Behind the Veil By examining Reverend Hooper in “The Minister’s Black Veil” by Nathaniel Hawthorne, one can see how the veil isolates him from the congregation, hiding from their depravity and therein the ‘parable of evil’ created by the veil, in addition to a desire still present in society, omniscience. While the congregation is cognizant of the preposterousness of hiding their depravity from themselves and an omniscient Creator, nevertheless they aspire such. One can clearly see the congregation is ashamed of their transgression. When Reverend Hooper delivers a sermon on hidden sin, they begin to feel anxiety and woe. This is evident in the following: “An unsought pathos came hand in hand with awe.” (Hawthorne 23). The congregation senses as though Reverend Hooper has “crept upon them” (Hawthorne 23). The …show more content…
They are deeply ashamed of such. One might consider the veil as a revelation to the people. The guilt resulting from the aforementioned revelation gives the veil a persona of evil. As the veil represented a persona of evil, justifiably, the laity attempted to avoid its presence, in vain of course. In one particular example, the marriage, the couple to be married awaited the Minister’s arrival, hopefully without the veil. This added a melancholy mood to a typically joyful event. “[...][the] horrible black veil [...] that a cloud seemed to have rolled duskily from beneath the black crape.” (Hawthorne 26). This metaphor is used to represent how something as minute as a veil created a ‘cloud of melancholy.’ The veil also serves another purpose of ‘tearing’ the ungodly away from their depravity. The veil constantly distresses them, reminding them until it destroys them mentally. The veil is: “[...] an unrelenting example of depravity [...]” (Bunge 19). As the parable is seemingly omnipresent, the congregation appears to rededicate themselves in order to
Father Hooper, a character in The Ministers Black Veil, has put a wall up between himself and his parishioners with the simple adornment of a veil. The veil is symbolic of secret and sin the Father is trying to hide from the world. A secret so massive, it is not even to be removed by his Fiancee’, Elizabeth. While he, himself will not let his secrets be known until his earthly departure, it can be presumed that they carry the weight of infidelity. On his deathbed, Father Hooper described seeing a black veil on everyone he has met, perceiving that everyone has their own walls and
The black veil represents, covering the face in shame. Reverend Hooper enters the church with a black veil over his face, causing quite a disturbance among his congregation. He preached a sermon on secret sin and what we hide from those closest to us. The Reverend Clark tries to talk Hooper, on his deathbed, to take the veil off. He claimed it was a sign of his sadness and refused. The phrase “He has changed himself into something awful, only by hiding his face” (338). The Reverend Hooper points out on his deathbed that the only difference between himself and the people is that they conceal their sins.
When one has to grope for, and fumble for, the meaning of a tale, then there is “failure” in the work, as Henry James says. This unfortunately is the case of “The Minister’s Black Veil.” It is so ambiguous in so many occasions in the tale that a blur rather than a distinct image forms in the mind of the reader. The Norton Anthology: American Literature states in “Nathaniel Hawthorne”:
Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.
After the initial onset of the black veil, the minister was alienated from himself. After performing the wedding, he caught a glimpse of himself in the looking-glass, and "the black veil involved his own spirit in the horror with which it overwhelmed all others" (Hawthorne 256). He would no longer look in a mirror at himself because "his antipathy to the veil was known to be so great" (Hawthorne 258). The veil which isolated his face from the sun and rain also kept him from his deepest fears and regrets. Reverend Hooper could no longer face himself and decided no one else alive would be allowed to face him either. The only people who seemed to see his face and understand him were lifeless corpses. As Mr. Hooper paid his last respects to a deceased young maiden in her casket, "the veil hung straight down from his forehead" (Hawthorne 255), and a superstitious woman claimed "the corpse had slightly shuttered" (Hawthorne 255). When the minister placed the black piece of cloth over his face, he intended to keep himself from the sight of his face also.
