“The General Prologue,” is the first selection in the The Canterbury Tales. It introduces the Miller in third person limited; where the narrator describes his physical features. Straight away the narrator creates the Miller’s image as “a stout churl” (26). This short distasteful diction implies that he is a “rude, coarse man”(26). Moving forward through the text, Chaucer adds details to support his statement. Not only does the Miller contain poor qualities, the Miller is all around hard-featured. He is symbolic to a lumberjack, who is “big of brawn, “big of bone,” and “broad of build” (26). The Miller’s beard is “as any sow or fox,” red (26). This simile adds support to his features of a lumberjack because most lumberjacks contain thick colorful beards. There is a mention “of the ram” that he “never fail[s],” which adds context to the symbolization of a lumberjack because most mountain men have either rams or bullhorn sheep. Chaucer goes far in depth describing his face which contains “A wart” (27). However, it is not the fact that he has a wart that Chaucer draws importance to rather the placement of the wart. The wart’s placement is “upon the coping of his nose,” which Hawkins 2 means it is very noticeable (27). Warts are tough and not easily removed. The Miller’s wart is on the top of his nose and has “a tuft of hairs” sticking from it : the same as witches (27). Therefore, not only is the miller described as a lumberjack for his physical features but he
In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.
The Millers and Reeve’s tale are a lot like a typical sports rivalry. A real life example of the strife between the two men, is the Prep vs. La Salle tug-of-war. The schools are almost identical in beliefs and the way they are run, but the tension between the hawks and the explorers is beyond any normal rivalry. Just like how the resentment between the Miller and the Reeve is not just some normal disagreement. Although the Miller and the Reeve have contrasting, distinct looks about them, they are not much different. They are both working class men on the same pilgrimage with the same view of each other.
Throughout the Canterbury Tales, various characters are introduced and tell a tale, each of which tells a different story. All of the tales are unique and address different issues. “The Miller’s Tale” is the second of the many stories and varies from all of the rest. As seen from the “General Prologue,” Chaucer clearly depicts the Miller as a crude, slobbish man who will say anything. This reputation is held true as the Miller drunkenly tells a story full of adultery and bickering. Despite the scandalous nature of “The Miller’s Tale,” the story also displays some of Chaucer’s prominent beliefs. As “The Miller’s Prologue” and “The Miller’s Tale” are told, it becomes evident that Chaucer is challenging the common roles and behaviors of women, and he is also questioning the effectiveness of social class.
Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.
In "The Prologue" of The Canterbury Tales, Geoffrey Chaucer has some religious characters who break the vows they pledge for, to get a place in the Church. Many characters in the story seem to have an awkward characteristic that the writer did not notice. Why do the religious characters break the vow? How do they break it? For example, the monk was a primary part of the church, but as you keep reading, the characters start to change in ways you could never imagine. Some character do not interact with each other depending upon their social class level. The vows that the religious characters break are the Vow of Poverty, the Vow of Chastity, the Vow of Obedience, and the Vow of Stability.
The Canterbury Tales is a poem written by Geoffrey Chaucer in 1392. In this poem each character tells four stories, two on the way there and two on the way home, to provide entertainment for the people on the pilgrimage to Canterbury Cathedral. One part of Chaucer’s tales that truly stands out is the character prologue where he introduces all of the characters on the pilgrimage and conveys the narrator’s opinions of them using satire and other literary devices. Of characters that Chaucer’s narrator describes, two are the Parson and the Friar. Both of the characters share similarities in their social status and job position however greatly contrast in morals and character. In The Canterbury Tales, Chaucer uses contrasting characteristics to convey an idea that teaches that power does not always lead to corruption.
The Miller's Tale is the story of a carpenter, his lovely wife, and the two younger gentlemen who are in love with the carpenter’s wife. The carpenter, John, is married to a much younger woman, Alison, who is considered a local beauty. To make a bit of extra money, John rents out a room in his house to a poor but clever cleric named Nicholas, who has taken a liking to Alison. The other man interested in Alison is a clerk named Absalon. Nicholas uses his astrological studies to convince John to prepare for a storm so he and Alison could have the night alone. With Nicholas and Alison alone, Absalon tries to get Alison to like him by singing to her but she does not find him attractive.
In the reeve’s tale, the main character, the miller is very envy and greedy for wealth. The miller was proud man who obtains the daughter of the clergyman who should be faithful and honest to husband due to moral by religion and wealthy which is partly from stealing. He appears as he got everything. However, he was also guilty of sloth due to aversion to make money by his own hands. When the two university students were being lechery with his family, he was angry and fight with one
Now it happened that he got into conversation with the king, and to make an impression on him he said, ‘I have a daughter who can spin straw into gold”. These lines show that the Miller is the first character to manipulate the girl in order to gain power. “I have a daughter who can spin straw into gold”. These are the first words the Miller utters in the story. One will come to find that first words in this story are quite telling. In fact, there are several things in these lines which merit critical analysis. For example, we meet the primary characters (minus Rumpelstiltskin of course), but none of them are actually given names. The characters’ identities are presented to us in terms of their socioeconomic statuses. The first character we are introduced to is the Miller. Now, millers were never considered especially wealthy people, but the Grimms wanted to make sure that this fact did not go unnoticed. So, not only do they identify him according to his meager occupation, but they also explicitly define him as “poor”. This statement is then followed with a negation, a “but”. The Miller is poor, “but” he has a beautiful daughter. By introducing the daughter in this way the
The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the
Yet it is sure that Chaucer's capacity of human sympathy, like Shakespeare's, enabled him to go beyond the conventions of his time and create images of individualized human subjects that have been found not merely credible but endearing in
Noted earlier, the Miller’s tale is enjoyable due to its qualities of both entertainment and the idea of learning a lesson. In the prologue, the miller is defined as a filterless, rowdy drunk who speaks whatever comes to his mind. Because of this, he is portrayed as very vulgar and a nuisance since he easily offends others. The Reeve introduces the Miller at the beginning of the story as a drunk, impulsive, bully as he
These physical descriptions "were believed by the physiognomists to denote variously a shameless, talkative, lecherous, and quarrelsome character (Riverside Chaucer, 820: PMLA 35, 1920, 189-209)." Like his appearance, his personality is also depicted as being very loud and disturbing. He is depicted in the way that a young boy would be, only with the strength of a large adult. The Miller acts out and rams his head against doors, which is a common trait of a two year old, however, he is so big that it is said that:
The Canterbury Tales, a masterpiece of English Literature, written by Geoffrey Chaucer, is a collection, with frequent dramatic links, of 24 tales told to pass the time during a spring pilgrimage to the shrine of St. Thomas a Becket in Canterbury. The General Prologue introduces the pilgrims, 29 "sondry folk" gathered at the Tabard Inn in Southwark (outside of London). Chaucer decides to join them, taking some time to describe each pilgrim.
The Canterbury Tales, a book written by Geoffrey Chaucer, is known as a popular literary piece. Although it is not finished, Geoffrey Chaucer uses similes, metaphors, juxtaposition, visual imagery, foreshadow and satire in the “General Prologue,” “Miller’s Prologue,” and the “Miller’s Tale” to make the book a unified whole by filling in the missing pieces. One out of many characters in the book that play a big role throughout the story is the Miller, a brawny and frightening pilgrim, who is known for being a drunk, a loudmouth, and also for telling the most amusing yet shocking stories.