Claudius as Evil in 'Hamlet' by William Shakespeare Essay

          By the beginning of Act III, Hamlet is almost ready to kill Claudius, but he still needs more proof that Claudius killed his father, and he also wants to put off the murder because he is a bit of a coward.  Claudius is beginning to lose his composure.  Hamlet decides to set a trap for him in the form of a play.  The subject of the play is the murder of a king by his brother who, in turn, marries the king's wife.  The plot of the play is strikingly similar to the circumstances of King Hamlet's murder, which strikes a disharmonious chord in the conscience of Claudius.  In the middle of the play during the murder scene, Claudius gets up and begs for the play to stop so that he can get some air.  Hamlet is very angered by this because it confirms that Claudius did kill his father.  Later that night, Claudius prays to god to forgive him for his

Shakespeare's Presentation Of Claudius In Hamlet 'Hamlet' opens with the death of Old King Hamlet, Father of Hamlet, Prince of Denmark. The new king, Claudius, brother of the previous king has married Gertrude, the dead man's widow and has taken the throne. Shakespeare presents Claudius as the plays 'damned smiley villain' although he does allow him some redeeming features; leading an audience to view him as a complex and contradictory figure within the play. After Old King Hamlet dies Claudius is crowned king of Denmark and talks to the people as though he has sympathy and is saddened by his brother's death 'and that it is us befitted to bear out hearts in grief, and our whole kingdom

As the play goes on, Hamlet encounters his father's ghost. Upon discovering that his father's death wasn't natural, he says with much feeling that "Haste me to know't, that I with wings as swift/ As meditation, or the thoughts of love,/ May sweep to my revenge" (1.5.29-31). The ghost tells him that he was murdered by Claudius. His motives were his love for Gertrude, without her knowledge or consent. Hamlet is furious and seething with rage with the news of his father's murder. Knowing the truth makes Hamlet's subconscious realize that killing Claudius would be similar to killing himself. This is so because Hamlet recognizes that Claudius' actions of murdering his brother and marrying Hamlet's mother, mimicked Hamlet's inner unconscious desires. Hamlet's unconscious fantasies have always been closely related to Claudius' conduct. All of Hamlet's once hidden feelings seem to surface in spite of all of the "repressing forces," when he cries out, "Oh my prophetic soul!/ My uncle!" (1.5.40-41). From here, Hamlet's consciousness must deal with the frightful truth (Jones).

It is in Act one scene two that we are first introduced to the character of Claudius. The impression made by him is that of a powerful and controlled man who is respected by most. His mannerisms of speech are graceful and are nothing less than the words of a king, 'to bear our heats with grief, and our whole kingdom.' Claudius is presented to us by

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

William Shakespeare’s The Tragedy of Hamlet relays Hamlet’s quest to avenge the murder of his father, the king of Denmark. The late King Hamlet was murdered by his brother, Claudius, who took the throne and Hamlet’s mother Gertrude for himself. Hamlet is beseeched by the ghost of his father to take vengeance upon Claudius; while he swears to do so, the prince inexplicably delays killing Claudius for months on end. Hamlet’s feeble attempt to first confirm his uncle’s guilt with a play that recounts the murder and his botched excuses for not killing Claudius when the opportunity arises serve as testimony to Hamlet’s true self. Hamlet is riddled with doubt towards the validity of the ghost and his own ability to carry out the act necessary to

In the play Hamlet, Claudius is known as the villain of the play. He is the lead antagonist who is characterized as a cunning, incestuous, and vile, usurper. Many readers and critics of the play do not dispute this perception, especially after reading how Claudius became the King of Denmark; He steals the throne by poisoning his brother, the previous king, and quickly marrying Queen Gertrude his widowed sister in law (1.5.42, 60-74). The general reading of Claudius’s character paints him to be a corrupt, cowardly politician, in addition to being Hamlet’s (the protagonist) foe. This portrait engages first-time readers to judge Claudius immediately and although this perspective of his personality is proven to be true, it is limited. Claudius

Hamlet views Claudius' reaction to the play. Claudius' response is indicative of a guilty person, verifying Hamlet's suspicion. Hamlet can now act out his vengeance on Claudius, since he has proven Claudius' guilt and has grounds for carrying out justice. Hamlet is

William Shakespeare’s Hamlet is the tragedy of consequences that stems from evil crimes. The play begins with the appearance of the ghost of King Hamlet, following the sudden marriage of Hamlet’s mother and uncle. On the surface Prince Hamlet’s uncle, Claudius, “seems” interested in the state of Denmark and being Hamlet’s new “father”; however, it is apparent that underneath the façade, Claudius is selfish and manipulative. It is later revealed, that Claudius commits an “unnatural” deed of murdering his own brother to satisfy two of his desires: the throne and his need to have Gertrude to himself. Shakespeare uses biblical allusions to illustrate the heinous crime that Claudius commits for his own ambition.

