Blind Persistence Essay

You have told me she hath received them, and returned me expectations and comfort of sudden respect and acquaintance; but I find none” (IV, ii, 186-190). Roderigo started to see that Iago is cheating on him, but Iago is smart enough, and Roderigo is dumb enough for Iago to confuse him. In the second act during the party after the defeat over the Turks, Cassio becomes very drunk and easily taken advantage of. He then runs into the room where everyone is and attacks Roderigo. Montano intervenes and is then wounded by Cassio; Othello is forced to demote Cassio from his position of Lieutenant. With Cassio devastated he asks for advice from Iago, he then informs Cassio the only way to gain his position back is to talk to Desdemona. Cassio then leaves “good night, Honest Iago” (II, iii, 306). Shakespeare put in those two extra words on purpose; he is trying to show how Iago is already able to play with people’s minds and how manipulative he can be. Us, the audience knowing what Iago really wants to do, but Cassio puts trust into Iago with his position and future. The last person to believe Iago is honest and to trust him is Othello. Iago started to tell Othello of how Desdemona might be sleeping with Cassio, and how she is cheating on him. Othello does not believe him as there is no proof, “I’ll see before I doubt; when I doubt, prove; and on the proof there is no more but this” (III, iii, 190-191). Othello knows

Iago's interpretation of Cassio's exit, combined with Desdemona's vigorous support on Cassio's behalf, creates suspicion in Othello's mind even before Iago prompts him. Othello manifests his confusion

"Keep your friends close and your enemies closer" is a quote that very well describes how two-face Iago really is. In William Shakespeare's play, Othello, Iago's hatred toward the Moor, Othello, leads him to devise a plan against him. As a result, Othello goes from truly loving his wife to hating her with a passion. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him.

Cassio lost Othello's trust, and this actually made it possible for Iago to try to let it look like he and Desdemona are "making the beast with two backs". Cassio, -after following Iago's advice-, tries to get back his military title and Othello's trust through Desdemona, but this makes the situation even worse.

At First , Roderigo is envious of Othello because he wanted to be in love with Desdemona. This is the beginning of jealousy which runs

In Shakespeare’s Othello, Iago represents the transformational style of leadership because he is influential, assertive and inspires a shared vision. Iago’s desires are to change and or transform individuals throughout the play. He illustrates this concept as he deceived Roderigo into thinking that Desdemona holds affection for him. The purpose of which is to motivate his mate to cooperate in his plan. Iago has his own jealous motives for hating Othello and Cassio, yet he strongly drags Roderigo to his side. He develops feelings of hate and revenge. He gets Roderigo to dislike Cassio by making Roderigo jealous of Cassio's chances with Desdemona, he states, “Desdemona is directly in love with him, didst thou not see her paddle with the palm of his hand? Didst not mark that?”(II.i.214-215,246-246). Iago emphasizes his belief that Roderigo

Later on in the play, Iago lies to Roderigo when he tells him that Othello will be taking Desdemona with him to Mauritania. He suggests that if Roderigo ever wants to see Desdemona again he has to make sure that Othello extends his stay in Cyprus. To do so, he suggests that Cassio must be killed, “Why, by making him uncapable of Othello’s place—/ knocking out his brains.”(4.2.226-227). If Othello goes to Mauritania, Cassio will be assigned Othello’s place. By killing Cassio, Iago gets his revenge and Roderigo would have a chance to win over Desdemona. Roderigo’s character is used to portray the theme of manipulation. He is persuaded into doing Iago’s ill deeds. Iago is only after one thing, to be appointed lieutenant, and he will do whatever is necessary to reach his goal.

