Beowulf Versus Shrek

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Usually, when people think of the word ‘hero’, their mind conjures up several images of Superman, Batman, or Spiderman. Most people think of a hero as a steroid-riddled man in a tight suit and a cape, capable of flying, shooting lasers out of their eyes, or using some other kind of superhuman abilities. But a hero in a classic story is a completely different kind of archetype. Archetypal heroes are far from perfect – receiving supernatural help and making fatal flaws. A hero also embarks on an epic journey in which they face many issues, and are often honored after their death.

Reading through Beowulf I began to compare it to the last great epic I read, Homer’s Odyssey. While the Odyssey and Beowulf are each examples of both historic and modern ideas of heroism, the acts of Beowulf’s hero seem to fit better within its context.

Beowulf, a legendary hero of Geatish lore, from the epic poem named after him, is the definition of a hero. There is one being who can be collated to Beowulf: the mighty Thor, god of thunder. Derived from Norse mythology, Thor is hot-headed, with an appetite for food and drink. He also is one of the strongest gods, serving as the protector of the people. Both of these characters share similar qualities in what some would define a hero, despite one being a man, and the other being a deity.

It is vital when approaching the question of whether or not Beowulf can be viewed as a hero to attempt to understand the concept of a ‘hero'. Joseph Campbell, the American theorist, studied mythological characters and texts in great detail and developed the concept of the monomyth (or Hero's Journey) which he suggested all heroes undertook:

Life is a precious gift, as you only get one chance to become your best self. In life everyone has hopes and dreams to find their calling to potentially make a difference in the world. In literature we are presented with an abundance of epic hero stories, referring to fictional or non-fictional characters that have made a difference in their world. These characters grant the reader with entertaining stories pertaining to historical or fictional events that reflect the hero’s journey to making a triumphant change. Joseph Campbell’s theory that every hero has a similar journey to becoming their best self commences with a call to an adventure. The call to adventure is the first and most important step in Joseph Campbell’s hero monomyth, “A hero with a Thousand Faces.”

Beowulf has delighted and intrigued a wide array of people for centuries. The timeless nature is visible in modern-day extensions of this epic, through heroics and battles of good versus malevolent forces. Beowulf continues to appeal to sophisticated audiences because it tells the story of a great hero prevailing over evil, a timeless theme valued by society and portrayed by his counterparts in modern media, although these new heroes display more complex qualities.

Throughout the ages the tale of the epic hero has been subject to change, as writers found new inspiration and allowed the art of storytelling to evolve. With it, there was the change of the portrayal of the epic hero, and I will be illustrating this through an analysis of the epic heroes from Beowulf, suggested to have been first composed between the 8th and 11th century, and Macbeth, composed early in the 17th century. It is important to note the time difference, and all the change that time would have brought to social structures in written fiction. The tales of epic heroes are a good way of researching historic civilizations, as they play a role in reflecting the ethics and morals of civilizations and always have. Beowulf and Macbeth play a similar role as the works of the Greek poet Homer, the Iliad and the Odyssey or tales from other cultures. It is partially through the differences in character portrayals and roles within the plot that someone can understand the morals of those before us and

Beowulf & the Fire Breathing Dragon In the epic poem poem Beowulf, Beowulf himself develops as a hero slowly more and more as he involves himself in multiple battles over his years. In his time of being in the Danes he fought the evil demon, Grendel who had caused destruction on the land for many years. He also fought Grendel's mom, and a fire breathing dragon.

Beware! This is not the poem of Beowulf, nor about realistic heroes today. In fact, this isn’t a story at all! I will say, however, Beowulf and realistic heroes are great to know and hear about. Although, learning more about realistic heroes and Beowulf is enjoyable, they do have their differences, including types of good deeds, when it occurred, and the strength of the hero.

Most of us have heard of modern day heroes such as Spiderman, Superman, and the Hulk. Each is a hero to many children. Heroes are introduced to people early on in life usually as fictional characters, but as children grow older their perceptions of heroes alter. The characteristics of a hero are usually based around the ideas of a society or culture. In the epic Beowulf, the main character is thought of as a hero. Beowulf, a pagan warrior and the main character of the epic, shows certain characteristics such as bravery, loyalty, and generosity, which portray him as a hero. It is interesting how modern day heroes show the much of the same qualities as Beowulf.

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

Epic heroes are brave and noble characters who people admire for their great achievements. In John Gardner’s Grendel, Gardner portrays Beowulf as a stranger who defeats Grendel by ripping off his arm, whereas in Seamus Heaney’s translation of the epic poem Beowulf, he is characterized as hero because of his overall strength and courage. The first person point of view in Grendel emphasizes how Beowulf is superior, yet he shares some characteristics with Grendel. The third person point of view in Beowulf commends Beowulf for being a hero, but neglects to emphasize how his actions falsely represent his true selfishness. After considering the tone and point of view in Grendel by John Gardner and the Anglo-Saxon values showed in the translation of Beowulf by Seamus Heaney, Beowulf is not an epic hero because he sacrifices other Danes lives in order to kill Grendel and results to use of revenge.

The epic poem Beowulf describes the most heroic man of the Anglo-Saxon times. The hero, Beowulf, is a seemingly invincible person with all the extraordinary traits required of an Anglo Saxon hero. He is able to use his super-human physical strength and courage to put his people before himself. He encounters many monsters and horrible beasts, but he never fears the threat of death. His leadership skills are outstanding and he is even able to boast about all his achievements. Beowulf is the ultimate epic hero who risks his life countless times for glory which to him meant eternal life.

Beowulf and Sir Gawain and The Green Knight are British mythological stories whose authors are unknown. The stories paint the picture of brave and selfless heroes who put the lives of their fellow men before their own. Though the stories differ in their narration, they are built on the same ideas and principles. This essay compares and contrasts the various themes in these two stories and their development. The issues discussed are the role of women, strength and courage and afterlife.