Common Man as Tragic Hero in Death of a Salesman Essay

In Arthur Miller’s Death of a Salesman, the author conveys the reader about how a person lives his life when he or she cannot live the “American Dream.” Willy Loman, the main character in the play is a confused and tragic character. He is a man who is struggling to hold onto what morality he has left in a changing society that no longer values the ideals he grew up to believe in. Even though the society he lives in can be blamed for much of his misfortune, he must also be the blame for his bad judgment, disloyalty and his foolish pride.

Throughout the whole play the only thing Willy Loman would act upon being his need to fulfill what he thought the “American Dream” was in society. He based his whole life around the concept that being successful only comes if you’re well liked by everyone: (Quote). In a way that is true, due to the fact that people who are well liked tended to have it easier in life. Willy wants to influence his family’s lives with his strong belief. Therefore,

Willy Loman was a failure as a family man who never achieved the American Dream. His life is an example of a true downfall, which affects all of those close to him. By living in an illusion, Willy guaranteed that he would be unable to achieve all that he thought he should. As a result, his death is the final confirmation of his failed life. Truly, success could never be achieved in his life, even if he had made plenty of sales. By giving up his dreams and true desires, Willy Loman died long before he crashed his car, and that led him to become every bit the failure that he will

He begins by highlighting the ways that Willy Loman views himself and how they ultimately affect his life negatively. Willy often acts and dresses a creatin way to keep up this persona of a successful business. However, when he looks into the mirror he sees a completely different image of himself. Willys sees himself as a man who is “very foolish to look at”(1443), and he often tries to cover up his insecurities by lying to himself and his family. He lies to cover up the fact that he is not happy with his life, and feels that he has not accomplish enough. Ironically, it is these

Willy Loman is a senile salesman who lives a dull life with a depleting career. He has an estranged relationship with his family and believes in the American Dream of effortless success and affluence, but in no way accomplishes it. Feeling like the aim of life is to be favored by others and gaining a materialistic fortune, Willy lives in a world of delusion where

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

In The Death of a Salesman by Arthur Miller, it is argued weather that Willy Loman is a tragic hero. There are cases for both classifications of Willy. By definition, a tragic hero is a person born into nobility, is responsible for their own fate, endowed with a tragic flaw, and doomed to make a serious error in judgment. The tragic hero eventually falls from great esteem. They realize they have made an irreversible mistake, faces death with honor, and dies tragically. The audience also has to be affected by pity or fear for the tragic hero. In order for Willy Loman to be a tragic hero, he has to fulfill all of these descriptions. Willy Loman fits into some of

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

      Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible.  However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal "tragedy" that comes from his inability to admit his mistakes and learn from them.  Instead, he fits Miller's description of pathos and the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, [is] incapable of grappling with a much superior force," (Miller  1728).

Arthur Miller’s play Death of A Salesman demonstrates the life of a man facing troubles within himself and society. A tragedy is the imitation of an action that arouses fear and pity. This play could be considered a tragedy because it depicts the downfall of a perfect family and outlines the deterioration of a man’s life. A tragic hero, as defined by Aristotle, is someone who exemplifies great importance or heroic qualities; however, Arthur Miller views the tragic hero as someone who struggles heroically with life. Using Arthur Miller’s definition, it can be determined that Willy Loman is a tragic hero. Even though Willy Loman does not fit the classical view of a tragic hero, he is in fact a modern day tragic hero because of his error in judgment, a reversal of fortune, and his excessive pride.

In Death of a Salesman, author Arthur Miller, presents the Lomans, a dysfunctional family. The father of the Lomans, Willy, is the main character of the story. I feel like Willy is the true tragic hero. The definition of tragedy has changed over the course of time with its origins dating back as far as 350 BC, when the Greek philosopher Aristotle introduced the concept of hamartia, a man's fatal flaw. Arthur Miller took Aristotle’s teachings into consideration when writing Death of a Salesman, especially the elements of a tragic hero.

Miller amalgamates the archetypal tragic hero with the mundane American citizen. The result is the anti-hero, Willy Loman. He is a simple salesman who constantly aspires to become 'great'. Nevertheless, Willy has a waning career as a salesman and is an aging man who considers himself to be a failure but is incapable of consciously admitting it. As a result, the drama of the play lies not so much in

Arthur Miller presents his play ‘Death of a Salesman’ in the ancient form of a tragedy. Aristotle has defined his idea of the ‘perfect’ tragedy in his text, ‘Poetics’ (350 BC).Here he suggests that the protagonist must fall from an elevated social standing as a result of a “fatal flaw” within the character; the fall from the main character creates resolution to the play which is seen as just; finally, Aristotle identified that the action of the drama should take place within a 24hour timeframe. An ancient play which is believed to be the perfect tragedy is Oedipus Rex by Sophocles. ‘Death of a Salesman’ is definitely a tragic play, but is Willy

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect