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Canterbury Tales: Wealth, Morality And Success

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The Canterbury Tales: Wealth, Morality and Success In the prologue of The Canterbury Tales, Geoffrey Chaucer, through his choice of style devices such as imagery and details for the merchant and the five guildsmen, highlights materialism in the medieval middle class and challenges the oft perceived notion that material wealth is an automatic determinant of personal success or morality. Chaucer uses imagery and detail to paint a picture of a stereotypical merchant, later to reveal truths contradictory to common expectations drawn from depictions of the merchant’s wealth. He writes that this particular merchant sports a “forking beard,”and is clad in “motley dress,” with a pair of “daintily buckled boots” upon his feet. Chaucer describes the …show more content…

On the surface, he appears to possess great material wealth. Because he is well-groomed and dressed in fashionable clothing, the merchant appears every inch a successful businessman. The merchant encapsulates the very essence of the rising medieval middle class that readers would expect of him. Chaucer also includes additional details that appear to follow this same line of thought. The merchant frequently prattles on about his “money-changing” prowess, giving “out his opinions” on financial and business matters openly, loudly, and quite “pompously.” Thus, he appears to be very familiar with the topics he speaks of so frequently, exuding an air of great expertise in these fields. This, coupled with Chaucer’s description of the merchant’s outwardly appearance, fuels assumptions about the merchant’s wealth and affluence, leading one to believe that he has found great success as a salesman. Yet one last detail razes this facade to the ground: no one knows the merchant is in debt. Stereotypes are founded upon one-sided stories, which therein of themselves are not untrue, but rather incomplete. It is true that the merchant possesses expensive material goods, namely clothing, but that does not …show more content…

He describes the guildsmen’s garb as “trim and fresh,” with their gear, their belts, and pockets richly “tricked out” with silver. The word “trim” denotes a neat and smart appearance, but also applies to decorative embellishment, and the word “fresh,” in this context, denotes new. This use of imagery suggests a certain degree of affluence, helping the readers to, once again, visualize members of the skilled urban middle class of the Middle Ages. Their “trim” and ornate silver clothing conveys fine craftsmanship on the guildsmen’s part, and Chaucer praises them for jobs well done. However, because the five guildsmen are dressed in such an openly lavish manner, they demonstrate that they are not hesitant or ashamed to showcase their wealth. Not only are the guildsmen deeply prideful of their financial standing, they are also proud of their membership in the various guilds to which they belong. Their wealth does not determine moral quality; rather, the guildsmen’s actual usage of their wealth is what speaks volumes about their character instead. Chaucer observes that “[e]ach man of them appeared a proper burgess / To sit in guildhall on a high dais”. The word “burgess” denotes a citizen with particular legal privileges. In their own minds at least, each guildsman feels worthy to sit upon a high chair at one

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