This play becomes more interesting as we read through scene 7. It starts in a mid-September late afternoon as Stella is decorating for Blanche’s birthday. Blanche is bathing as usual when Stanley comes home with some new-finds about her through his reliable sources. He tells Stella,” Things I already suspected. But now I got proof from the most reliable sources-which I have checked on” (Williams 98). He tells her that Blanche is quite famous in her town, as famous as the President of United States, but not famous in good sense. She was staying at a hotel called the Flamingo, which doesn't sound like a high class place, and had relationships with men. Stanley also tells Stella that Blanche has been banned from the hotel, as well as the town. …show more content…
Regarded as not just different but downright loco--nuts. And for the last year or two she has been washed up like poison. That’s why she’s here this summer" (Williams 100). He also reveals that she lost her job as a teacher, not resigned, after the boy’s father made a complaint about her relationship with his son. He tells her,” A seventeen-year-old boy--she'd gotten mixed up with”(Williams 101). Stanley takes pleasure in telling these facts to Stella because he detests Blanche. Also he wants to have control over Stella. He even tells Stella that he told everything to Mitch, because he didn’t want his best friend get caught. Mitch doesn’t appear to the birthday party but comes late in the evening to see her. He asks her why she lied to him and tells her, “I don't think I want to marry you any more”(Williams 120). He ends up the relationship after confronting with her and walks
Blanche tries to conceal the secrets of her past from her new found life in New Orleans; however it is only a matter of time before the truth comes out. Stanley is the one to reveal her true reason for coming to New Orleans: she was essentially kicked out of her town because there were only so many men. Her numerous sexual relations recounted by Stanley depict Blanche as a gold digger and the epitome of the party. Stanley crashes all of Blanche’s hopes to recreate a new life for Blanche. He forces Mitch, her almost lover, to leave Blanche and stoop her down to even more disparity in her
The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not
It was not just her self that put her in the lime light of being a victim; it is also her new change of environment and people. Stanley is Stella's husband; he is described to be very masculine and aware of his sexual magnetism. “Strongly, compactly built”. He is mostly at ease with people however, if they lack loyalty and affection to him, he will bully them. Especially women, as he believes them just to be easy conflict. It is seen in scene 3 that Stanley has little respect for women. “I said to hush up!” This is addressed to his wife who is seen emotionless and impassive in this play. As for Blanche how is fussy and at edge, she would be very effected by the crude attitude that Stanley presents and so tries to hysterical take Stella away from her husband. Stanley does not forget of this act of interference and makes him all the more determined to be rid of Stella’s “charity case”. The real reason for Stanley’s bulling is that Blanche immediately received all Stella’s attention. “How about my supper huh? I’m not going to no Galatorires’ for supper” This made Stella dominant in power over Stanley and Blanche, something Stanley was not used to. “I put you a cold plate on ice”.
She had invited Mitch to her birthday dinner, but Stanley had already told him all the bad things about her past. This is when she starts to slip. She tries to make conversation and tell jokes with Stanley, but obviously, he isn’t having it. The point where it is evident that she is really slipping is when Stanley says he has a gift for her. “Oh, have you [a gift for me], Stanley? I wasn’t expecting any, I—I wasn’t expecting any. I—I don’t know why Stella wants to observe my birthday! I’d much rather forget it—when you—reach twenty-seven! Well—age is a subject that you’d prefer to—ignore!” (Williams 135). Blanche is thirty years old. This goes back into the fantasy idea. She uses it as a coping mechanism. Finally, there is something going good in her life, and that is roughly
Initially we sense her yearning for affection, her vulnerability and defencelessness. On (pg.195) she says of Mitch "I'm going to call him!" which uncovers her urgency for Mitch to come and her steady disarray. As a character, Blanche is initially portrayed as a moth, and moths shudder. One understanding here is that she is rippling and not able to remain faithful to something unequivocally and notwithstanding her endeavours to declare herself over Stanley she falls flat and is not able to pick up either control or force. Rather she is stomped on by Stanley when he astonishes her with the ticket once again to Laurel, and she closes the scene a wretched picture of madness. Motifs: Inside/Outside:·In this scene, Blanche stays inside, where Stanley has the capacity go outside and smoke a cigarette. Blanche staying inside is noteworthy on the grounds that it reflects the thought of ensnarement – that she is by one means or another caught in the flat (she just ever leaves the loft went with). It likewise puts Stanley in a position of strength as he finds himself able to go inside and outside of the house freely. Insanity was another major part of the scene 8 (pg.194) [blanche tosses back her head and laughs.] after her entertaining anecdote about the Maid and the Parrot. Blanche is the only one who is chuckling, keeping in mind this joke basically speaks to her urgency to keep up the illusion that everything is okay and
