Character Analysis Of Geraldo No Last Name By Sandra Cisneros

“Don´t be afraid to start over.”All immigrants need to know this. Being an immigrant can cause many challenges, you have to leave your old life behind and your memories. Esperanza Ortega in the book Esperanza Rising by Pam Munoz Ryan was an immigrant from Mexico. She had a lot of challenges as an immigrant. Before she immigrated to America she was a wealthy young girl in Mexico with servants. A series of tragedies forced her and he mama to move to America. This leads her to not be able to anything that a servant would do. Learning how to do chores was one of her challenges. In addition, she had two other challenges they were Mama getting Valley Fever, and the Mexican immigrants facing discrimination.

There are characters, which the migrants in the novel encounter, who take risks to help a person in poverty. At the beginning of the novel, Tom tells the driver of the red truck, "´ But sometimes a guy will be a good guy `" (11). Mae, who is unwilling to give a loaf of bread to the Joads, finds herself selling two pieces of candy for less than their value. The man at the register in the camp were the Joads were picking peaches lent Ma a dime. Ma needed sugar for Tom's request for coffee but was a dime short. The man was not allowed to lend money without a slip. " He looked pleadingly at her.   And then his face lost its fear. He took ten cents from his pocket and rang it up in the cash register." He took a risk of losing his job for Ma. The people that seem unwilling to help out usually have a good heart. They don't want to see the anguish and the pain these migrants have suffered. They want to help, but there is only so much a person can or is willing to do. The man who owned the gas station had lent gas to previous migrants who gave him dolls, furniture, and other utensils. The junk he got in exchange for

The American Minority Authors opens the reader eyes of the struggles of acceptance within the society, and how their heritage and their American culture can coexist. Minority writers, Cisneros, Eastman, and McKay, through their stories, give us insight of their cultural heritage and the struggles they have with society embracing diversity. In Sandra Cisneros, story “Geraldo No Last Name”, speaks of a Latino immigrant who does not speaks English living in America. The narrator of the story even put a label on him calling him a ”brazer”(Cisneros,1989, para 4), is a slang word for a migrant worker(Garling, 2007).

The example that affected me the most was when there was a homeless man walking across the street towards a mother and child. Due to instinct, the mother held the carriage closer and harder. To ensure the safety of her and her child, she gave him money. It was not that she felt compassion for him, but instead, she thought that this would keep him from harming herself and her child. It was not that the man acted in any unacceptable way, but that the woman and child were the ones at risk. The author shows compassion as more of a transaction as “the man stands and stares.” The fixed stare made her feel uneasy and nervous. It is as if time stopped. it was not a genuine act of kindness on the mother’s part or that she felt sympathetic for him. There is symbolism of protection “[when the mother] passes a folded dollar over her child’s head.” The man “does not know that acceptance of the gift and gratitude are what make this transaction complete.” It is visible that the woman only offers to help the man out of

According to the National Alliance to End Homelessness, over a half million people are homeless in the United States. Although Sandra Cisneros, the author of The House on Mango Street, had a house, she felt like she was still homeless and contributed this feeling to the main character. In The House on Mango Street, a Latina girl named Esperanza talks about experiences and people that appear in her life while living in a worn down house in Chicago on Mango Street. Cisneros uses a variety of literary devices to highlight Esperanza’s perspective on herself and others around her. The literary devices being focused on are character comparisons, allusions, figurative language, and sensory detail.

People tend to brush off something or ignore something that we do not understand or like. Many Americans do this. So if most of America does this, then what gets done with that problem? Nothing! Barbara Lazear Ascher’s ‘On Compassion’ shows this to a new level. She shows us how the homeless is struggling and everyone turns their heads about it even though it is a big problem in New York City. Ascher’s use of good logos, pathos, and ethos comes together to show people what we are all guilty of at some point in our life. She shows us how the person 's reaction of a homeless person is to how the homeless person reacts to them.