What is not clear is whether Desdemona would even consider Roderigo’s advances. We know that Roderigo has failed in previous attempts to court Desdemona and Brabantio “charged thee not to haunt my doors” (Shakespeare 1458). Roderigo is eager to charge forward with Iago’s instructions and is so gullible that he is repeatedly puts his self in physical danger. Roderigo has no realistic chance of success and is therefore considered a pawn for Iago to maneuver. To enlist his help to eliminate Cassio, Iago conjures up a tale of an affair between Desdemona and Cassio that Roderigo is all too willingly to accept about the woman he loves. According to Iago, Roderigo is no longer considered Desdemona’s second choice behind Othello, but falls to a distant third behind Cassio. Roderigo becomes

Firstly, Iago showed how he was the perfect villain with his ability to manipulate characters throughout the play. By manipulating other characters Iago can forward his plan of ruining Othello without other characters becoming suspicious. One character that Iago often manipulates is his friend Roderigo, this one character is the one that mainly does all the hard work of Iago. This quote: “Desdemona should continue her love to the Moor-put/money in thy purse-nor he his to her. It was a violent commencement in her, and thou shalt see an/answerable sequestration-put but money in thy purse. (1.3 334-338) convinced Roderigo to not kill himself and to continue to believe in Iago’s plan of making Desdemona to stop loving the Moor. Roderigo is in love and this is one reason why he is unable to realize that he is manipulated by Iago. Also, Iago manipulates Cassio to go talk to Desdemona, but Cassio is totally oblivious that he plans to use this to the Moor with jealousy. The quote: “I’ll send her to you presently; /and I’ll devise a means to draw the Moor/out of the way, that your converse and business/May be more free. (3.3 37-40) convinced Cassio to talk to Desdemona, which consequently shaped Othello to be even more jealous than before.

Roderigo taunts Michael Cassio into a drunken brawl. Montano and other men try to hold Cassio back; knowing Michael has no clue what he is doing due to be intoxicated. The fight quickly turns dangerous when Michael Cassio turns against Montano and stabs him! Othello get word of the brawl outbreak and arrives with armed men to assess the situation. Iago is pleased with the brawl; he knows that the arrival of Othello will bring punishment to Michael Cassio. Othello demands to know what has happened to bring him away from his wife. Montano is in excruciating pain and unable to tell the whole story; Iago speaks for him. Telling Othello that he does not know how the fight had broken out. Michael Cassio, thinking Iago is being a friend and covering for him, goes along with Iago’s story. Othello immediately demotes Michael Cassio from his position as lieutenant. This is another achievement for Iago; he has gained trust from Michael Cassio and has the victory of Michael Cassio not being Othello’s lieutenant.

This is the first sign of deceit in the play. Desdemona is a strong individual who holds strong in her marriage, even when there are accusations of her being unfaithful to Othello. She handles her husband’s jealousy with a sense a pride and doesn’t exploit it to other people. However, Roderigo is not the only one who is chasing Desdemona. Cassio was one to play with Desdemona’s emotions and make Othello believe that she was having an affair. Perhaps Iago spread these rumors about Desdemona because he heard of a different rumor that

Iago’s second soliloquy reveals how he manipulates Cassio and Desdemona. While Desdemona waits for Othello to return from his journey across ravenous seas, Iago joins her. He purposely acts like a jerk to Desdemona and his wife, Emilia in front of Cassio. When Iago departs from the group, Cassio, in his good mannered gentleman way, reassures Desdemona that Othello will make it to shore fine. Having Desdemona confide in his words, Cassio takes interest in her just as Iago had planned.

Roderigo pays Iago for this false hope that he will be with Desdemona (1162). When he believes he is getting closer to being with her, however, Iago tells him that it might not happen because Desdemona is in love with Cassio (1169-70). Roderigo is greatly angered by this and resolves to do what it takes to stop Cassio from getting Desdemona even if it means taking his life. His attempt to kill Cassio, however, is unsuccessful, and instead he is the one injured (1175). Roderigo is no longer consumed with thoughts of being with Desdemona. Instead he is consumed with feelings of hatred toward those who might have her love and attention.

As in almost all tragedies, especially those of William Shakespeare, the tragic hero always runs into misfortune. The play Othello is no exception. In this play, every character acquainted with the tragic hero appears to be unfortunate. While these misfortunes are oddly related to Othello, are they his fault or did each character attract them out of their own actions? To answer this daunting question, one must consider the three most unfortunate characters: Othello, Desdamona and Roderigo and analyse their downfall which eventually lead to their deaths. It is known from reading the play that Iago is the one who manipulates all three of them. Examinations of their connection with him before their deaths are necessary to answer this

Iago makes a complete fool out of Roderigo. In fact, as play starts Iago is taking advantage of Roderigo. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. When faced with this accusation, Iago simply offers that killing Cassio will