Compare And Contrast The Cathedral And Everyday Use

In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.

Blindness is not limited to physical manifestation. In Raymond Carver’s “Cathedral,” the figurative blindness is immediately apparent through the narrator and his shallowness, irrational jealousy, and egotistical personality. His dismissive behavior and ignorance towards the feelings of Robert, his wife’s blind friend, speak negatively of his character and reveals his insecurities. While the narrator’s emotional blindness and Robert’s physical blindness initially inhibits their bond, it eventually leads the narrator to an epiphany and the beginning of a character transformation. The different forms of blindness allow the characters to bond and grow over the course of the story.

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

This story is about how the narrator is unable to see what life is really giving him and finds it through a blind man’s eyes, the friend of his wife. Cathedral is a touching story, in my opinion, as it reflects on what many of us, society, take for granted. It shows how important it is to give people a

“Cathedral” represents the theme of how important communication is to the success of relationships. First, when the man finds out the woman’s blind friend is coming he makes many rude comments. As a result, the woman then starts to attack the man personally by saying, “You don’t have any friends” (Carver, “Cathedral” 34). Due to their poor communication, the man cannot simply express that he is insecure that her friend is coming, and he also cannot tell his wife that he believes Robert will be a burden because he is blind. Likewise, the man

The second thing that makes the theme or message come out is the characterization in the story. In Cathedral, there are three main characters. The most important character in the story is Robert, the blind friend of the wife's. Unlike the narrator, Robert cannot physically see, but has a clear vision of appreciating the person's true inner self. For example, when the narrator cannot comprehend how Robert's wife even loved Robert. He says,
"It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this woman must have led. Imagine a woman who could never see herself as she was seen in the eyes of her loved one. A woman who could go on day after day and never receive the smallest compliment

The narrator in the “Cathedral” displays a lack of insight and self-awareness that, in many ways, makes even him blinder than Robert. The narrator is shown to have trouble understanding the thoughts and

The narrator just sees with his eyes. He looks right through things. There is a difference in looking and seeing. The narrator seems to be changing while drawing the cathedral and feeling great for once about life. Although when drawing it his wife asks him what he is doing and him ignoring her shows that he has not changed for good. He cannot answer his wife so that shows that he is not changing to be a better man or husband. The significance to this story is that truly seeing things is a better way of going through life rather than overlooking the beauty. In the story Robert teaches the narrator how to see without his eyes. At the end of the story Robert tells the narrator to open his eyes but he does not listen, he still is taking in the beauty of being able to see without his eyes. The narrator has gone his whole life without truly seeing the world around him and seeing people for who they are and not what they look like. The narrator drawing the cathedral without physically looking opens him up to a new and better lifestyle. If he has truly changed then he can finally see the true beauty in people and the whole rest of the

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

Cathedral is a capitivating story based on the lives of the narrator, his wife and a blind man. Raymond Carver is the author of this story, and he does an excellent job allowing the reader to delve into the lives of these characters. Through using the thoughts of the narrator, the reader is able to grab our attention because the story is made more realistic. The views expressed by the narrator in many senses exemplify the views of many in society and therefore the reader is able to make an emotional connection through the story.

In both “Cathedral” by Raymond Carver, and “Interpreter of Maladies” by Jhumpa Lahiri, dysfunctional relationships are introduced between two characters; however, these relationships are greater in depth than a simple conflict and develop over time. Carver’s story begins with the narrator’s wife informing him of her close relations with Robert – the blind man – along with the many personal things she has shared with Robert; personal things consisting of her “[decision] to live away from her officer,” and later her divorce (Carver 35). This influenced the narrator’s reluctance to accept Robert, but the faith from the cathedral overpowered his distant behavior. Whereas, Lahiri creatively provokes dysfunction by illustrating misconceptions of a single word, “romantic”. Mrs. Das, a woman drowned in guilt and unhappiness refers to her tour guide’s – Mr. Kapasi – alternate job as an interpreter to be romantic; on the other hand, Kapasi, a man who longs for affection from a woman misunderstands her sudden interest for a physical and emotional attraction. Robert and the narrator’s relationship is more impactful than Mrs. Das and Mr. Kapasi because the narrator reaches an ultimate epiphany with the help of Robert.

“Cathedral” depicts a husband and a wife as they prepare and entertain a friend of the wife. The husband, the narrator, is not excited about the friend coming because he is blind. The blind man and the wife have been friends for longer than the husband has known the wife creating a complex and slightly jealous dynamic between the three characters. For the

The story follows the narrator and his wife who has invited her old friend to stay at their home because his wife has just passed away. The friend, Robert, is blind and the narrator’s wife worked for him as a reader ten years prior. They remained close and kept in touch by sending audiotapes to one another, recounting what was going on in their lives. Robert’s blindness makes the narrator uncomfortable and he does not look forward to his visit, even though it is quite important to his wife. The three spend a somewhat awkward evening together and the narrator become more comfortable with Robert as the night progresses and as his wife falls asleep. The narrator gains some compassion for Robert and attempts to describe what the cathedral on the

Lives are diverse. Every being that passes by on the street, at school, at work, anywhere lives a completely unique life different from any other individual. Each person that one could meet has attended different schools, travelled to different places, and lived under different circumstances; they all pass by in an instant without a second thought or even a passing glance. These several diverse experiences sculpt diverse individuals with diverse thoughts, opinions, dreams, and motives. However, in Raymond Carver’s “Cathedral,” the narrator must converse with an individual that lives an extremely dissimilar life from his own. A blind man, friends with the narrator’s wife and a recent widower, has come to live with the narrator for a while. This sudden change in the narrator’s life does not come easy because of his inherent arrogance and prejudice. Nevertheless, the blind man remains polite and shows the narrator how similar, yet still different their lives are through example as well as an explicit exercise where he holds the narrator’s hands while he draws a cathedral in order to “see” what the cathedral looks like. To assist the reader in fully grasping the impact of this breakthrough in the narrator’s life regarding perspective and various types of human realities, Carver employs a large number of stylistic elements to enhance his writing.

In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the