to the mistress. Then Willy comes back to reality and finds his wife mending old stockings back together. This makes him mad and begs Linda to stop mending them in front of him. After he cleans up his meal, he daydreams about his sons, Biff and Happy, who had just finished washing their father’s car after Willy has just returned from a sales trip. When Biff tells Willy that he “borrowed” a football from the locker room to practice, Willy laughs at him and whispers that “he will soon open a bigger business than his successful neighbor Uncle Charley because Charley is not as “well liked” as he is.” Willy is very happy in the flashback because he believes that his son is “well-liked” and will do well in the

One of the first times Willy looks for his past mistakes in his memories is when he is looking around the kitchen for cheese after he almost got into a car accident and after

promises his utmost respect and loyalty in an attempt to make her want to leave with him. He

Willy undermines her authority with the boys. He denies any negative comments out of her mouth when their children are discussed. He interrupts her. He shouts at her. Linda reacts with veiled hostility to Willy?s disrespect. She laughs at the idea of planting a garden, pointing to Willy?s past failures at growing a garden. Every time Linda pokes at his failures, she is retaliating against Willy?s failures and the fact that she has been pulled into Willy?s dead end dream against her will.

The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”

Later, Willy asks both Biff and Hap to steal lumber and sand from a construction site for the front porch.  He is not dismayed as the security guard chases Biff. He also raises no objection when Ben encourages Biff to fight unfairly. Willy's mixed moral messages eventually lead to Biff's habitual stealing, which is responsible for his continued failure in life.  Even when his sons are older, Willy continues to promote immoral behavior.  Willy urges Biff to lie to Oliver about his work experience so that Biff might borrow $15,000 and start a business.

Furthermore, Biff, along with Happy tries to conjure up a crazy idea of putting on a sporting goods exhibition. The problem with Willy is that he never grows up and deals with his obstacle; and he has taught this life strategy to his sons.

Linda and Willy’s relationship in the play is characterized by deep love and affection, but Willy does not frequently show the physical manifestations of such feelings. After thirty-five years of marriage, both characters have come to know each other’s subtle quirks and dreams, but Linda’s thorough understanding of Willy cannot be reciprocated. At first glance, she resembles a stereotypical housewife who passively stays home while her husband maintains his role as the breadwinner of the family,

At this point, Willy relives several scenes from his past, including the time when, during high school, Biff admits to stealing a football and promises to throw a pass for Willy during the game. Willy also remembers his old dream of the boys visiting him in Boston during a road trip. Finally in his reverie, he relives the time that Bernard, son of

      Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible.  However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal "tragedy" that comes from his inability to admit his mistakes and learn from them.  Instead, he fits Miller's description of pathos and the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, [is] incapable of grappling with a much superior force," (Miller  1728).

Willy treated people poorly which in turn his children learnt to do. For instance, Willy was married to Linda but went ahead to have another woman. He had an affair with another woman because he was not satisfied with his marriage. His poor treatment of his wife misled his sons to see it as acceptable to be dishonest. They in turn, viewed women as inferior objects of use.

The play begins with Willy as the antagonist, fighting with his wife Linda and a generally mean person. He insults his sons and scolds Linda for buying the wrong cheese. Willy shows his biggest personality flaws early on in the story; contradicting his own thoughts, being verbally abusive, and showing his over developed sense of pride. Willy loses

Willy Loman is a troubled and misguided man - a salesman and a dreamer with an extreme preoccupation with his own definition of success. Willy feels that physical impact is greater than the elements of his self-defined success. However, it is apparent that Willy Loman is no successful man, even by the audience's standards. He is still a travelling salesman in his sixties with no stable location or occupation, but clings on to his dreams and ideals. He compares his sons with Bernard, using him as a gauge of success. Nonetheless, he stays in the belief that his sons are better than Bernard. Willy recollects the neighbourhood years ago, and reminisces working for Frank Wagner, although he was also in the same condition then as now. He feels that the older Wagner appreciated him more, yet it was himself who voted Howard in. Arthur Miller presents Willy as a man with great bravado but little energy left to support it. He is always tired and has dementia, contradicting himself in his conversations and showing some memory loss, living in his world of illusions and delusions. He argues with Biff, both men without knowing why. The two sons of Willy display the physical appearance of adulthood, but their talk and attitude displays immaturity. Billy finds that he is a failure because of his lack of `success', while Happy thinks he is unfulfilled because he lacks failure.

Throughout this play Miller portrays his main character, Willy Loman, as senile, unsuccessful and slightly insane. Willy’s deranged personality is in part because his father abandoned him at a young age. Willy also feels abandoned by his cherished brother Ben. Ben went off to become a big success and rich. Willy sees this and it helps lead him to feel inadequate as a man

In the opening of the play, flute music plays, symbolizing the overwhelming pressures Willy places on himself, furthering the content as well as the artisanship of the play. The curtains open to a scene of Willy’s house in Brooklyn. Miller writes the following,