Billy Elliot
Traditional ideas about stereotypical gender roles can be challenged or supported with different characters and environments. The visual text Billy Elliot was created in 2000 and directed by Stephen Daldry. The film is about an 11 year old boy (Billy Elliot) who tries to pursue a career in Ballet despite negative stereotyping. Billy must overcome many obstacles in his path including his stereotypical father and brother who are convinced that men cannot do Ballet. Billy Elliot demonstrates that traditional masculinity is restrictive and makes men feel trapped. He does this by following his dreams to be a ballet dancer proving that he could still be masculine and successful. Topics such as symbolism, setting, characterisation
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Billy shows the world that being creative and expressing yourself can lead you to follow your dreams and be happy. The unsuccessful characters in the visual text were Jacky (father) and Tony (brother). The town expects men to be masculine and miners. Jacky was unsuccessful as he had stood up for himself and the miners’ strike yet lost the battle to the government. He ended up where he started so his efforts towards the miners’ strike
During Reuven's recovery at the hospital, he develops a cherished relationship with a cheerful young boy named Billy Merrit. Though he has suffered the loss of both his eyesight and his mother in an auto accident, Billy overcomes the tragedies that have plagued his life and continually lavishes his compassion on others. Recognizing Billy's loneliness, Reuven affectionately befriends him. Reuven and Billy's mutual loving sympathy certainly makes a crucial
The protagonist, Billy Budd, is the major force of innocence in the book. Billy is a young man who seems to have everything going for him. He is big, strong, handsome, and he has a personality that draws
Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane
To the casual eye, Billy looks like the typical bad boy. A boy that ran away from home, showing his rebellious tendencies. A boy that would most certainly be a bad influence over anyone. However, as we take a closer look into Billy's true personality,
Caitlin loves Billy’s character even though he is homeless. Caitlin is fascinated with Billy’s character rather than what he has and his status. Caitlin is engrossed in Billy because he is clean. Billy keeps his clothes clean, himself clean and his carriage clean. In the passage Billy’s cave (p. 62).Caitlin says that his carriage is clean and warm. Caitlin is also attracted to billy’s character because he is not a normal hobo. Billy is smart, clean, polite and calm. In the passage Caitlin and mopping (p. 35).Caitlin says that Billy as ‘so calm’ when he exited McDonalds. This shows that Caitlin enjoys Billy’s company despite Billy not having any
Moments in Billy's life change instantaneously, not giving Billy a clue to where he will end up next. In one moment, he is sitting in his home typing a letter to the local newspaper about his experience with the Tralfamadorians, and in the next he is a lost soldier of World War II running around behind German lines aimlessly without a coat or proper shoes. He then became a child being thrown into a pool by his father and afterwards a forty-one year old man visiting his mother in an old people's home. In the novel, changes in time are made through transitional statements such as, "Billy traveled in time, opened his eyes, found himself staring into the glass eyes of a jade green mechanical owl." p.56 In the movie there is no such thing and different moments in Billy's life happen instantaneously. Because scenes are continuous as times change, the movie better displays the author's attempt to capture in the notion of being "unstuck in time." On the other hand, the novel does help the audience follow these time changes better by setting it up for the next scene, offering a background of Billy's experiences before they begin through these transitional statements.
Later, in chapter 9 it says, “...give me the strength to finish the job.” This shows Billy not giving up because he so badly wants to finish doing his job even though he is out of energy. This also shows the quote because he will not let go of
Herrick shows that a relationship has ‘centred’ Billy. His life has direction, routine and meaning. Billy’s identity at first was seen as a loner, he was isolated and a rebel. His mother was absent and his relationship with his father was intimidating. The lack of connection to family extends to Old Bill, whose daughter and wife died, and to Freya and Danny, who do not have the guidance of responsible adults. Herrick symbolises his disconnection and loneliness in ‘I didn’t go inside for hours./I looked through the back window/watching him/reading the paper/in front of the television/as if nothing happened’. Billy’s sense of belonging allows him to reforms his identity. Herrick shows this by juxtaposing Billy eating like a hobo in the first person narration in ‘And wait for the family of five to leave. / I can see dessert/ waiting for me’ and later eating like a refined mature adult via the descriptive language in ‘with a white tablecloth/and napkins/ and proper cutlery and plates.’ Comparatively, Freya grows up after Danny helps her deal with her miscarriage. This highlights that a person’s identity is defined by their connection to others. Both composers show an understanding of each other, allow them to nourish one another.
Billy does not have any ambition he just reacts to circumstances that happen to him. He wife face gives him an optometry office to run. He married valenca just because she is there not because he is in love with her. “I is so sort and jumbled and jangled”(pg.19) he takes the path of less resistance rather than navigating the complex path of life. Krebs also lacks motivation, direction, and ambition he lives with his parents and does not have a job. He “sleeps late in bed” every day for him is like a vacation rather than real life. Krebs father thinks he has “lost his ambition, that you haven't got a different aim in life”(pg.75). His parents think it is time for him to move on from the war and make something of his life. The war affect both billy and krebs in a major way the weight of the war crushed their
Billy Elliot explores the concept of identity and how it can shaped and changed through life experiences. It tells the story of an 11-year-old boy named Billy, and his father, Jackie, amidst a mining strike in a town in Northern England during the mid-1980s. Billy creates his personal identity through dance as it is a means of expressing himself. In Billy’s world, strict stereotypes dealing with gender and sexual identity are enforced, which created not only an internal personal battle for Billy, but also an external conflict between him and his family. As a result, he was ashamed of and forced to hide his talent and passion for dance, shown in the quote, “I feel like a right sissy”. The song “Town called Malice” was played in Billy’s main
Billy Joel is one of the best selling solo artists of all time in the United States. Amongst his most popular songs are “Piano Man,” “We Didn’t Start the Fire” and “She’s Always a Woman,” all with good reason. Having written a plethora of memorable songs that could easily be added to the soundtrack of our lives, Billy Joel’s undoubtedly one of the most talented musicians and songwriters of all time.
While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.
Another cognition maturity that adolescents reach is the development of adolescent egocentrism—the distorted feeling that one’s own action is the centre of everything. In the movie, Billy showed this distorted feeling. He wants to proof to everyone that he can do anything that an adult is able to do. For example, he wants to steer the bout and explore the world by himself.
Billy Elliot, directed by Stephen Daldry, details the life of an 11-year-old working-class boy who is caught up in the poverty and violence of North-east England during the 1984 miner’s strikes. After a local ballet teacher discovers Billy’s raw talent for dancing, Billy decides he wants to be a ballet dancer. Billy had to overcome many obstacles in order to follow his new found dream. Two of these were family traditions and expectations, and social class. Billy also received help to overcome many obstacles, this help came from Mrs Wilkinson.
The musicals Billy Elliot and Grease present both conventional and unconventional representations of gender throughout. Both musicals also seem to obscure the message of the underlying gender stereotyping issues by overshadowing them with elements such as music, dance and costume.