Compare And Contrast Edgar Allan Poe And The Fall Of The House Of Usher

Edgar Allan Poe and Alfred Hitchcock both use suspense and fear in their pieces of work. The audience can see the way Edgar Allan Poe uses suspense in his pieces, “The Raven” and in “The Fall of the House of Usher,” and how Alfred Hitchcock uses similar techniques in his piece, Rear Window. These three pieces of work show how Edgar Allan Poe and Alfred Hitchcock are able to use and set up different aspects to create suspense and fear throughout their stories. In both Hitchcock’s and Poe’s pieces one can see the aspects that they use to create suspense are very similar. Both Hitchcock and Poe use a single character’s point of view, detailed settings, and isolation to create this sense of suspense throughout the story.

Madeline, who is Roderick’s sister and wife, represents the incestuous romance, which connects to Poe’s love life with his young cousin. Brett Zimmerman makes the connection with the statement of “the In light of our new understanding of Madeline as the allegorical-phrenological representative of perverse sexuality, we may have to revise our understanding of Poe's Platonic and idolatrous attitudes toward women.” The image of incest is again repeated with the reflection on the lake, where the twins are on top of one another, only Madeline is weaker than Roderick just like the reflection. Brett Zimmerman displays this when he writes “the narrator has already experienced a visual analogue of the sister atop the brother in the image of the House astride its reflection in the tarn.” Critics consider the house itself to symbolize Roderick, while the paler, weaker reflection represents Madeline. Madeline represents the incestuous romance, the bigotry of Poe’s time, and the constant decay of households he shared with the women in his life.

Fear is among one of the most universal human emotions that everyone is interconnected at one point or another during their lifetime. In the gothic stories, “The Fall of the House of Usher” and “House Taken Over” written by Edgar Allan Poe and Julio Cortazar respectively. Edgar Allen Poe writes about how the character Mr. Usher, who because of his mental illness and delusions, cannot come to terms with his reality. Cortazar writes about the relationship between a brother and sister who have normal everyday lives and have strange and odd nightmare that haunts them. The

Edgar Allan Poe, a writer known for his mysterious and dark works, has had a lot of time perfecting his style of writing in short stories. His short stories, all usually dealing with the concept of death, relates back to his childhood, linking to his past experiences. As a small child, Poe's father had abandoned his family, leaving his mother to take care of him and his sister. When Poe turned three, his mother had passed away due to tuberculosis. Exposed to death at such a young age, it connects to his writing style and how he incorporates death in his stories. Throughout the course of his childhood, Poe had encountered many other traumatic experiences dealing with the deaths of loved ones. The repeating occurrence of death in his life

One of Roderick's fears was death. He was from a well-known and honored family, and he and his sister were the last of the long line of Usher descendants. His sister, Madeline, had been fighting a severe and long-continued illness for quite some time, which had added to much of Roderick's gloom. " Her decease, would leave him the last of the ancient race of the Ushers." Roderick seemed not only to fear the death of his sister and ultimately of himself, but also the uncertainty of the future. "I dread the events of the future, not only in themselves, but in their results. I shudder at the thought of any, even the most trivial incident, which may operate upon this intolerable agitation of soul."

Poe’s use of foreshadowing, the act of providing hints of future actions, in “The Fall of the House of Usher” foretells the “death” of Madeline Usher, along with her grandiose return. “She succumbed (as her brother told me at night with inexpressible agitation) to the prostrating power of the destroyer”. The "destroyer" here is Roderick Usher, referring to the end of the story, when he buries his sister alive. Poe uses foreshadowing again when Roderick “stated his intention of preserving her corpse for a fortnight, in one of the numerous vaults within the main walls of the building”. By “preserving” Madeline’s corpse, Roderick leads the audience, as well as the narrator, to believe that she is still alive, thus giving her the ability to “rise from the dead”.

“Fear is not real. It is the product of thoughts you create. Danger is very real, but fear is only a choice.” Fear is not something that is always real, such as when Usher was scared but there was nothing to fear yet, but the danger at the end of the story, especially for Ushers friend, was something to fear for. In the Gothic Literature short story, “The Fall of the House of Usher” by Edgar Allan Poe, the setting is somber and creates an illusion of darkness. On the other hand, “House Taken Over” by Julio Cortazar, portrays the idea of magical realism in, which setting is more realistic and less gloomy. Although Gothic Literature and Magical Realism are similar, there are also many differences, especially in their settings.

