Childhood and Adulthood in The Catcher in the Rye by J.D. Salinger
Holden Caulfield sees childhood as the ideal state of being. He thinks adulthood is filled with corrupt people. The only way anyone can win in the adult world is if the cards are stacked in his favor. The characters in The Catcher in the Rye play a diverse set of roles in the war between childhood and adulthood.
Children do not think of appearances very highly, but in order to be respected in the adult world you must always look your best. Holden did not care what people thought about him as long as he felt good. He would wear his red hunting cap backward (p. 18). He also would have his hair cut crew cut style, which is thought of as a kids
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When Holden comes home, he stops and buys "Little Shirley Beans" record for Phoebe (p 114). Even though it breaks, he still gives it to her. She loves it just as much as if it were not broken. Holden remembers Allie by his baseball mitt with the poems on it (p. 39). When Holden tried to bring meaning into the adult way of things, he was outcast. After he told Maurice to send up a prostitute, he did not score with her but he tried to talk to her (p. 95). He tried to make something meaningful out of it but Sunny did not understand. It does not matter if Stradlater gave Jane the time on their date, but whatever they did meant absolutely nothing to either one of them. Stradlater could not even get her name right (p.31). The three girls Holden meets in the bar may be the worst of all. They could care less about anybody, but would die to get with a movie star (p. 72). These memories show thought and love which are a lot stronger than these empty sexual conquests.
Children move through their childhood without a care in the world but have a wonderful time doing it, while adults push kids to become more adult like and figure out what they want to accomplish. As Holden is waiting for Phoebe to show up to say good-bye to her, he takes two boys who are skipping school to see the mummies (p. 203). These two kids do not care about math class, they just want to have a good time by going to the museum. This causes Holden
Holden Caulfield is the protagonist in the novel “The Catcher in the Rye”. In the book Holden hears a quote “The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he want to live humbly for one” (Salinger 188) which he embraces as he matures throughout the story. Holden’s opinions of childhood and adulthood change as he grows through experience.
In The Catcher in the Rye, Holden’s outlook in life is either the innocence of childhood or the cruelty of adulthood. He believes that the innocence of childhood is very valuable and it should be protected from
Teenagers lives their life differently. However, when the time of being a adolescent arrives, they all have the same confusion and mindsets. J. D. Salinger’s novel, “The Catcher in the Rye”, is about a seventeen year old boy named Holden Caulfield, who lives his life with complexes and problems of his owns. Holden lives his life according to his favor and commit unreasonable actions. Holden has a difficult time trying to understand what being a teenager is. Holden Caulfield is a typical teenager because he expresses the problems of being a teenager.
It takes many experiences in order for an immature child to become a responsible, well-rounded adult. In J. D. Salinger’s The Catcher in the Rye, Salinger’s main character Holden Caulfield matures throughout the course of the novel. In the beginning of the novel, Holden is a juvenile young man. However, through his experiences, Holden is able to learn, and is finally able to become somewhat mature by the end of the novel. In The Catcher in the Rye, Holden Caulfield’s story represents a coming of age for all young adults.
Adolescence is often a confusing time where people still have elements of childhood, but they are beginning to enter the world of adults. People end up stuck between two points in life and feel that they can not quite fit into either. In J.D. Salinger’s novel The Catcher in the Rye, sixteen year old Holden Caulfield experiences the contradicting feelings of being a teenager while he is alone in New York City. He masquerades as an adult and his experiences represent various aspects of being an adult. He tries to act grown-up and engage in adult life, but at the same time he resists it and tries to hold onto the way things are. Salinger explores the image of adulthood using symbols. Symbols of adulthood hold for Holden a certain longing and resentment as he struggles with the turmoil of adolescence.
In J.D. Salinger’s The Catcher In The Rye, Holden Caulfield, a seventeen-year-old boy, transitions from childhood to adulthood. The death of Holden’s little brother signifies the beginning his loss of innocence and growth of maturity. As he enters adulthood, Holden views society differently from his peers by characterizing most of his peers and adults he meets as “phonies.” Thus, Holden takes the impossible challenge of preserving the innocence in children because he wants to prevent children from experiencing the corruption in society. The Catcher In The Rye embodies Holden’s struggle to preserve the innocence of children and reveals the inevitability of and the necessity of encountering the harsh realities of life.
