In this essay I will argue that while Ismene, La Malinche, and Masood are three figures that are to some extent reflections of each other in different points of time, they are at the same time very different from each other. I will show this by first briefly explaining the background of each of these three figures. Secondly, I will explain the characteristics that these figures displayed. I will then go on to compare and contrast each of these figures with each other.
Ismene, a character from Sophocles’ tragedy Antigone, is the sister of the play’s main protagonist Antigone. Ismene is sought out by Antigone, who is requesting her assistance in burying their deceased brother, Polyneices. Polyneices was slain alongside Eteocles, their other brother when the former rebelled against the kingship of the latter. Their uncle Creon who is now the king decreed that the body of Polyneices is to be left unburied (Antigone, 3-4). Ismene responds to her sister, telling her that she is reckless for wanting to defy the law and states that women are not made to fight with men who are stronger (Antigone, 5). Furthermore Ismene states that she too weak to go against the cities’ will and refuses to take part in Antigone’s plans (Antigone, 5-6). Later after Antigone has succeeded in her quest, Ismene is questioned and scolded by Creon who is asking whether or not she played a role in Antigone’s actions. She tries to share the blame with Antigone so that she can be punished alongside her sister.
In Sophocles’ Antigone, gender roles are a major conflicting theme throughout the entire play. The setting of the play was written during the Greek mythological days, around 442 B.C. During these days, men were dominant and held all of the power, so women were automatically treated as less. Antigone and Creon portray the conflicting sides between male and female, and Ismene and Haemon portray opposing sides to Antigone and Creon’s actions. Antigone, Ismene, Creon, and Haemon each show differences in behavior due to their sex versus the actions each character chooses to take. Antigone tells Ismene about her plans to bury their brother, Polynices, which is going against Creon’s orders. Antigone and Ismene, have contrasting perspectives on
While Antigone represents a full devotion to humanism, her sister, Ismene, represents not only the rejection of it, but also passivity towards the notion of morality which, in a sense, is equivalent to Creon’s treachery towards what we hold morally sacred. Ismene has long been used as a symbol of both anti-politics and anti-humanism, which creates a dynamic plot by contrasting the cowardly fear to stand up for one’s concept of what is right with a brazen display of self-fulfilled justice. (2) What’s worse may be Ismene’s knowledge of her cowardliness and complete complacency, as seen when talking to Antigone about her plan to bury their slain brother when sharing her fear of punishment, " Think how we’ll die far worse than all the rest, if we defy the law and move against the
The relationship between Antigone and Ismene is close because they are both sisters but at the same time their relationship isn’t that strong. One of reasons they are foils to each other is because of their disagreement about burying the body of their brother Polyneices. Antigone already knows that she is willing to die to let her brother rest in peace but Ismene on the other isn’t on her side, instead she doesn’t want to help Antigone because she want to face the consequences that come with burying Polyneices. Antigone and Ismene are foils to each other because on one hand Antigone is willing to defy the orders of the king who has power over her, while her
2) I would characterize Ismene as less informed, easily subdued, especially by authority. On the other hand Antigone is more informed, willing to take risks, and I believe that Sophocles seems to side with Antigone because she does most of the talking during the scene and makes Ismene seem less intriguing to the audience and would therefore make the audience follow Antigone more so than her sister.
Ismene (Antigone’s sister) points out to Antigone, “Remember we are women, we’re not born to contend with men,” (Sophocles p.646). This strict patriarchy is symbolized by King Creon, who makes a decree that is opposition with the gods and forbids the proper burial of Polynices (Antigone’s brother).
Not all women however are as willful as Antigone. Her own sister, Ismene, portrays a women reluctant to follow what she feels is right in her own mind and follow the laws set by the governing state. Ismene’s words to Antigone, “I do them no dishonour, but to act against the city’s will I am to weak.” (Ismene,
In Antigone, two brothers shared the king status which was left by their father. One of the brothers, Polynices, wanted to start a war with the kingdom because he wanted the king status for himself and himself only. The main ruler, at the time, Eteocles and Polynices fought and they both ended up killing each other. Their Uncle Creon, who took position as King after the deaths of the brother decides that only Eteocles will have a proper burial and Polyneices should lay and rot with no burial. Antigone, Polynices and Eteocles sister, thinks that Creon’s decision is unfair and takes upon herself to give Polyneices a proper burial. When their other sister Ismene finds out, she is stuck between helping her sister bury their brother and following Creon’s demands. Ismene and Antigone are very different people; Antigone is brave while Ismene is tip-top. Two conflicting forces are Ismene's loyalty to her sister and abiding by the laws set out by Creon.