Symbolism plays a major role in the “Minister’s Black Veil” by Nathaniel Hawthorne. It influences the setting of the story and it complements the moral message. The minister, Mr. Hooper, has a lot of faith and is very committed to helping the society to be more faithful and closer to God. He lives a very harsh live being rejected by society and goes through unpleasant moments to achieve his original goal. When he decides to wear the black veil, he was not trying to be mysterious and create a gloomy environment like he did; he had much more than that in mind. The Black Veil represents the thought of the puritans that sin was an inexcusable mistake, the secret sin and dark side in each individual, and he uses
The black veil Seems to be a very important and major role in the story it is a symbol in which it dictates the story. The veil worn by Mr. Hooper, the minister in "The Minister 's Black Veil" is a symbol for the sins that mankind
American Romanticism was a literary and artistic movement that placed emphasis on strong emotions. Emotions intensified most were ones such as horror and terror, as well as awe. In, “The Minister’s Black Veil,” by Nathaniel Hawthorne, the emotions of horror, terror, and awe are drawn upon throughout the story, which follows the events and reactions of the citizens of a village after their resident minister suddenly starts to wear a black veil, which invokes discomfort and fear into the people. As with many of his stories, Hawthorne developed “The Minister’s Black Veil” around a symbol, which in this case is the veil. The veil represents that even the people that seem like they have nothing to hide or be ashamed of do, just as everyone else does. Hawthorne also makes the point of saying that although people do have secrets that they wish to not make a matter of, others still do not respect their privacy, and may even go out of their way to wonder and discuss the subject of the secret, without confronting the person themselves about it.
In reality the veil represents the secrets everyone is hiding within themselves. The unifying theme is the conflict between the dark, hidden side of man and the standards imposed by his puritanical heritage. Hawthorne brings evil and unauthorized desire into the way of puritan life, and in so doing suggests a insightful truth that is disturbing in its implication, that is to say that we can never hope to know each other's true selves. The themes in the story are suggested by the veil-symbol, the tension between the minister and the community. Every person has something to hide from the world. The veil is symbolic for the cover up of peoples secrets. Although most people would not wear a veil, the minister is proving a point. By wearing a simple black veil Mr. Hooper is making all the villagers evaluate their everyday actions in life. The symbolic value of the black veil lies in the physical and mental dilemma that it creates between the minister and his environment, and the guilt it conveys. Many people believe that the face provides information about a person's primary characteristics, therefore, predicting a persons possible behavior. As a result, by
They also seek to show how this facade separates and alienates you from society, peers, reality, and spirituality. " 'Have patience with me, Elizabeth!' cried he, passionately. 'Do not desert me, though this veil must be between us here on earth. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls! It is but a mortal veil--it is not for eternity! O! You know not how lonely I am, and how frightened, to be alone behind my black veil. Do not leave me in this miserable obscurity forever!' 'Lift the veil but once, and look me in the face,' said she.'Never! It cannot be!' replied Mr. Hooper." " 'Tremble also at each other! Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! On every visage a Black Veil!' "
“The Minister’s Black Veil” seems like a moral allegory. Not just the veil but the act of wearing it is important. The veil also alienates the parson from people.
Based on the evaluations of literary critics, Nathaniel Hawthorne’s short story, “The Minister’s Black Veil,” contains both an external and an internal conflict, about equally treated in the tale. It is the intent of this essay to explore both types of conflict as presented in the story.
Hawthorne’s writing style in the “Ministers Black Veil” reveals his view on humans nature through symbolism of the black veil. Reverend clark and other men encircle the minister and question why he must never take off the vail. Right before the ministers death he gets aburst of energy and proclaims, “When the friend shows his inmost heart to his friend…, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!”(Hawthorne 882). Everyone has secrets that they do not want to tell even their closest companions because they feel guilty and ashamed. The minister tells the clergyman that everyone wears a black veil over their face. Hawthorne writes this intending for the veil to be a symbol of man’s secret sin therefore showing that his outlook on humanity is that people are secretly sinful.
The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil” that is present over the heart of every man, making the point that everyone is guilty of being sinful.
If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.