Essay on Barbarous Retribution and Revenge

Montresor tells the story in detail of how he leads a man, Fortunato, to his death. Montresor repeatedly expresses the need to kill Fortunato because he has done something to insult him and he must pay for it with his life. Montresor tells readers early in the story that he is going to be lying to Fortunato’s face by acting one way, but thinking about killing him the whole time. He says "I continued, as was my wont, to smile in

Conflict: For Montresor to revenge himself for Fortunato’s insult, he has to get away with it – if Fortunato can revenge him back,

To begin with, “The Cask of Amontillado” is a story of revenge in which Montresor, the protagonist, retaliates to the “1000 injuries of Fortunato” (Poe 1) that he had bore; by meticulously planning the murder of his foe. Montresor seeks to avenge the insults made to his ancestral family name by Fortunato.

To begin with, Montresor taking revenge on Fortunato is quite evil. When Montresor trick Fortunato down to the cellar by using Fortunato’s ego and taste in wine it is very cool and calculating. In the text Montresor says, “ As you are engaged, I am on my way to Luchesi. If anyone has a critical turn, it is he. He will tell me--.” (Montresor 58) This plays off of Fortunato ego saying somebody else had a better taste in wine then he did. In like manner, Montresor was very happy and excited to see Fortunato during carnival. Which is just an act to lure Fortunato to the catacombs. Montresor says in his head, “ I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.” (Montresor57) Furthermore, Montresor offers many times for Fortunato to turn back because of the cold or of his health. The short story states, “ Come sais Montresor, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was.” This is cruel because once Fortunato gets to the bottom of the catacombs he will never get to turn back.

In The Cask of Amontillado by Edgar Allen Poe, the dark side of human nature is exemplified through the character of Montresor and his victim, Fortunato. Montresor is a manipulative and vengeful person. These characteristics lead to the death of Fortunato, a man who has wronged him. Through the acts, words, and the thoughts of the character, one is able to see him carry out his plan for revenge.

Montresor’s actions lend to his vengeful and manipulative nature. He lures Fortunato into the catacombs of his home to carry out his plans to kill Fortunato. In the first step of his plan, he boosts Fortunato’s ego by saying that Luchesi was almost as worthy a judge of wine as he. Then Montresor tricks Fortunato into believing that there is an

<br>The way the narrator treats his enemy is one of the clearest examples for ironic elements. When the characters meet, Montresor realises that Fortunato is afflicted with a severe cold, nevertheless he makes a point of him looking "remarkably well". Montresor acts in the most natural and friendly way towards the man object of his revenge, and even praises his "friend's" knowledge in the subject of wines. Also upon their meeting, Montresor begins a psychological manipulation of Fortunato. He claims that he needs his knowledge to ascertain that the wine he has purchased is indeed Amontillado. Furthermore, he acknowledges that Fortunato is engaged in another business (i.e.: the celebration of carnival), so he would go to Luchresi, who, one is made to believe, is a competitor of Fortunato's. To these words, Fortunato is forced by his pride to accompany Montresor to the vaults (where the Amontillado is kept), dissipate his doubts and also to prove his higher status than Luchresi as a connoisseur of wine. In fact, during their way down under in the catacombs, the twisted mind of Montresor, dares to give Fortunato the chance to go back, due to the almost unbearable dampness and foulness rampant in the vaults and Fortunato's state of health. The narrator clearly knows about the stubborn nature of Fortunato, and is

However, Montresor has a characteristic that, not shown prominently, but given through little hints until the end. That secret characteristic is guilt, guilt for wanting to kill Fortunato. Some of those hints show at the carnival, down in Montresor’s catacombs, and even as Montresor is building in the wall to keep Fortunato in to die. At the carnival, Montresor calls Fortunato his ‘friend’. “It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend.” (Poe). In addition, Montresor is talking about Fortunato, with the term friend being used. Another is, “I was so pleased to see [Fortunato]...” (Poe). In this part of the story, Montresor even says himself that he was happy to see his friend, Fortunato. He shows signs of actually liking Fortunato, but for strongly believing in his family motto and arms of revenge, he feels the need to get revenge on Fortunato for what he did to Montresor. Montresor greets Fortunato kindly and with warmth, “[m]y dear Fortunato, you are luckily met. How remarkably well you are looking to-day!” (Poe). Montresor

Montresor does this by flattering and acting concerned about the health of Fortunato when really his only concern is killing Fortunato. While in the wine cellar, Montresor says to Fortunato, “Come, we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchesi-.” Montresor does an excellent job of being Fortunatos’ friend and at the same time convinces him to continue drinking and telling him, “A draught of this Medoc will defend us from the damps.” Montresor was not trying to defend either one of them, his only purpose was to place Fortunato into a higher state of drunkenness. Montresor causes Fortunato to become so drunk that while he was being chained to the wall by Montresor, “He was too much astounded to resist.” “The Cask of Amontillado” is filled with many ironies and also life lessons; such as know who your real friends are. Fortunato thought his real friend was Montresor when, in reality, Montresor was anything but his friend. Not only did Montresor fake his sincerity towards Fortunato, he was also vengeful and very intelligent in his actions to kill Fortunato.