This play takes place in New Orleans Louisiana. New Orleans is a very lively town that is known as a party town and for it being a rough town. New Orleans is a town in which inhibition is suppressed and people try to have fun all the time, while not worrying about the little things in life. This is especially true for the French quarter of New Orleans, which is the setting for this play. New Orleans is know for Mardi Gras and illusion, but it is also a city of reality. Blanche does not
and self - pitying ways from the death of her husband and the lies of
He abuses his wife Stella physically and emotionally as he strikes and hits his pregnant wife while Stella represents the self-deprecating, submissive wife who tolerates and excuses her husband behavior. Another central theme in Williams’ play is the theme of illusion; Blanche lives in a fantasy world of sentimental illusion. She exerts efforts to maintain the appearance of being an upper-class young innocent woman, even though she is a fallen woman. Another theme is the theme of loneliness as Blanche is lost and alone in the world and she desperately seeks protection and companionship in the arms of strangers. Mitch is another character who is a victim of loneliness and he needs to find a woman to love him the way his mother does. The theme of sexual desire is related to destruction. Blanche wants to be a lady but she continually tripped up by her sexual desire. Stanley leads a violent brutal desire and views Stella as a sexual object and his final act as he rapes Blanche emphasizes his lustful desire. The theme of hatred is prevailed throughout the play as Blanche’s insult and insolence aroused the hatred of Stanley. The play focused on the feeling of repulsion between
Stanley is a character in this play, whose perspective is clearly reality based. Since Blanche’s outlook on life is fantasy based, there is a lot of hostility between the two characters. Stanley is the one that always exposes the lies that Blanche is always hiding behind. He is constantly trying to get her to accept his perspective. When she finally begins to understand him, it’s too late. With such a huge change, she loses her mental state. Her personal beliefs get interchanged between fantasy and reality, to such an extent, that it seems as if she no longer realizes what is true or what is malign.
Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted
As she sings this song, telling the story of her tendency to believe a more pleasant, warped view of reality over the actual reality, Stanley is telling Stella the horrifying truth about Blanche's scandalous past. These lyrics sum up Blanche’s approach to life. She believes that her lying is only her means of enjoying a better way of life and is therefore essentially harmless.
Furthermore, Blanche claims to have an old friendship with a man who is now a millionaire, a certain Mr. Shep Huntleigh. She believes that if she needs help at any m point in time, especially monetary aid, “darling Shep” will be there to cable in some money. Shep Huntleigh represents Blanche’s idea of the perfect man, a rich, debonair, suave gentleman. She sees Stanley as everything but that perfect man, cruel to her sister and even crueler to herself. Blanche constantly claims she is going to go off and see Shep, and after Mitch reveals his knowledge of the truth about her, she claims she is going to spend a month or so abroad. “I received a telegram from an old admirer of mine,” she claims, “A cruise of the Caribbean on a yacht!” However, Stanley crushes her spirit almost immediately, tearing her fanciful dreams apart into ragged threads. “There isn’t a goddam thing but imagination!” he screams. It is Stanley who refuses to let Blanche live in a dream world.
Blanche’s unexpected arrival at the entrance of the play is what stirs an even bigger monster in Stanley. Upon her entrance, she immediately causes trouble due to her and Stanley’s differences. Blanche is a southern belle from a very wealthy background. She is very proud of being brought up in the upper class while Stanley is proud that he lead his own life through the working class. This makes him a very rude and animalistic man with a lower level of education. Even their first conversation
Similarly, Blanche calls Stanley things like “Polak”, “Sub-human” and “Ape-like” with the use of animal imagery to depict him as of lower standard than herself and begs of Stella, “Don’t hang back with the brutes!” in which Stanley overhears, creating tension which builds up causing conflict between the two as the scenes play out, as he has the upper hand in holding a grudge against her until everything becomes too much and Stanley acts upon his anger, ultimately resulting in the rape scene.
Tennessee Williams was an American writer known for short stories and poems in the mid 1950’s. His more famous writing was A Streetcar Named Desire. His writings influenced many other writers such as August Strindberg and Hart Crane. His writings A Streetcar Named Desire and The Glass Menagerie was adopted to films and A Streetcar Named Desire earned him his first Pulitzer prize. In A Streetcar Named Desire there is many elements that build the plot and story line. The story is about a girl who is drove crazy by his sister’s husband and eventually sent to the mental hospital. The main plot is towards the end of the story when Blanche Dubois is blackmailed by her sister’s husband and raped by him. Everything takes its toll on her until she begins drinking heavily and is thought to have gone crazy and placed in a mental hospital. In this story, many things play affect in the contrast of the writing such as Blanche arriving at her sister’s house, seeing her sister’s husbands attitude, the poker game, Blanche getting raped. These events make Blanche an easy victim. In Tennessee Williams, a street car named desire, the start of kindness turns to tragedy and pain.