Claudius in Hamlet
“Every one sees what you appear to be, few really know what you are, and those few dare not oppose themselves to the opinion of the many, who have the majesty of the state to defend them.” - Nicolo Machiavelli, from The Prince Italian political theorist Nicolo Machiavelli speculated that the strongest leaders are ones who are able to carefully balance appearances to his benefit, strategically using them to strengthen his regime. If Machiavelli was indeed correct, then Claudius, from Shakespeare’s Hamlet, starts off as an ideal Machiavellian prince. However, as the play develops, Claudius’ loses his previously immovable command and composure, largely due to his concern over the potential threat posed by his stepson,
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The oxymoronic phrases “mirth in funeral” and “dirge in marriage” recall Machiavelli’s words, for Claudius demonstrates his ability to express whatever emotions make him look wise and just, showing that he is in command of Denmark, despite his limited experience as king. Claudius fortifies his majestic appearance by taking decisive and positive action. When faced with the threat of Fortinbras, he immediately takes diplomatic measures, sending Cornelius and Voltemand to protect Denmark’s borders and create an alliance with Norway. Later, Laertes asks for permission to return to France. Knowing the value of the advice of Laertes’ father, Polonius, Claudius gives his consent in a jovial manner, thus strengthening his position with the courtiers. The King even senses the troubled state of Hamlet, and rather than letting things run their course, Claudius immediately sends Rosencrantz and Guildenstern as spies. Most importantly, in every decision he makes, Claudius appears confident, maintaining a balanced temperament in the public eye. Yet underneath this smooth facade lies a man who is concerned above all about Hamlet. A full two months after the death of his father, Hamlet continues to mourn, thereby keeping
On William Shakespeare’s Hamlet, after the assassination of his father, Hamlet thinks he is living in a world full of corruption and deceit, where everything is falling apart and everyone is against him. An imminent, exaggerated, and passionate love for his mother is his main feature. Although others argue that Hamlet’s obsession to murder Claudius is strictly to claim revenge for his father’s death, it is Hamlet’s obsessive desire to possess his mother in an unhealthy and, perhaps incestuous, relationship. Hamlet also appears jealous of Claudius, his father-uncle, jealous of him for having Gertrude and for owning the crown. He lives a love-hate relationship with his mother. He is full of anger towards her, but at the same time he
In the first three acts of the play Hamlet, King Claudius go through a subtle, but defined change in character. Claudius role in the play begins as the newly corrinated king of Denmark. The former king, King Hamlet, was poisoned by his brother, Claudius, while he was asleep. Claudius, however, made it known to everyone that the king died of a snakebite in the garden, and thus no one knew of the murder that had just taken place making his murder the perfect crime. The only problem that Claudius must deal with now is his conscience.
" ...for how we live is so far removed from how we ought to live, that he who abandons what is done for what ought to be done, will rather learn to bring about his own ruin than his preservation".(Machiavelli 12) This is a quote from Machiavelli 's "The Prince". This is only one belief of Machiavelli, which, many great leaders have been known to use. Have you ever thought about a leader that possessed these qualities that was from a play? Shakespeare 's character Macbeth represents the Machiavellian idea that a ruler should appear well in public, be smart and strong, and do what is necessary to hold onto power. Shakespeare used imagery, and metaphors to portray Macbeth this way because, although he dies in the end, Macbeth still used
Shakespeare's Presentation Of Claudius In Hamlet 'Hamlet' opens with the death of Old King Hamlet, Father of Hamlet, Prince of Denmark. The new king, Claudius, brother of the previous king has married Gertrude, the dead man's widow and has taken the throne. Shakespeare presents Claudius as the plays 'damned smiley villain' although he does allow him some redeeming features; leading an audience to view him as a complex and contradictory figure within the play. After Old King Hamlet dies Claudius is crowned king of Denmark and talks to the people as though he has sympathy and is saddened by his brother's death 'and that it is us befitted to bear out hearts in grief, and our whole kingdom
How far do you agree that Hamlet’s hesitation to kill Claudius in Act Three is underpinned by religious reasons? Of all the different motives Shakespeare presents for Hamlet’s lack of action, which seems to be the most important?
Shakespeare presents Claudius as a character with many faces yet the audience can clearly understand his motives and ambition throughout the play. His character does however change and we clearly see how his evilness and weakness increases as his need to escape discovery and his clandestine nature in doing so, is revealed.