Antigone’s sister Ismene is a docile, mild tempered rule follower. In many ways, she is what the ideal women might look to a Greek man of their time. However, as mentioned earlier she is a foil-a character who was created to highlight her contrast to Antigone. It’s even fair to assume this is the sole reason she was included in this play because she is only necessary for scenes with her sister. In a monologue in response to Antigone’s plans to bury Polyneices, Ismene says, “Remember we are women, we’re not born to contend with men. Then too we’re underlings, ruled by much stronger hands, so we submit in this, and things still worse,”
In the second episode, Creon's Sentry captures Antigone at Polynices' graveside. When Antigone is brought before Creon, she proudly admits that the Sentry's recount of the story is true and that she buried Polynices. Creon suspects that Ismene, Antigone's sister, is also involved. However, Antigone contemptuously recounts her sister's earlier refusal to assist him. In this scene, Antigone is shown to be a woman with extreme pride, arrogance, and stubbornness. She states again and again that she is just following the dictates of the gods and is not willing to listen to Creon's logic. When Ismene is brought in, Antigone treats her with contempt and appears very harsh. This shows a very inflexible and hard character.
Ismene wants peace for women, and the gods. She would rather avoid conflict than helping fight for women's equality. Antigone and Ismene argue because they have different views of women’s roles. Ismene explains she disagrees with the gods, but that she does not want to fight when she says,“I do dishonor them, but to do this against the state- I have no strength for it” (Ant. 16). Ismene gets into an argument regarding women’s roles with Creon. Creon wants to kill Antigone because of her views of women’s roles. Ismene mourns over the thought and asks Creon, “What would life be for me alone, without her?” (Ant. 34). Sophocles reveals that Ismene is a weak character by showing Ismene’s rational side of
Before Antigone begins, the two brothers of Antigone are engaged in a battle no only of land, but of power. Their deep desires to rule Thebes and male dominating ego, only lead to their deaths; a tragedy that would affect more than just themselves. The battle of glory for men would not be the same for their sisters, but in 442 B.C. as Sophocles illustrates, the living women would have to deal with the tragedies of the dead; a task not easy to be burdened with as woman. Their uncle, Creon, dominates Antigone and her sister Ismene to the extent of mourning their own brother's death. Antigone has chosen a fate without glory: "I'll suffer nothing as great as death without glory," (Antigone line 112). Only a male in this time could die with honor and glory, and just as her uncle has forced a death without glory for her brother, although a glorious death is honorable, she has decided it a better life to die without glory than dishonor her blood and the gods. Ismene does not wish to go against the laws of her uncle, for "women were not born to contend with men," but between the bond of her and Antigone, she will defy the king(line 75). Ismene is just as horrified about the edict as Antigone is, but asks what they--weak women--can do. During this era the women had a specific role, and to defy that role would be horrific enough, despite
After reading Antigone by Sophocles, readers may believe that the two main characters, Antigone and Creon, seem like polar opposites. However, after digging a little deeper, readers are able to come to a final conclusion that although both characters may not always see eye to eye, they carry a number of similar traits. The characters seem to be so alike that it results in the two to constantly disagree, leading towards the two to continuously find new differences and flaws within each other. They don’t exactly have the same views, for example, Antigone seems to put family over everything else while Creon’s loyalty is more concerned with the well-being of Thebes. However, the two characters do have many similar internal characteristics. They are independent, confident, and stubborn when they want to be.
Additionally, Ismene also gets punished due to Antigone’s actions even after obeying her superior’s orders. As a result, Creon states that “[he will] execute them” (43). Moreover, Ismene is punished with the shame of the actions she has caused. She stood up to Antigone and partially blamed herself for their brother’s burial as she didn’t want to be left alone. Ismene therefore “bear(s) [her] share of blame” (45) and suffers from Antigone’s actions. Ismene wasn’t the only character who embodied a traditional attitude as Sophocles introduces a similar male character.
The beginning of the play begins with Antigone and her sister, Ismene. Antigone presents her plan of burying their brother, Polynices, whose body had been denied a proper burial by their uncle, King Creon, since in his eyes Polynices had been seen as an enemy to the city. Antigone wanted Ismene to accompany her, but Ismene immediately refused in fear of the consequences. Ismene states “We are women and we do not fight with men/ We are subject to them
In contrary Ismene is docile and someone who follow the laws at all costs. She said, “we are women” stating a woman’s position in society and obligated to obey by the law. She doesn’t agree with her sister Antigone, since is prohibiting for women to have a voice during those times. Ismene believe that women should never violate the laws of man who were guide by the gods. Antigone will carry out the forbidden burial alone, nevertheless she seeks futilely the complicity of her sister Ismene. Ismene without endorsing the established power by King Creon, discreetly folds to it, became a passive collaborator of the system implemented by him.