In Sandra Cisneros’s “Geraldo No Last Name,” the author uses a brief and economical style through sentence structure and description to create the effect of bluntness. The first way Cisneros conveys this effect is through sentence structure. Cisneros uses short, effective sentences while describing the situation. The style is a very straightforward, having the reader feeling blunt and insensitive. Referring to the text, Cisneros writes, “That’s the story. That’s what she said again and again. Once to the hospital people and twice to the police. No address. No name. Nothing in his pockets. Ain’t it a shame.” This is a prime example, as last sentence, “Ain’t it a shame,” emphasises how much Cisneros does not care for Geraldo, and leaves the

Rhetorical questions such as, “twice I have wondered, what compels this woman to feed this man? Pity? Care? Compassion? Or does she simply want to rid her shop of his troublesome presence?” (57) makes the reader question themselves and figure out why people would be compassionate. Asher is able to bring out the audience’s feelings about homeless people and why people are kind to them by describing other people’s questionable actions. Phrases like, “his eyes fix on the baby” (57) confuses the reader about whether the mother gave the homeless man money out of “fear or compassion” (57). Her words are delicately planned out to make the reader feel puzzled about whether humans are actually compassionate or if they do things for other reasons.

The key to unlocking and understanding Marisol by Jose Rivera is in recognizing and examining the 3 different worlds Marisol works her way through over the course of the play. The main character, Marisol Perez, dies in the very first scene and spends the rest of the play trying to pass onto her impending afterlife. Additionally, Marisol is a play about Puerto Rican culture and religion and how it affects not only the life of an individual, but also the death of our main character.

In “Only Daughter,” published in Glamour magazine in 1990, Sandra Cisneros talks about how it’s like for her to be the only daughter in a Mexican-American family of six sons. She talks about some of the struggles she faces. Sandra is a writer. A writer who wants her dad to be curious about her writing. He never bothers to ask what she’s writing. When they’d ask her father how many children's he has, he’d respond with “I have seven sons.” The mention of only sons, not a daugher. This proved to her he was only proud of his sons but not her. According to him she’d also have to go to college but only to find a husband. A man who will take her out of poorness. Since, according to Sandra that's why her dad thought college was important for her. He didn't care about her major. Sandra Cisneros is a writer who didn’t have the attention she was meant to receive. Towards the end she finally gets the attention she desired. She translated one of her pieces into Spanish, the only language her dad could read. That's how it gained the attention of her father. When her dad finally reads her story, it fills her with joy. At first she didn't get any attention from her dad at all, because she’s a girl. Sandra Cisneros makes a great argument on her life being full of loneliness. Although, she only talks about her perspective on things. In this article she only talks about her side of the story, and her side only. Sandra talks about how her life was as being the only girl out of seven children.

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

Caring means a state of mind in which one is trouble, worry or concern, Kit shows this in many ways. During this part in the novel Tom Boyd, who is a friend of Kit and Peter, went missing, Kit and Peter have to look for him. Peter went to a tower while Kit watched from outside the tower. In the tower while looking for his friend Peter bumps his head. Kit waits nervously outside, after more than twenty minutes have passed, Peter did not come out of the tower, which obviously makes kit worry. “ You keep watch”, I repeated. If I don’t come out of that building within twenty minutes-” (180) “I’m coming in to look for you!”(180) This quotation represents Kit as a caring person by reason; Kit cares about Peter and Tom, and does not want them to get hurt. She does not want to leave them if they get tied up in a dangerous situation. Another reason on why Kit is such a caring character is when she turned back to save Peter. “ Quick witted, and with natural prejudice against doing what I told her, she’d ignored my advice to ride round.”(253) This is an example of Kit being caring; Kit risked her life and freedom to help Peter escape, by choice. These points are examples on why Kit is a caring

Not only does Luis Cruz’s choices substantially affect Paul’s development in Tangerine, but he impacts Paul’s personality and choices too. To explain, one of the countless choices Luis chooses is to talk to Erik about punching his younger brother: “Erik and his group had gathered up their gear and were preparing to leave. Luis stood in their path, like the brave sheriff of a town full of cowards” (Bloor 211). When Luis decides to stand up to Erik, Paul is influenced to be undaunted by his elder brother. Continuing, Luis also improves Paul’s life by showing him his family’s tangerine nursery: “He said, ‘Look around you. This is a nursery’” (Bloor 164). As Paul journeys through the nursery, he becomes passionate about the trees and loves the

Sandra Cisneros’ use of literary elements, such as voice, repetition, and figurative language, causes the reader to that it takes a long time to grow up.

To begin, the theme one's own selfishness can end up pushing away and hurting those close to them is shown through