Essay on Claudius of Shakespeare's Hamlet

Hamlet kills Polonius and Gertrude becomes scared as to what is going to happen with Hamlet. Claudius betrays her trust by taking advantage of it and takes matter into his own hands. Claudius solution to the problem is to have Hamlet sent to England, where he is going to be safe from the law and will not have to deal with any consequences for his actions. " O Gertrude, come away! The sun no sooner shall the mountains touch. But we will ship him hence, and this vile deed. We must, with all out majesty and skill, Both countenance and excuse" (4.1.28-32). Claudius makes Gertrude believe he is setting this up because he wants to protect Hamlet. But even though the audience knows the real reason as to why he is doing this. He is sending Hamlet to England to be killed. " By letters congruing to that effect, The present death of Hamlet" (4.3.66-67).

  In the first three acts of the play Hamlet, King Claudius go through a subtle, but defined change in character.  Claudius role in the play begins as the newly corrinated king of Denmark.  The former king, King Hamlet, was poisoned by his brother, Claudius, while he was asleep.  Claudius, however, made it known to everyone that the king died of a snakebite in the garden, and thus no one knew of the murder that had just taken place making his murder the perfect crime.  The only problem that Claudius must deal with now is his conscience.

Hamlet doesn’t think it would be just to kill Claudius now because it would be basically sending him “to heaven” which Hamlet does not want. He wants to take what he perceives as the nobler path of catching Claudius in sin and send him to eternal damnation, where Hamlet’s father supposedly roams. To what seems like noble justice to Hamlet leads him to continuously postpone his revenge. Hamlet is not interested in making himself king, rather he is more interested in killing Claudius the, truthfully, unchristian way. Hamlet does not want Claudius to repent and absolve of his sins. Although Hamlet calls Claudius a “villain”, it makes the reader ponder if the executioner of the villain is always the “hero”. So far in the play, Hamlet does not show any characteristics of a traditional hero as he broods and shows temper tantrums. Using his false sense of righteousness, Hamlet waits for the right chance to exact his noble “revenge”.

Hamlet's rant to persuade her that Claudius is a bad man and the murderer of his father depicts his disrespect to his mother. For instance, he tells her, "You go not till I set you up a glass / Where you may see the inmost part of you." (III.iv.20-21) He is threatening his own mother! Later, he addresses her as "thou wretched, rash, intruding fool" (III.iv.32) Even though Gertrude's lust for Claudius aggravates him, Hamlet fails to show even the most fundamental respect to his superior. The relationship is full of disloyalty and distrust from Gertrude's part. First, she appeases, "Be thou assured... I have no life to breathe what thou hast said to me." (III.iv.201-203) It is assumed that she will listen to Hamlet and stay away from Claudius. However, in the next act, she displays her true loyalty to her husband, telling him that Hamlet is "in this brainish apprehension kills / The unseen good old man." (IV.I.12-13) This is partially contributed by her observations of her son talking to a ghost that she doesn't see. Polonius' death causes her to think Hamlet is dangerous, further driving the two apart. Her distrust to her son harms him by further solidifying Claudius' plan to execute him in England because the king sees him as a threat to the throne who is capable of killing. In the end, Hamlet and Gertrude's relationship take a bittersweet ending.

How far do you agree that Hamlet’s hesitation to kill Claudius in Act Three is underpinned by religious reasons? Of all the different motives Shakespeare presents for Hamlet’s lack of action, which seems to be the most important?

Beyond Claudius’ need for admiration, he also tends to disregard the feelings of people around him. This is shown in a similar way as his need for admiration, being that he kills his brother to gain power. Such a selfish action will obviously impact those around King Hamlet, but Claudius disregard that and simply does it for his own gain. He doesn’t think about how Hamlet’s death will affect Gertrude, young Hamlet, Polonius, or anyone else close to him. In the aftermath of this, instead of helping Hamlet through the hard time following his fathers sudden death, he tells Hamlet he’s not a man for mourning for such a long time. Staying on the topic of the death of a father, Claudius uses Polonius’ death to get Laertes to want to avenge his

But to follow him thither /with modesty enough, and likelihood to lead it, as/ thus: Alexander died, Alexander was buried, Alexander/returneth to dust, the dust is earth, of earth/ we make loam—and why of that loam, whereto he/ was converted, might they not stop a beer barrel?/Imperious Caesar, dead and turned to clay,/ Might stop a hole to keep the wind away./Oh, that that earth, which kept the world in awe,/Should patch a wall t' expel the winter’s flaw! (5.1.

