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Because I Could Not Stop for Death

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"Because I could not stop for Death"
In Emily Dickinson's poem "Because I could not stop for Death" the main theme seems to be the acceptance of Death. Emily gives reference to the theme by using "death" in the first line. The poem is unique and interesting because she presents Death in a different way by referring to it as an escort taking her on a journey towards eternity rather than making it seem like something frightening. Each stanza of the poem breaks down the journey through the stages of her life that leads to the end where the speaker reaches eternity and she finally realizes that she is no longer living. In the fifth stanza when she refers to the coffin as her "house" gives the impression that she's comfortable with death …show more content…

At the end of the poem, Immortality is changed into Eternity, which is an uncomfortable change. The poems written by Emily are personal and inviting. Frost believes that "Because I could not stop for Death," is one of the finest poem written by Dickinson on the theme of what lies beyond death, both in cosmic terms and in the feeling of those bound to die, she presents the reader with the strangeness of such a condition. Frost goes on to imply that "the poem allows us to feel our own discomfort at not fully knowing, despite what we might surmise, and to experience fears and wonders about time's evanescence and the mystery of death". She says "we yearn for immortality, so he accompanies one of us, the one invited into death's carriage. We feel the yearning and the fear as Dickinson must once have, their expression being so palpable, and while we do the poem belongs to us, common readers"(Modern Lit).
The critic Sharon Cameron points out two outlooks to take on the first line of "Because I could not stop for Death". In one respect, the assertions of the speaker that she "could not stop for Death" must be taken as the romantic protest of a self not yet disabused of the fantasy that her whim will withstand the larger temporal demands of the external world. In another respect, we must see the first line not only as willful but also as the admission of a disabling fact. Cameron states "the poem presumes to rid death of its otherness, to familiarize it,

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