Calpurnia And Portia In Shakespeare's 'Julius Caesar'

Calpurnia’s first reason for wanting Caesar to stay at home is her fear of the supernatural events and the chaos in Rome, so she convinces him of her points with ethos and pathos. In the first line,

The main thing Caesar’s wife, Calpurnia does in the play is tell Caesar to stay at home on the day of his murder because of many unnatural events that have taken place the night before and because she has had

By using pathos and repetition, Portia uses Brutus’ name and makes it clear that with their bond of marriage she should be allowed to know the secrets her husband keeps. Brutus is not a skilled orator and Portia uses rhetorical devices to show her devotion to her husband. Her strong oration and use of repetition attracts Brutus’ attention. Portia also uses a rhetorical question in which she proves her strength of why she should know the secret. When Portia reveals her strength she states, “Here, in the thigh: can I bear that with patience. / And not my husband’s secrets” (2.1.323,324). With the use of a rhetorical question, Portia is not asking for an answer. She is just trying to prove her point that she can bear with knowing the secret. Although it is a question, she is not really confused, but rather is proving that she is liable. Her question is not looking for an answer but is allowing Brutus to think about why he can’t tell her. The use of a rhetorical question shows that she is able to deal with her husbands secrets. She states that she can deal with a stab in the thigh, so she also could handle knowing the secret Brutus is

Many people in history go through tragic situations that guide them towards suicide, the only last option in their mind. In William Shakespeare's Julius Caesar, three characters took away their own lives because of their troubles. Adversity reveals a person's true character as seen through the suicide of Portia, Cassius, and Brutus.

As noble and great as Brutus might be, all tragic heroes have some tragic flaws and make some errors of judgment, which leads them to their downfall. In this case Brutus's great flaw is that he is too honorable, and he's too naïve when he is dealing with people. An example of an error of judgment is when Brutus underestimates Antony, and thinks him incapable of being dangerous after Caesar's death, "For Antony is but a limb of Caesar...he can do no more than Caesar's arm When Caesar's head is off."  This turns out not to be the case. One example of Brutus's excessive honor being damaging to him, is when he decides that only Caesar should die and no one else even if they seem to threaten his cause, as Cassius warns repeatedly that Antony does.

Draped in flowing teal cloth, Portia is a visual anomaly in comparison to the rest of the cast, who standardly is dressed in a strict uniform of white collared shirts, black kilts, and red sashes to accent. The stark contrast of just colour itself ostracizes Portia from the rest of the characters; a notable costuming choice, as she represents an entirely different dimension to the life of Brutus. In Julius Caesar. By William Shakespeare. Dir. Ron Jenkins. Shakespeare Company, Ground Zero Theatre, and Hit and Myth Productions, at Vertigo Theatre, Calgary. 06 October 2017. Performance, designer Victoria Krawchuk creates an archetype of Portia’s role in the show through costuming. Portia’s more traditional Roman look, an elegant dress and bare feet, resonate the image of a mythological goddess; symbols of both femininity and strength. Encompassing these characteristics perfectly, Portia acknowledges them herself in 2.1, 292-302, (Shakespeare, William. “Julius Caesar.” The Norton Shakespeare: Essential Plays, The Sonnets, edited by Stephen Greenblatt, Norton, 2016, pp. 1115-1180,) in which she states,

