Compare And Contrast Antigone And The Whale Rider

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

The original play of Antigone was written 1000s of years ago but, this movie was made in the 1940s during the second world war. The French Government was controlled by Nazis, when showed the play, both the french resistance and the Nazi party loved it. When one analyzes the characters to this situation you find that Creon relates to the Nazi party and Antigone is like the French rebels. Antigone is like the rebels because she is going against the wishes of Creon and wants to give her brother a proper burial and Creon is like the Nazi party because it was his decision to make sure that his nephew got the punishment he deserved even if it meant going against his family values.

The female characters portrayed in Aeschylus and Sophocles’ works have considerably different personalities and roles, yet those females all have the common weaknesses of being short-sighted and stubborn. They intensify the conflicts within their families while being inconsiderate of the impacts that they may bring to their nations and societies, which leads to consequences that they are incapable of taking responsibilities for. Clytemnestra and Antigone, two major characters in their respective author’s works, possess different motivations for their deeds in the stories. While Clytemnestra is driven by the desire of revenge to murder her husband Agamemnon, Antigone acts against Creon’s will and strives to properly bury her brother. Despite having different motivations and personalities, Clytemnestra and Antigone both commit

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

Sophocles was a greek poet known for his greek tragedies, stories and plays popular all across Greece, and even have a strong influence on today’s culture. Tragedies, which was such a large form of amusement that men who were actors could get out of military service at the time. Sophocles is prominent for his plays: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus. Despite the many plays he has made, the ones being distinguish here are Antigone and Oedipus the King. Antigone and Oedipus were tragic heroes. It is beneficial to know that Oedipus is Antigone’s father and sibling due to him unknowingly marrying his mother, Jocasta, and killing his own father Laius, committing

“The strength of a family, like the strength of an army, is in its loyalty to each other.” - Mario Puzo. The play “Antigone” by Sophocles demonstrates the paramount significance of unconditional love and loyalty to family, including keeping one’s promises. It also implies the lesson of never taking the loved ones in our lives for granted. “Antigone” takes place in Ancient Greece, and is so well told that I felt as if I were experiencing this tale for myself in the city of Thebes. The tragedy focuses on a young girl named Antigone, who has heard the news of her two brothers killing one another in a battle for control of Thebes. Her younger sister, Ismene, however, is a fascinating individual who refuses to help her older sibling give one of

Everyone has been guilty of some type of wrong in their lifetime, whether it was cheating on a test, lying, or not listening to someone when they are told to do something. Even those considered heroes are guilty of doing wrong and in this essay, the play Antigone by Sophocles will be analyzed. The play takes place in Thebes in 441 B.C. In the play, Antigone buries her brother, Polyneices, who Creon decreed to not bury. Creon then finds out about what Antigone did and punishes her “even though she claimed” to have done the will of the gods. I will explain how each character was guilty of doing something wrong. Transition, Antigone was put on trial for burying Polyneices, however, Antigone, Creon, and the gods are all guilty of doing some type

Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.

After reading Antigone by Sophocles, readers may believe that the two main characters, Antigone and Creon, seem like polar opposites. However, after digging a little deeper, readers are able to come to a final conclusion that although both characters may not always see eye to eye, they carry a number of similar traits. The characters seem to be so alike that it results in the two to constantly disagree, leading towards the two to continuously find new differences and flaws within each other. They don’t exactly have the same views, for example, Antigone seems to put family over everything else while Creon’s loyalty is more concerned with the well-being of Thebes. However, the two characters do have many similar internal characteristics. They are independent, confident, and stubborn when they want to be.

One perspective of oppression in Antigone is demonstrated through the conflict between Creon and Antigone regarding the burial of Polyneices, Antigone’s brother. Creon is the king of Thebes, and constantly has to assert his power, even if it means suppressing others’ opinions. When Antigone disagrees with his decree of allowing the burial of only one of her brothers, she defiantly performs a burial ritual for the other. Creon is outraged and issues the punishment of death upon Antigone, and condemns her sister Ismene for the same crime “for they are but women, and even brave men run when they see death coming” (Sophocles 460-465). It is clear that the main issue is not about Antigone breaking the law; but that she is an inferior woman who is expressing her opinions against someone of a higher standing. Creon oppresses Antigone for her gender and refuses to acknowledge her perspective because he would rather “lose to a man, at least”

The novels, Antigone and The Odyssey, both illustrate different perspectives in which the characters love their respective family members. Love is experienced and represented in different ways between the characters of each novel. Furthermore, the characters’ differing personalities modulate their desires. In Antigone, Antigone, Kreon, and Ismene all have distinct views on how their late traitor, Polyneikes, should be buried. Antigone loves her dead brother, Polyneikes, and desires to bury him. On the contrary, Kreon and Ismene believe in following the law over honoring their family. In the Odyssey, the main characters utilize their cunning to determine whether they should place duty or desire first. Odysseus and his close family members employ their intelligence in determining whether they should

Now when the guards discovered that someone buried the body of Polyneices, the head sentry went to tell the king, whereupon Creon became enthralled with anger. He told the sentry that he judged him to be a bribed soldier and that he could not return unless he found the person who had buried the body or told of whom it was that had bribed him. After this the horrified sentry and his men brushed off the sacred burial dust from the body and kept watch from a distance to see if the rebel would return to bury the body. Sure enough, during a sandstorm Antigone was seen burying the body that she had cared for so well before. The guards grabbed her and she showed no fear. She did not try to evade her pursuers and she was brought before the king. The king first asked her if she had heard his proclamation concerning the burial of her brother. She blatantly told him that could not have helped hearing it. If she had denied hearing it, she may have escaped death, but she did not want to escape it, and she felt that she had done nothing wrong. She believed that her death would be of no importance, but that the death of her brother would

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king

What is the difference between a tragic hero from an antagonist? In the story “Antigone”, written by famous play writer Sophocles, a young girl named Antigone fights a tragic battle in trying to prepare a proper funeral for her dead brother Polyneices. On the other hand Creon the King of Thebes, believes that Polyneices should be left unburied. The two conflicting characters Creon and Antigone differ based on their words, actions and ideas. Creon’s downfall slowly leads to more suffering even though he is just trying to follow the rules as a king. Creon’s traits of pride and ignorance are different from Antigone’s traits of perseverance lead to Creon’s position as a tragic hero because Creon can not accept the fact that Antigone is willing to do anything to have the burial for her brother and this leads to a series of tragic occurrences.