In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

An act as appalling as this would never cross the mind of a person with a healthy sense of sanity. Although he committed this dreadful crime, Claudius was good at keeping secrets; nobody ever knew of his sins. “Claudius is socially adept, and his charm is genuine. He can exhibit deep distress over his ‘dear brother’s death’ and admiration for his wife, ‘Th’imperial jointress to this warlike state.’ He knows the value of a great funeral, but quickly turns mourning into celebration and moves on ‘With mirth in funeral and with dirge in marriage’ to whatever lies ahead” (Claudius). This narcissistic king only cared to bring attention to himself when his kingdom chose to mourn the death of Hamlet. Claudius mourns his brother’s death in public but he only pretends to grieve so that his crime will not seem conspicuous. “Though yet of Hamlet our dear brother’s death the memory be green, and that it us befitted to bear our hearts in grief , and our whole kingdom to be contracted in one brow of woe, yet so far hath discretion fought with nature that we with wisest sorrow think on him together with remembrance of ourselves” (Shakespeare 10,11). Claudius explains that although it is necessary to mourn, life still goes on. He points out the importance of realizing the health and prosperity of himself as the new king, only to take the attention off of the abhorrent tragedy he caused to the kingdom for the sake of gaining power and a

In act 3 scene 3 Claudius performs his soliloquy which acts like a window into the true nature of Claudius’ guilt. This excerpt of the play is the first time we encounter Claudius confess blame for the crime against his brother. This self-confession further demonstrates the guilt that Claudius exhibits in act 3 scene 2 when Claudius flees the theater after Hamlet arranges a play reenacting the events of his father’s murder. As Claudius states on line 56, “May one be pardoned and retain th’offense?” This line depicts the true nature of Claudius’ guilt: He does not regret his actions, for his actions have granted him “My crown, mine own ambition and my queen.” (3.2.55) Claudius is content with his gains, his only guilt stems from the fact that he believes he will not go to heaven because of his actions. Zeffirelli as opposed to Branagh shortens this soliloquy which causes a loss of perception into the complex role that guilt plays throughout the story.

Claudius is ultimately revealed as the antagonist of Hamlet because he removed the good from his life, becoming the prime opposition of Hamlet. He is then faced with the king’s direction to avenge his father’s death by doing anything it takes to reveal the crimes of Claudius. Although not the chief antagonist, another opposition to Hamlet is his mother, whose crime is also revealed by the deceased king Hamlet. The king tells Hamlet how his wife betrayed him when he comments, “whose love was of that dignity that it went hand in hand even with the vow I made to her in marriage, and to decline upon a wretch whose natural gifts were poor to those of mine” (I.vi.786-791). Queen Gertrude has also crushed Hamlet’s belief of his mother’s faithfulness by forgetting her vows and looking to Claudius’ gifts and love when she should be remembering king Hamlet. Both Claudius and Gertrude threw Hamlet’s integral foundations out the window, leaving Hamlet infuriated and ready to do what it takes to avenge his father’s death and accuse his opposing family of their crime against him.

In Act IV of Shakespeare's play titled Hamlet, King Claudius is shown to be extremely manipulative as he deceives numerous different characters throughout the play. Firstly, Claudius manipulates Gertrude by tricking her into thinking that he actually cares about Hamlet and his well-being. In the beginning of act IV, Claudius states, “His liberty is full of threats to all—To you yourself, to us, to everyone. Alas, how shall this bloody deed be answered? It will be laid to us, whose providence. Should have kept short, restrained and out of haunt, This mad young man. But so much was our love, We would not understand what was most fit, But, like the owner of a foul disease, To keep it from divulging, let it feed. Even on the pith of life. Where is he gone?” (IV. i. 12-21). Claudius proclaims that he will be held responsible for Hamlet’s actions. Despite the obviousness and the pathetically over-exaggerated speech, Gertrude falls for this and agrees to send Hamlet away to England for Hamlet’s own “protection”. Claudius does this because he wants Hamlet to be “accidentally” killed by the prince of England so that Hamlet is no longer a threat to Claudius. However, Gertrude obviously has no idea about any of this. This shows that Gertrude is pretty clueless when it comes to situations like this whereas Claudius is actually quite intelligent as he is able to trick Gertrude easily. Additionally, he manipulates Rosencrantz and Guildenstern by making them spy on Hamlet and lure him

Moreover, as mother to Hamlet, she acts largely as a reflection of the evils within Claudius. Much of the antagonism Hamlet directs towards her is, thus, aimed clearly at the elements of her that mirror Claudius: her lustfulness and corruption. In return, however, Gertrude offers Hamlet a level of motherly love and understanding. When she says "Let not thy mother lose her prayers, Hamlet. / I pray thee, stay with us, go not to Wittenberg," she quite clearly is expressing simple love and a desire to remain close to Hamlet. While Claudius is purely destructive towards Hamlet, Gertrude's ability to filter her lustfulness and corruption through her womanhood allows her to act, at least on some level, as a positive force on Hamlet.

Claudius is a coward when it comes to murder. Claudius finds the most indirect way to kill someone: usually with poison. The King also manages to get Laertes to be the one to fatally injured Hamlet– showing hs manipulative tendencies. “Thou art slain./ No med’cine in the world can do thee good./ In thee there is not half an hour’s life./ The treacherous instrument is in the thy hand,/ Unbated and envenomed… The King, the King is to blame” (5.2.344-51). Here, Laertes is explaining that the king poisoned his fencing sword so he could impart the fatal blow on to Hamlet. It is not Claudius that takes the credit; Hamlet has to find out from Laertes that he is dying. Even as Hamlet is dying, Claudius still chooses to remain a coward. As the antagonist, Claudius is meant to embody evil, condemnable traits that make readers hate him. Shakespeare is