While most of the primary characters in the American Gothic cannon are members of the aristocracy, their societally dominant position does not guarantee them satisfying lives. The focus of this analysis will be the portrayal of the individual as it relates to his or her economic status: does having wealth mean that upper class characters are more likely to lead fulfilling lives than middle/lower class characters? Through a close reading of Edgar Allen Poe’s “The Fall of the House of Usher,” Nathaniel Hawthorne’s The House of the Seven Gables, Kate Chopin’s “Désirée’s Baby,” and Edith Wharton’s Ethan Frome, readers can clearly see a pattern of social commentary in which the members of the aristocracy are—in general—the most restricted,

I decided to write my paper on Poe’s tales of Terror film and Poe’s The Fall of The House of Usher. I’ve have always found Poe’s work interesting. In this paper I will identify the author’s and film intentions. As well as identifying University themes, conflicts and climaxes in both Poe’s Tales of Terror and The Fall of The House of Usher.

A concern of Roderick Usher is the waning health of his twin sister, Lady Madeline. Usher explains to his dear friend, the narrator, that she is the only surviving relative he has. He further explains that his sister’s health condition baffles any physician that has come to the house. After a few days of the narrator’s visit, Lady Madeline dies. Usher explains to the narrator that he wishes to preserve her body by placing her into the underground crypt of the house. I believe that Poe is trying to use symbolism in Lady Madeline’s death in relation to Roderick’s faltering mental stability. For example, Lady Madeline represents a part of Usher that he has lost; a part of him that has become so strange and frightening to him. When he and the narrator place Lady Madeline’s body into the crypt, it is a desperate act to help preserve a part of himself.

Edgar Allan Poe is regarded as one of the most famous writers of all time. He is known for his sinister and horrific tales and his seemingly pessimistic view on life. This overwhelming theme is rarely questioned by other writers and fans alike because of his personal tragedies; it is only fitting that a man as disturbed as Poe would write such troubled stories. It is common knowledge to most that Poe had a heartrending life; he lost his biological mother, adoptive mother, and wife all before he went to college. Poe used the tragic premature endings of his family members as inspiration to write his trademark literature, lengthy eloquent works revolving around fatality. It is atypical for one of his stories to not mention death in one way

Edgar Allan Poe was a unique man that most people could not understand. Many recognize that he is a talented writer with a very strange and dark style. One of his most well known short stories is “The Fall Of The House Of Usher.” Many argue the different meanings of this story and how it is symbolic to his life. Poe was a very confused individual who needed to express himself, he accomplished this through the short story of “The Fall Of The House Of Usher.” Through this story, Edgar was trying to show the fear he had for him self, he did not understand him self so therefore Poe ran from his own personality and mind. This story enables the reader to take a look at Poe’s mind and

From entering the Usher household blank and faceless, he left the house with the characteristics of Madeline and Roderick. The narrator is scarred for life from what he witnessed and went through during his stay at the mansion. Poe purposefully transfers the qualities of the Ushers to the narrator. The narrator is very different from most narrators as he is able to tell the story clearly and have an effect on outcomes of it. In the past, the Usher family was known for starting a pure bloodline through incest. Throughout the generations the tradition on incest and keeping their bloodline pure was passed down as older family passed away. In a way, Roderick and Madeline passed down their mental illness to the narrator. Poe lends the narrator qualities of a character through his experience of the events that took place in the household. Poe makes the narrator into his own character by involving him in the story and allowing him to change the outcome of the events in the story.

Another theme that Poe explores in The Fall Of The House Of Usher is fear. It is fear that drives the story, fear that traps the narrator, and eventually fear that kills Roderick Usher. Poe foreshadows the paradox of Roderick’s fear early in the story: “There can be no doubt that the consciousness of the rapid increase of my superstition…is the paradoxical law of all sentiments having terror as a basis.” Roderick Usher is quoted as saying “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror." This means that he is not afraid of death, but of fear itself. And it is this fear of fear that eventually leads to his death, when Madeline ‘returns from the dead’ and scares him to death.

Finally, what does Madeline represent? Her identity is by far the most elusive. However, I think there are enough hints in the story to make a reasonable assumption. The first hint lies in the fact that Madeline is Roderick’s twin; therefore they share a common source (they are both of the House of Usher) and they bear “a striking similitude.” Secondly, her sickliness is the reason for Roderick’s sickness.