Burton Spirits

The 19th century American poet, Edgar Allan Poe, had been plagued by grief from an early age. He was an amazing poet and author who just happened to have a darker story. Many who have studied this prestigious man feel that his works, though magnificent, were extremely dark. Some believe it was nothing more then a fancy for him to spin such gruesome tales. Others feel his work was manipulated by the misfortune of his past. These people have actually found evidence that agrees with this statement. The works of Edgar Allan Poe were inspired by the history and life style of the author. The evidence is evident, when people look back and examine the author, his life, and his writings closely.

Humans are often fascinated and petrified by the supernatural. This is because the supernatural has the ability to hurt us humans in ways we cannot avoid. As a result, people start thinking how all of this is possible. Supernatural beings are often very peculiar, so, not only are their actions frightful, but so too are their appearances. Many horror writers take advantage of the supernatural, as Edgar Allan Poe did. In Poe’s short story “The Fall of the House of Usher,” the characters have a rare illness that has the same symptoms as a vampire would. Poe does not state if the characters are vampires, so there are many debates as to whether they have an illness or if they are vampires. It is evident that the characters are actually vampires based upon Roderick’s symptoms and looks.

It is a well known fact that Edgar Allan Poe‘s stories are famous for producing horror or terror in his readers beyond description. However, it is one of this essay’s attempts to precisely describe these two characteristics present in The pit and the pendulum and The black cat. Horror may be defined as “the feeling of revulsion that usually occurs after something frightening is seen, heard, or otherwise experienced. It is the feeling one gets after coming to an awful realization or experiencing a deeply unpleasant occurrence.” On the contrary terror is described as “the feeling of dread and anticipation that precedes the horrifying experience” These two concepts are thought to be crucial when analyzing Poe’s writings. It is going to be

Edgar Allan Poe was an extraordinary author whose horror and mystery stories leave an impression on readers even today. In some of Poe’s works, the narrator’s thoughts and actions make the reader question the narrator’s sanity. Two good examples are Poe’s poem “The Raven” and his short story “The Black Cat”; there is plenty of evidence to support that both of the narrators are not completely sane. In Poe’s “The Raven” and “The Black Cat,” both narrators exhibit symptoms of mental illness, including hallucinations, illogical thinking, mood swings, and substance abuse.

The following is a summary on the short essay The Dark Night of the Soul by Richard E Miller. This short essay is an essay that has been written with a main point always in mind, that reading and writing has very powerful influences people and their imagination but, the act of reading and writing is not being utilized as much in the modern world. Richard has created an essay that proves his point by taking five very different short stories and giving each a twist that helps the reader see the power of reading. As the reader is chronologically going through the essay he or she is given many possible meanings of the essay. The meaning and the

Lyn Di Iorio and Laura Restrepo in their respective novels have managed to provide an overview that how supernatural and mystical powers and entities can change the life and perspective of individuals. Both of the novels entitled as Outside the Bones and Delirium are having a similar theme of conventionality and ghostliness.

In both, Nathanial Hawthorne’s “Young Goodman Brown” and Edgar Allen Poe’s “The Fall of the House of Usher” the protagonists, Young Goodman Brown and the narrator experience a journey into the subconscious. Both stories have an overlap that blurs the boundaries of reality and fantasy. It is truly the supernatural aspects of these two stories that force the protagonists and the reader to delve into the realm of the subconscious and to scrutinize good versus evil and real versus imaginary.

Charlotte Gilman, through the first person narrator, speaks to the reader of the stages of psychic disintegration by sharing the narrator's heightened perceptions: "That spoils my ghostliness, I am afraid, but I don't care--there is something strange about the house--I can feel it" (304). The conflicting

Unexplainable singularities are inevitable. Society does not have the solution to every dilemma or anomaly that transpires. Undeniably, two fields of study that still has unidentified surfaces are the human psyche and supernatural activity. Scientists and researchers, regarding the psychology of the mind and supernatural happenstance, uncover new data and statistics every day. A psychological disorder can develop at any junction in a person’s life and encompass peculiar behavior in the way a person feels, thinks, and acts. In the novella, “The Queen of Spades” by Alexander Pushkin there are several key elements that provide the reader with enough data to formulate that the main character’s mental stability triggers the manifestation of the late Countess. Conversely, Stanley Kubrick’s movie adaptation of Stephen King’s novel, “The Shining,” demonstrates strong indications of the supernatural.

Secondly, both Edgar Allan Poe and Nathaniel Hawthorne share a very similar tone through their writings that affects the perception of evil in their stories. For example, “And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror”(Poe, 11) represents a nervous, yet saddening tone presented by Allan Poe taking in consideration the repetition of a statement made by the main character in “The Tell-Tale Heart”. As well as Allan Poe, Hawthorne presents a mysterious gloomy tone where the minister’s veil makes the readers question themselves about the main purpose for using the piece of crape. An example of this gloomy and overwhelming mystery tone would be, “When Mr. Hooper came, the first thing that their eyes rested on was the same horrible black veil, which had added deeper gloom to the funeral, and could portend nothing but evil to the wedding” (Hawthorne, 11) letting the readers know that all of the villagers gathered at the funeral disliked the veil, for it only brought more mystery and sadness.

Edgar Allan Poe has a distinctive and dark way of writing (Poe & Kennedy, pp.22). His mysterious style of writing appeals to passion and sentimentality. Poe’s most prominent works of fiction are gothic. His stories tend to have similar recurring theme of either death, lost love or both. Poe’s psychologically thrilling stories examining the depths of the humanoid psyche earned him much fame throughout his lifetime and after his death. And this distinctive style of writing made him possess his own style of wiring (Arbor, pp.71). There is a psychological concentration which is an important characteristic of Poe’s literatures, particularly the tales of horror that encompass his best and well-known works, such as The Black Cat and The Raven which

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

In Angela Carter’s “The Lady of the House of Love” and Edgar Allan Poe’s “The Fall of the House of Usher,” reason is shown to be inadequate in explaining the apparitions that appear. The insufficiency of reason shrouds events in mystery, and instills fear and apprehension in both the characters and the audience. There are figures present in each story who represent logic and reason and firmly believe that supernatural elements do not exist, and their attempts to rationalize the anomalies that face them are futile. In Poe’s “The Fall of the House of Usher,” reason is insufficient to explain abnormal occurrences, as with Carter’s “The Lady of the House of Love,” but while Usher and the narrator’s emotions in Poe’s story are relatively

The very setting of the fireside at which Griffin's guests swap stories establishes an atmosphere with which many of us are familiar. We can all relate to sitting around a fire exchanging ghost stories. By employing this particular narrative frame James encourages the reader to abandon their scepticism and give themselves over to a belief in the ghosts. The reader shares in the eagerness of the guests to be frightened; to be delighted by horror. Upon seeing Douglas' distress at the thought of the tale he must tell, and its "dreadful - dreadfulness", one of the female guests actually cries, "Oh how delicious!"5

Edgar Allan Poe was a fictional writer that astonished readers with his many mysterious poems and his tales of horror such as “The Raven”, “Annabelle Lee”, and “The Fall of the house of Usher”.