Anyone who knows anything about Edgar Allan Poe’s work probably knows that he is a very dark writer. This holds true in his short story, “The Cask of Amontillado.” “The Cask of Amontillado” follows the character Montresor through the Carnival where he meets up with his friend Fortunato, who is a wine connoisseur. Fortunato has recently crossed a line by insulting Montresor and does not quite know what is coming his way that night. Edgar Allan Poe uses the literary element of irony in order to portray the theme of revenge within “The Cask of Amontillado.”

Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.

Pride brought out a very dangerous emotion in Montresor, anger. Montresor had suffered "a thousand injuries" or wrong doings from Fortunato, but Montresor was never motivated to speak out against or hurt Fortunato (Poe 221). He was content to tolerate Fortunato's offences silently until he crossed a line. Fortunato "ventured upon insult" or slandered Montresor's name, which Montresor's pride could not let stand (Poe 221). After Montresor heard of Fortunato's slander of his name, he quietly plotted to exact revenge upon Fortunato and take advantage of his two greatest flaws, his excessive drinking and his pride (Poe 222). Montresor made careful plans that ensured he would not raise suspicions, so he would not get caught (Poe 222). Montresor believed that revenge is useless if one gets caught (Poe 222). He allowed pride and anger to cloud his judgment, which caused him to make the dangerous decision to murder Fortunato for an offense that did not

Edgar Allan Poe’s The Cask of Amontillado is thought to be one of his most popular vengeful short novels. The two main characters, Montresor and Fortunato are re-acquainted friends who meet each other at The Carnival. Montresor has intentionally planned to lure Fortunato to his own death by deceiving him to believe that Fortunato is coming to Montresor's family catacombs to taste a fine wine “Amontillado”. After Montresor leads Fortunato into the crypts, Montresor eventually chains Fortunato up in a secluded section and mortars him behind a brick wall while he is still alive. The story ends with Montresor throwing a flaming torch into the small opening while he continues to put the last brick in place, essentially burning Fortunato alive. Edgar Allan Poe creates conflict between characters Montresor and Fortunato which primarily creates the major theme of revenge in this story. Edgar Allan Poe depicts setting in this novel by portraying death by illustrating human bones, within a cold and damp crypt to contribute to the eerie theme of revenge. Montresor's characterization is expressed through the betrayal of his friend, which adds another element to the theme of revenge in this story. In Edgar Allan Poe’s The Cask of Amontillado, Edgar Allan Poe utilizes conflict, setting, and characterization to create a theme of revenge.

Edgar Allan Poe’s, “The Cask of Amontillado” (1846) is narrated by Montressor. He is a gothic narrator, as his motives are associated with revenge and mental instability. In fact, the story opens with Montressor’s description of revenge of his friend Fortunato, who supposedly “insulted” him, and he lures Fortunato to his family’s catacombs for his death. However, Montressor is unwilling to reveal Fortunato’s insult and he is uncertain of why he wants to commit the horrendous act. Montressor’s narration is unreliable, and as the story unfolds we deduce his mental state. By carefully analyzing the tale, Montressor’s psychological dilemma encourages us to find the missing pieces of the puzzle and interpret the events in a metaphorical sense suggesting that the events are far less associated with revenge but more with Montressor’s guilt.

As the story progresses, Montresor devises a careful plan to lure Fortunato to his death trap, but he is careful enough not to place himself at risk. He approaches him at a carnival, and plays on his victim’s weakness for wine by offering to show him a brand of wine akin to the light Spanish sherry, Amontillado (8). The narrator presents an interesting description of his encounter with Fortunato at the carnival; at first expressing dislike for his friend’s behavior by claiming that he approached him with too much warmth since he was drunk, but then he adds that he was extremely delighted to see Fortunato at that particular moment. This illustrates the depth of Montresor’s desire to exert revenge on his friend, since the sole reason of his pleasure at seeing Fortunato is that he knew his plans had taken off, and he anticipated the satisfaction of the act of brutal revenge.