Blindness And Symbolism In Raymond Carver's Cathedral

In the short story, Cathedral by Raymond Carver, the word “blind” acquires different meanings. The unnamed narrator is metaphorically blind; he can look at the surface of everything but not see what is inside. Although the narrator can listen to conversations, he cannot understand the deeper emotional context the conversation might hold, compared to Robert, who is visually impaired but can truly listen and understand. It is not until the end of the story that the narrator metaphorically opens his eyes, with assistance from Robert.

The passage that stood out most to me in “Cathedral” was at the conclusion of the story, where the narrator finally realizes how to “see” and not solely how to “look”. “My eyes were still closed. I was in my house. I knew that. But I didn't feel like I was inside anything. 'It's really something,' I said”. This is the first time the narrator realizes that he was in fact the one wandering through life blind because he couldn’t see the meaning of things in life. The narrator seems almost stunned when he was done drawing the cathedral and we, as readers, don’t really get to see a complete response from him as Carver choose to leave the story’s ending rather vague. However, the readers still get the sense that the narrator had experienced

The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.

In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.

Carver is well known for his short stories and poetries. Among his works, “Cathedral” is considered one of the best, favorite, and most optimistic and the most developed. Carver’s story revolves around the theme of seeing and looking. Most people believed they could not live without cathedrals which brought them closer to their God. Similarly, people place so much importance to the physical eyesight and tend to think they can hardly live without it. Robert, a blind man, is invited to the narrator’s home and the narrator is shown troubled by Roberts’s disability. Later on, the narrator is amazed to see the blind smoking despite having even thought of helping him with his drink earlier on (Carver 516- 524). The latter brought to attention that as much as natural looking is essential, more essential is the ability to see or to visualize things. The writer explains that it might be tougher to be without eyesight; however, it is possible to live without it and make the best of what else one has, more so the brain. Visualizing brings out a better view of the significance of life and things surrounding us.

The use of symbolism such as the physical and emotional meanings of blindness can describe different meanings behind elements of the story. In the critical essay, the author discusses why an author might choose to make a character bling and what it means. Diane Andrews Henningfeld, the author of the critical essay explains, “clearly the author wants to emphasize other levels of sight and blindness beyond physical.” Blindness can be more than just the levels of physical sight and the author wants that to be understood. The author wants to emphasize and make it very clear that other levels of sight and blindness exist like not seeing the beauty in life and being blind to it beyond just being able to see with your eyes. The quote can feel something about the characters traits and how they can be so opposite from their physical abilities. This quote Conveys the facts. People can see in different ways. It is stated that,“although he is blind, he ‘sees’ how to get along with others in profound and important ways. By contrast, the narrator, although sighted, does not see how his isolation damages himself, his wife, and their relationship. He is

Cathedral is a short story written by Raymond Carver in 1983, about a prejudiced man who meets a disabled man. Through “Cathedral,” it becomes clear that the visit of the blind man Robert in the narrator’s house may change the narrator from stereotyping to accepting disabled people; this illustrates Carver’s theme which displays human insensitivity through the narrator’s reluctance because of fear, then acceptance, and finally understanding of Robert.

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

The idea of blindness in Carver’s Cathedral gains additional meaning throughout the story as we learn more about the character Robert and the blind man himself. The story begins in first person, depicting Roberts disdain for the blind and his smallness of character. As a juxtaposition we are introduced to the blind man who is evolved in character, and has a substantially important relationship with Roberts’s wife. As the story progresses and Robert has more interaction with the blind man, he himself begins to evolve through time spent while his wife is asleep. As the story comes to an end, the blind man has affected the character of Robert to the point that his inward blindness has been exposed. This story shows that blindness does not necessarily

In “Cathedral” by Raymond Carter, the narrator has his vision, but he does not truly see the world. The blind man lacks sight, but sees deeper meanings to life.

The act of looking is related to physical vision while the act of seeing involves an enhanced understanding of what it means to truly exist. In the short story “Cathedral”, the narrator is blind to appreciating the human experience until he meets a blind man who ironically becomes the one who teaches him how to see in a way he never knew how. The author Raymond Carver uses symbolism within this story to reinforce the theme of blindness, and the difference between looking and seeing.

The blind man’s visit offers as a vehicle for the epiphany the narrator experiences. One of the first instances acknowledged is the narrator’s distance he feels with his wife. He is envious of her relationship

Raymond Carver’s short story Cathedral shows how Robert, who was a blind man decided to visit a old friend who was a woman. This woman had a husband who was not to open to having someone physical unable to see in his house. Early on the husband was very stereotypical toward Robert, until there were watching a television show about the cathedral. Being that Robert, could not see, he asked the husband to describe the cathedral to him, but he could not find words to describe it, so the husband drew the cathedral. After drawing the cathedral the husband realized that there is not much difference between him Robert. Raymond Carver uses conflict, characterization, and irony to show the difference between looking and seeing.

“Cathedral” written by Raymond Carver is a short story that unfolds as a first-person narrative of the main character named Bub. The story beautifully depicts the process of an individual who transforms from a person with lack of knowledge and ignorant towards knowledgeable soul, due to an encounter with his wife’s blind friend Robert, to an individual that is enlightened. The cathedral, in this story, is a mere subject brought up at the end of this story which becomes the object of his enlightenment. “Cathedral,” tells a tale of Bub who through a blind man receives an eye-opening experience. The narrator starts off as intolerable, but towards the end of the story, with the assistance of a blind man makes him open-minded. He is clobbered

A person’s ability to see is often taken for granted as it is in "Cathedral" by Raymond Carver. Although the title suggests that the story is about a cathedral, it is really about two men who are blind, one physically, the other psychologically. One of the men is Robert, the blind friend of the narrator’s wife; the other is the narrator-husband himself. The husband is the man who is psychologically blind. Carver deftly describes the way the husband looks at life: from a very narrow-minded point of view. Two instances in particular illustrate this. The first is that the husband seems to believe that the most important thing to women is being complimented on their looks; the second is