This also utilizes Cassius’ sullen behavior to accentuate Brutus’ unbiased and unprejudiced opinions. It supports the idea that Brutus is a fantastic decision maker because it reveals his apathetic nature. In addition to this, an example of the differences in the emotions of Brutus and Cassius is displayed when Brutus attempts to bury the death of Portia in his mind, “Speak no more of her.—Give me a bowl of wine.—/ In this I bury all unkindness, Cassius” (4.3.163-164). This asserts Brutus’ progressive nature because he wishes to move forward from Portia’s death. This sharply contrasts the pessimistic nature of Cassius. It juxtaposes the two to increase Brutus’ credibility as a leader. Likewise, Cassius is displayed as a foil to Brutus when he declares to Brutus what would happen if he was in charge: “Flatterers! Now, Brutus, you have only yourself to thank. / Antony wouldn’t be here to offend us today if you’d listened to me earlier” (5.1.47-49). This represents the violence and hatred inside Cassius’ heart. It contrasts this vengeful personality to Brutus’ forgiving and considerate nature. This portrays Brutus as an even more noble and honorable man because it points out his benevolence and affection for the people of Rome. Cassius and Brutus are on opposite ends of the spectrum when it comes to their motivations and personalities, but they still manage to bring out the best in each other in various

On the assumption that a War did occur, he had little to worry about due to the reputation he built up and she never stated who exactly remains victorious, which he took notice of in line 16, “Whose end is purposed by the mighty gods?” Despite the rare occurrences of these visions Calphurnia undergoes, of which not even she pays much attention to except for this one, Caesar handles the situation with a laid-back attitude, declaring

William Shakespeare's tragic play portraying the life in ancient Rome is one that closely follows many elements that make a drama interesting. The murders and the conspiracies behind the killings add to the plot of jealousy and patriotism. Within Julius Caesar also

The discussion of the Wife’s five husbands describes her evolving role as a woman and how she overcame the most ridiculous obstacles to maintain this idea or illusion of marriage. The Wife’s depiction of her marriages was that three were good and two were bad. The initial marriages were to older rich men where she kept up this idea of marriage in order to receive money, but was not faithful by

With Caesar’s actions in Calpurnia’s presence we see the gentler, slightly less arrogant side to his personality. Also in having Portia’s presence, we see the more compassionate side of Brutus, her husband. We are shown Caesar’s gentler, less arrogant behavior when Calpurnia pleaded with Caesar that he not leave home that day, a request made due to her suspicions sparked by the soothsayer’s warning to beware the Ides of March. Caesar dismisses her feeling confident that the Soothsayer’s words were unimportant. However she continues in her attempts to convince him. “Mark Antony shall say I am not well,/ And for thy humor I will stay at home” (cite). Then, although he sees staying home on this day as a sign of cowardice, Caesar chooses to stay home. Although shortly after, Caesar reverts to his original plan, the fact remains true that for at least a moment, Caesar had made the less arrogant choice. Making this choice showed Caesar is capable of changing his arrogant way of thinking under certain circumstances.In having Portia, Brutus’s wife, we see a new characteristic in Brutus as well.After Portia’s death Brutus says to Cassius, “No man bears

From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two

     For thousands of years, humanity has been ruled mainly by a Patriarchal society. In this society women have often been seen as objects or inferior humans through the eyes of their male counterparts. The Elizabethan era was no exception to these beliefs, and works of literature often supported these misogynistic views. In Shakespeare's Julius Caesar, however, the author appears to portray the characters of Portia and Calphurnia in a positive light, ignoring the common stereotypes often associated with female characters. Although Portia and Calphurnia have minor parts in the play, their strength is discernible. Both female characters are portrayed as

Furthermore, the relationship with Portia has changed throughout the tragedy as Brutus kept secrets and political opinions hidden from her. In one scene Portia literally stabs herself to gather information about Brutus’ mindset and feelings (II.i.324-325). The action Portia takes exemplifies how important politics have on her health and Brutus’ health. Throughout the tragedy Portia is very worried for Brutus as he carefully plans out the assassination of Julius Caesar and Portia eventually dies from the loneliness and despair as Brutus is out at Civil War. The death of Portia was the point Brutus’ relationship with her was destroyed since his

Even though it is natural to share vulnerability with loved ones, Brutus’ personal troubles lead him to keep his secrets and feelings from his wife Portia as well. She senses that Brutus is anxious and is putting on an act when he is around others. “No, my Brutus, / You have some sick offense within your mind, / Which by the right and virtue of my place / I ought to