The journey between adolescence and adulthood is one of great discovery and introspection. As the blissful innocence of childhood is washed away by the passing of time, a long and confusing period of discovering one’s identity takes center stage. Prior to the process, the adult world seems one of great freedom and opportunity and is treated with a sense of keen enthusiasm. But, only as we become members of this cruel and unjust adult society, does the veneer of privilege corrode away, and the simplicity and innocence of childhood truly appreciated. As such is explored in The Catcher in the Rye, where a young teenager in New York City is faced with the daunting task of transitioning and maturing to an eventual adulthood, one that terrifies him. Holden responds to adulthood with resistance, fear andidealism, before slowly but surely succumbing to its certainty.
In result of this behavior by his parents, he was never able to learn to trust an adult. He didn’t even find one teacher at the multiple schools he attended that he could trust. One teacher he had some respect, but still no trust, for was Mr.Antolini, one of his old english teachers. Holden went to Mr. Antolini’s house, after visiting his sister, for a place to sleep since he could not stay at his house. While s at Mr. Antolini’s house, Holden fell asleep on the couch and he woke up to Mr. Antolini petting his hair from the ground. Not only did this incident freak Holden out, but it also reassured his negative view of adults.
Instead of acknowledging that adulthood scares and mystifies him, Holden invents a fantasy that adulthood is a world of superficiality and hypocrisy (“phoniness”), while childhood is a world of innocence, curiosity, and honesty. Nothing reveals his image of these two worlds better than his fantasy about the catcher in the rye: he imagines childhood as an idyllic field of rye in which children romp and play; adulthood, for the children of this world, is equivalent to death—a fatal fall over the edge of a cliff. His created understandings of childhood and adulthood allow Holden to cut himself off from the world by covering himself with a protective armor of cynicism. But as the book progresses, Holden’s experiences, particularly his encounters with Mr. Antolini and Phoebe, reveal the shallowness of his conceptions.
The Catcher in the Rye by J.D. Salinger is a story about growing up. It explores the obstacles we all face during our transition from child to adulthood. The tragedies and triumphs, the breakthroughs and setbacks, the happiness and heartache. As you follow the book's protagonist, Holden, through his journey into adulthood, you learn about his life, but more importantly, you learn about your own. You grow to sympathize with the young rebel, and you begin to see traces of yourself in him.
Throughout “The Catcher in the Rye”, Holden Caufield longs for intimacy with other human beings. One of Holden’s main problems is that he sees childhood as the ideal state of being. He thinks that all adults are phonies.
Holden Caulfield plays a timeless character in the sense that his way of life is common for the American teenager, in his time as well as now. Today parents dread the terrible and confusing adolescent years of their child's life. In J.D. Salinger's book, The Catcher in the Rye, Holden is in this terrible and confusing point of his life. At this point in his life, as well as in modern teenager's lives, a transition occurs, from child to adult. Holden takes this change particularly rough and develops a typical mentality that prevents him from allowing himself to see or understand his purpose in life.
One of the literary devices in this novel is symbolism. Holden’s red hunting hat is the symbolic feature that alienates him from society. Ackley tells Holden “Up home we wear a hat like that to shoot deer in, for Chrissake… That’s a deer shooting hat” (Salinger 30), meaning Holden’s hat is only worn while hunting. Holden does not seem to care much for Ackley’s opinion and he wears it anyways. This shows Holden’s individuality and his uncommon desire compared
In the novel Catcher in the Rye by J.D. Salinger, the protagonist Holden Caulifield views the world as an evil corrupt place where there is no peace. Holden has a phony phobia that restricts him from becoming a fully matured adult. In Holden's attempted journey in becoming a fully matured adult, he encounters many scenarios involving friendship, personal opinions, and his love of children. His journey is an unpleasant and difficult one with many lessons learned along the way; including the realization that he is powerless to change the world.
The self-narration of Holden’s life is what gives the reader an insight into the way he thinks and feels. It helps you understand why Holden is the way he is. Without this explanation from him, you wouldn’t empathise with him, or like him very much at all. It’s the little stories he tells, like the story about Allies baseball mitt, “…Allie had this left-handed fielders mitt… he had poems written all over the fingers and the pocket and everywhere. In green ink.” (Salinger, 1945-6, p.33) or about how he knows Jane Gallagher, “You were never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were” (Salinger, 1945-6, p.72) that make you see the softer side to him.