Claudius is ultimately revealed as the antagonist of Hamlet because he removed the good from his life, becoming the prime opposition of Hamlet. He is then faced with the king’s direction to avenge his father’s death by doing anything it takes to reveal the crimes of Claudius. Although not the chief antagonist, another opposition to Hamlet is his mother, whose crime is also revealed by the deceased king Hamlet. The king tells Hamlet how his wife betrayed him when he comments, “whose love was of that dignity that it went hand in hand even with the vow I made to her in marriage, and to decline upon a wretch whose natural gifts were poor to those of mine” (I.vi.786-791). Queen Gertrude has also crushed Hamlet’s belief of his mother’s faithfulness by forgetting her vows and looking to Claudius’ gifts and love when she should be remembering king Hamlet. Both Claudius and Gertrude threw Hamlet’s integral foundations out the window, leaving Hamlet infuriated and ready to do what it takes to avenge his father’s death and accuse his opposing family of their crime against him.

In Act IV of Shakespeare's play titled Hamlet, King Claudius is shown to be extremely manipulative as he deceives numerous different characters throughout the play. Firstly, Claudius manipulates Gertrude by tricking her into thinking that he actually cares about Hamlet and his well-being. In the beginning of act IV, Claudius states, “His liberty is full of threats to all—To you yourself, to us, to everyone. Alas, how shall this bloody deed be answered? It will be laid to us, whose providence. Should have kept short, restrained and out of haunt, This mad young man. But so much was our love, We would not understand what was most fit, But, like the owner of a foul disease, To keep it from divulging, let it feed. Even on the pith of life. Where is he gone?” (IV. i. 12-21). Claudius proclaims that he will be held responsible for Hamlet’s actions. Despite the obviousness and the pathetically over-exaggerated speech, Gertrude falls for this and agrees to send Hamlet away to England for Hamlet’s own “protection”. Claudius does this because he wants Hamlet to be “accidentally” killed by the prince of England so that Hamlet is no longer a threat to Claudius. However, Gertrude obviously has no idea about any of this. This shows that Gertrude is pretty clueless when it comes to situations like this whereas Claudius is actually quite intelligent as he is able to trick Gertrude easily. Additionally, he manipulates Rosencrantz and Guildenstern by making them spy on Hamlet and lure him

Being the thoughtful person that he is, Hamlet realizes that he must first examine if the ghost is telling the truth about Claudius. He devises a plan to have a play in the palace representing Claudius and Gertrude. Since the play portrays a dying king and a queen that does not want to get remarried, Hamlet gets the guilty reaction from Claudius that he planned for (3.2.244-253). Although he now knows that the ghost was telling the truth, Hamlet, as usual, does not act on the situation. Furthemore, he later agrees to be sent to England by Claudius, who believes that Hamlet is a danger with his lunatic behavior (3.4.216-222).

     Claudius’ lies are effective enough to persistently deceive to play’s antagonist, Hamlet. Despite Hamlet’s disgust with Claudius for marrying Gertrude, and his view of Claudius as “a king of shreds and patches” (III.iv.104), Hamlet suspicion of Claudius as a murderer is preliminarily nonexistent. The appearance of a spirit claiming to be Hamlet’s dead father first alerts Hamlet to the actions of “that incestuous, that adulterate beast, /With witchcraft of his with, with traitorous gifts” (I.v.42-3). And yet still, Hamlet remains hesitant to believe that Claudius was the murderer, searching for complementary evidence. The play that Hamlet enacts -- designed to “catch the conscience of the king” (II.ii.562) --succeeds in revealing Claudius’ guilt, but does not provoke instant action on Hamlet’s part. So effective is Claudius’ manipulation of the royal circle that he manages to almost permanently stay the revelation of his guilt, and if it weren’t for supernatural intervention against an injustice, he may never have been exposed.

In Shakespeare's Hamlet, Claudius’s soliloquy in Act 3, Scene 3, demonstrates that he is a very ambitious, selfish and sorrow individual with a sense of guilt. Claudius is very ambitious to where his lust for power often drives his actions. His desire for power will often lead to horrible consequences. For instance, it was revealed in Claudius’s soliloquy that he did in fact murder King Hamlet, his own brother. There are no limits to what Claudius will surpass in order to achieve what he wants since killing his own brother was not crossing over the line and he saw King Hamlet as nothing but a barrier standing in his way of gaining power. For example, Claudius expresses that “My guilt is stronger than my intentions. And like a person with two opposite things to do at once, I stand paralyzed and neglect them both”, meaning that

In order to verify that Claudius was in fact the one to murder his father, Hamlet assembles a plan. When a group of actors come to the castle to perform, Hamlet requests that they perform The Murder of Gonzago which mirrors what has taken place in Denmark with King Hamlet and King Claudius. The player agrees to perform the play and Hamlet states, “"We'll ha't tomorrow night. You could for a need study a speech / of some dozen or sixteen lines which I could set down and insert / in't, could you not" (2.2 491-93). By adding his own lines to the performance, Hamlet intensifies the actions of the play in order to confirm what the Ghost had told him. Hamlet states, “the play’s the thing / Wherein I’ll catch the conscience of the king” (3.1 556-7). As expected, the King storms off during the play which, in turn, proves the King is guilty of his brother’s murder. After Hamlet had confirmed Claudius to be the killer, one would expect Hamlet to kill Claudius immediately, however, this action is prolonged till the end of the play.