Shakespeare's drama Hamlet has become a central piece of literature of Western culture. It is the story of a prince named Hamlet, who lost his father. Soon after that he has to confront multiple obstacles and devises a series of situations to defend the new king's royalty. Furthermore, he had to prove that King Claudius, who was the prince's uncle, had killed Hamlet's father. This story has remained among the most popular and the most controversial plays around the world. It generates controversy for all the doubts that this play leaves with the readers. One of the most questioning situations in the play is the delay of Hamlet in avenging Claudius' for his father's death. As a reader this
In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.
One main theme that arises in the Hamlet is the power struggle between Hamlet and Claudius. The main problem is between Hamlet and Claudius; they are in an ongoing battle throughout the play to see who will rise with the power of the throne. Claudius is the antagonist in the story and has multiple people under him that follow his every rule (Innes). He is a manipulative character who seeks revenge on Hamlet through other people he knows. On the other hand, Hamlet is the protagonist of the story, he is very unhappy after finding out the news of how his father had been killed (Innes). He is overtaken though by the ghost of his father, Old Hamlet, and is seen to become mad as a consequence. Although Hamlet seeks revenge against his
Nature versus nurture is a common sociological theory that has the ability to be used on anyone. Nature means the way someone was born or their genes, and nurture is someone’s environment. People argue which affects a person more. In William Shakespeare’s Hamlet, there have been numerous arguments saying that his uncle Claudius is actually his father due to their similarities. With the argument of nature versus nurture one can argue that they act so much alike because Hamlet’s environment growing up was being around Claudius. By looking at both Hamlet and Claudius’; inaction/action, plots to murder one another, their diction, their relationships with Gertrude, the way they treat women and their advisors, it proves that Claudius is not
The abstract concept of evil has vastly transformed throughout human history, ranging for the supernatural and mystical to the very humans amongst whom we live. In modern times, evil has become an entirely ambiguous term. Who is evil? What is evil? Men like Adolph Hitler and Saddam Hussein have been garnered with the term ‘evil’ for their atrocities against fellow humans. Now it seems evil has a solely human significance; when a person violates the individual rights of others on a massive scale, he/she is evil. In Shakespeare’s time – the Elizabethan era – evil had a similar, but somewhat altered connotation in the human mind. Evil was an entity that violated the English Christian
Claudius’ manipulation takes advantage of surrounding characters’ affection for Hamlet. Paired with Hamlet’s apparent madness, he easily sways them into doing his bidding by feeding them incorrect information, thus influencing their decisions and actions. While innocent characters like Rosencrantz and Guildenstern believe their duty is to simply diagnose the reason for Hamlet’s madness, Claudius uses their care for Hamlet and blind loyalty to plot Hamlet’s death. This along with several other attempts of spying on and murdering Hamlet eventually lead to the deaths of multiple characters including Rosencrantz and Guildenstern. Not only that, but all the while he is attempting to take Hamlet’s life, he is fearing for his own and desperately
Claudius and Hamlet are both very selfish men. Claudius wants to be the king of
Shakespeare’s depiction of the relationship between Hamlet and Claudius aids him in implying that his statement refers to Claudius’ impact on Denmark, rather than a more literal account of a garden. The first instance the two share a scene, it is clear that Hamlet does not appreciate what Claudius undoubtedly believes to be words of wisdom. Hamlet’s father died less than two months prior to the beginning of the story, yet Claudius insists, “But to persever in obstinate condolement is a course of impious stubbornness; ‘tis unmanly grief. It shows a will most incorrect to heaven…” (Shakespeare 1.2.92-95). Here, Claudius displays a lack of sympathy for Hamlet’s grief, which both fuels Hamlet’s dislike of him and initiates his lack of trust, for Hamlet undeniably views Claudius’ absence of grief as an alarming oddity. Hamlet later laments about how quickly his uncle wed his mother: “Within a month, ere yet the salt of most unrighteous tears had left the flushing in her gallèd eyes, she married” (Shakespeare 1.2.153-156). This untimely union again highlights Claudius’ lack of sorrow, for less than a month after his brother’s death, he chose to marry Gertrude. Hamlet’s anger is a result of his mother’s ill-timed remarriage, but it is a product of Claudius’ insensitive involvement in it as well. Furthermore, although Hamlet does not directly come to this conclusion,
as these lines relate back to the development of Ophelia’s character, as well as play an important role in the plot of the play, and a major conflict that is portrayed.