Black And White Cultures : Hurston 's Essay About Being Black

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

The constant relocation prompted Zora to go to work. Most of the jobs Hurston landed as maids and waitresses didn’t last long, due to her independent attitude. Hurston spent the next five years wandering from one job to another, living from hand to mouth, never able to afford new clothes or, even worse, books. Hurston, finally found a break when she became a wardrobe girl in the Gilbert and Sullivan theatrical troop. For eighteen months, she traveled with them feeling like a part of their family. With the assistance of one of the actresses, Zora entered Morgan Academy in Baltimore, MD (The high school division of what is now Morgan State University) in the fall of 1917(Howard 5).

Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’

Hurston, on the other hand, lived in a town where only blacks lived until she was thirteen years old. Therefore, she only knew the “black” self. There was no second identity to contend with. She states that “white people differed from colored to me only in that they rode through town and never lived there.”2 She does not feel anger when she is discriminated against. She only wonders how anyone can not want to be in her company. She “has no separate feeling about being an American citizen and colored” (Hurston 1712).

Zora could not understand why the dynamic in her community changed when white people rode through her town. In Eatonville, she often would disobey her elders by waving and greeting as white visitors rode through her town. She says herself that “During this period, white people differed from colored to me only in that they rode through town and never lived there” (Hurston 42). She grew up black among black people, and because of her sheltered childhood she remained ignorant to the idea that blacks were subjected to poorer treatment than whites just because they were black. So as she grew up, she lived with a carefree spirit that stayed with her throughout her adolescence. Zora couldn’t wrap her head around why when white people came

Hurston stays who she is, no matter what people might think of her. In her non-fiction text she especially manages to convey this by using Humor, that creates Ethos within the text. The first words of “How It Feels to Be Colored Me” include “I am the only Negro in the Unites States whose grandfather on the mother’s side was not an Indian chief”, in which Hurston makes fun of all the Afro-Americans at the time who were trying to claim Native American heritage. This start into the text creates a lighthearted atmosphere, in which the author acknowledges her less than perfect living circumstances, but showing that she will not crumple beneath them. Before being sent to a racially mixed boarding school in Jacksonville, Zora Hurston lived in a town in Florida. She always welcomed white tourists looking at their town and states that she was “the first welcome-to-our state Floridian”, hoping “the Miami Chamber of Commerce will please take notice”. Of course, at the time, it was impossible to involve the government in a personal wit, so the author uses the sarcastic information to show the reader that she would live her life no matter what the social norms might have been in the 1920s. In the second half of her text, Hurston includes the Irony “How can any deny themselves the pleasure of my company? It’s beyond me”, showing that she knows that some people would view her as being socially unacceptable, however Hurston does not care, as long as she can stay true to her own character. Through the humorous tone created, the reader acknowledges that Hurston is light hearted and sympathizes with her

Instead, she portrays him as being racially whole and emotionally healthy. Hurston didn't want to change the world based on racial movements, she had her own ideas about things. Capturing the essence of Black womanhood was more important to her than social criticism.

Modernism is a literary style of American literature that begins in the 1920s and was ongoing until World War II. World War I, industrialization, The Great Depression, and World War II influenced many authors. These authors exemplify disillusion, loss of faith, loss of hope, and feeling of futility within their works. Hurston’s literary work, “Sweat”, a story of a black woman and her abusive husband describes Delia’s struggles against society, and the little power she has against her husband Sykes. Searching for comfort and happiness is a main focal point of Modernism within this story. Sykes does this and tries to be a snake by his evil qualities, physical abuse, and being unexpected like a rattler.

Even though both Hurston and Hughes grew up around the same time period, they had very different ideals regarding their experience as African American’s as well as a different voice used within their works to convey their ideals. Hurston in her 1928 essay “How it Feels to be Colored Me” describes her childhood and coming of age with a delightful zest that cannot be contained. Although the essay does contain some dark moments such as when she describes her experience with her friend at the jazz club and the sudden realization of the racial difference between her and the other patrons, for the most part the work exudes her keen sense of dignity despite the popular opinion of the masses during that period. Lines in her essay such as “But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes…I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it” (Abcarian, Klotz, and Cohen 812) beautifully express her sense of self dignity and refusal to give in to the negative energies surrounding her race. Despite the many hardships that the color of her skin caused her she was proud and determined to never let that stand in her way of

One of Hurston’s stories, How it Feels to Be Colored Me, reflects the author’s perspective of the colored race (specifically herself). According to the story, when Hurston reached the age of thirteen, she truly “became colored” (1040). The protagonist was raised in Eatonville, Florida, which was mainly inhabited by the colored race. She noted no difference between herself and the white community except that they never lived in her hometown. Nevertheless, upon leaving Eatonville, the protagonist began losing her identity as “Zora,” instead, she was recognized as only being “a little colored girl” (1041). Hurston’s nickname “Zora” represents her individuality and significance; whereas, the name “a little colored girl” was created by a white society to belittle her race and gender (1041).

In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.

2, pp. 358). When people reminded her that she is the granddaughter of slaves, it doesn’t sadden her. She acknowledges that slavery is a part of the past and “slavery is the price I paid for civilization” (Hurston, vol. 2, pp. 359). Zora now saw herself differently amongst a sea of white peoples; prior to now she was unaware of any differences. However, even feeling colored she finds herself; the negative doesn’t define her. She doesn’t see the difference she just sees the contrast of color. She notices a contract while at a jazz club with a white male nearby. She becomes consumed by the music from the band and in her head she is in the South African jungle doing a deer dance hunting for prey. The orchestra finishes the song and the white male sitting near only acknowledges it was good music. The song hadn’t touched him like it had her. He only heard the song that she could feel in her bones and that is when she notices the contrast between them. “He is so pale with his whiteness then and I am so colored” (Hurston, vol.2, pp. 359).

Hibben discuss Zora Hurston’s other books comparing them to Their Eyes Were Watching God . Hibben says that all of Hurston’s books are not just from her head but also what’s in her heart. I agree with Hibben when she states that “ It is awfully easy to write nonsense about Negroes. That Miss Hurston can write of them with simple tenderness, so that her story is filled with the ache of her own people”. I agree with this because lots of people write about African Americans but don’t have any clue what African Americans go through. During this time, African Americans were still slaves and were trying make their own community of blacks. Hurston describes a time of Janie’s grandma who was a slave and how she was treated. “ She begin tuh slap mah jaws ever which a’way”. This novel is more famous because Zora Neale Hurston is black so she is telling the story from her people and also gives an African American dialect that other writers could not

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world

In some of Hurston’s works she acknowledges Eatonville, which was the first all-black community in America that she moved to when she was only three years old (Kimmons, 3). Hurston viewed Eatonville as a place where blacks could ultimately be themselves without having to conform to the norms of a white society (Kimmons, 1). Hurston was protected from the realisms of judgement and disgust towards African Americans; since Eatonville was described to be somewhat safe from lynchings and other violence related to racism. After