Compare and Contrast of Charlie and Holden Essay

Holden’s desperation for friendship causes him to turn against the people around him because his actions lead continually lead him into with rejection. For instants, Holden shows an effort to gain attention and sympathy from Stradlater by letting him borrow his hound’s tooth jacket and agreeing to write a composition for him even though Stradlater goes on a date with Jane, someone who Holden has strong feelings for. Rejection comes into play after Stradlater reads the composition of his dead brother’s baseball glove, and angrily tells Holden that it's no wonder he's getting expelled: he does not do anything "the way you're supposed to”(Salinger 46). Stradlater rejection affects Holden because he subconsciously feels that he is never good enough and that he’s pathetic. After the two of them got into a fist fight over Jane Holden is so isolated, he turns to Ackley, his neighbor who he can't stand and continuously calls a “phony.” Holden says after Ackley won't even help him that he “feels so lonesome, he wishes he were dead”(Salinger 50). Holden goes to call someone but then realizes that he has no one to call. When Holden was “giving old Jane a buzz…” he quickly hung up, claiming it was because he “was not in the mood,” but he can't deal with confrontation that might end up causing awkwardness, rejection, or emotional pain. It is Holden pain of rejection that causes him to feel frustration in the world, leading him to his depressed state of mind.

J.D Salinger expresses Holden growing up in a vivid image where people can see the clear view of Holden rising upward to be an adult. Throughout the book, Holden ostracizes himself in the society and makes him lonely. The readers can visualize Holden maturing when he realizes that not everybody is his enemy. For instance, when Holden leaves his teacher’s house in fear because the teacher was petting his head; he wondered “if just maybe [he] was wrong about thinking [the teacher] was making a flitty pass at [him]” (194). When he starts wondering if it was his own fault, it exemplifies that Holden is deeply thinking about his acts toward other people. His thinking can also relate to the last sentence “don’t ever tell anybody anything. If you do, you start missing everybody.” (202). The last sentence is an example of Holden setting his importance on the people around him. But with all the obstacles that he goes through, he realizes that people that are involved in his life are an important factor of his life, and regrets having a live social life. This realization is an example of coming of age because we can truly see Holden’s thinking of what he thinks of a good life is which involves people around him.

This character is going to tell it like it is, and he does. The most powerful emotional standpoint in the story is when Holden goes to his sister’s elementary school to deliver her a note. While he is there, he discovers two words scribbled on the wall. “Fuck you.” Most people would look at that and think nothing of it. Some would bow their heads in shame at the person who thought it was funny. Others might laugh. Not Holden. He did not think about the normal persons response to the note. He thought about the child’s response. About how a little kid is going to see that seemingly meaningless phrase and wonder what it means; about how some dirty kid would explain what it meant; and about the person who wrote it and how they are destroying the childhood of everyone who reads the ‘harmless’ graffiti. This section takes the reader to the door of Holden’s mind. It is at this point that one truly understands his emotions.

Despite his longing for acceptance, “His efforts to connect with any stereotypical kid his age result in abject failure“(Privitera 204). Salinger thoroughly emphasizes this through Holden’s relationships with Stradlater and Ackley, with both of whom he has a strenuous and artificial relationship, demonstrated by his internal, flippant commentaries on his peers as he discusses them in the book (Salinger 31-40). Holden’s peers ostracize him due to his more introspective and introverted nature, as seen in Stradlater’s angry response to Holden’s reflective response to this writing assignment, saying that he doesn’t “do one damn thing the way [he’s] supposed to”(Salinger 47). These difficulties stem not from deficiencies of his peers, but rather a problem of Holden’s refusal to accept anything different from what he expects, making excuses about his reasons throughout the book to cover his actions. His rationalization of his internal wants and desires impedes any proper connection he could possibly make with his peers. He, “Subconsciously longs to be accepted yet feels he cannot make the connection”(Privitera 205).

As a neurotic person, Holden exhibits Self-Hatred for himself through his tendency to deal with problems through childish impulses. Self-Hatred occurs when one attempts to cope with their existential anxiety by allowing it to manifest into mental illnesses. Holden shows this when he allows his innocence to make adult decisions. For example, he hires a prostitute and plans to have sex with her, which is something that signifies the loss of innocence and transitions into adulthood. When she arrives, he changes his mind and asks “‘Don’t you feel like talking for a while?’” (Salinger 95). This shows that Holden is unable to make adult decisions, and instead, relies on his childish impulses. Holden’s childish impulses also lead to violent outcomes, such as with

Holden as a character displays the alienation of himself through his behaviour. Holden is not the same as many people and believes that everyone is a ‘phony’. Throughout the novel Holden realises more and more that he is different and sees the world differently to others around him. Holden has created an identity for himself and doesn’t want that to be diminished therefore he alienates himself from the rest of society to decrease the chances of that happening. Holden’s old school, Pency Prep, has the motto “since 1888 we have been shaping young boys into splendid, clear-thinking men.” (pg. 2) This increases Holden’s motivation to leave the school as it will be shaping his identity into something he doesn’t want to be; a man. Holden is all about protecting those younger than him from the dangerous world of adult hood and by alienating himself he feels he has a better chance of

Although Holden “hardly even know[s]” James, he sees him as someone who is real and not phony, admiring his resistance to lie (Salinger 171. The deaths of Allie and James cause Holden to contemplate suicide in order to escape the world of phoniness he lives in. Consequently, Holden’s constant thoughts about suicide lead to his own loss of innocence and advancement toward adulthood.

Between the bars, prostitutes, and perversities that Holden encounters during his time in New York City, it swiftly becomes clear that the adult world that Holden is forced to live in is a dark, uncaring, vile place. However, the one example of all the horrors of the adult world that stands out the most is the obscene graffiti scrawled on a wall of Phoebe’s school. Continuing the theme of wanting to protect the innocence of children, Holden feels absolutely disgusted with whoever wrote it, describing the person as “some perverty bum” (Salinger, 108). Holden’s fury with the hypothetical offender even grows to the point that he wishes to murder the man. While Holden’s intentions are noble (albeit extreme), they can also be interpreted as misguided. His assumption that a homeless man with perverted intentions broke into the school is unlikely, to say the least. In fact, it’s infinitely more likely that the graffiti was left by a rude child at Phoebe’s school who has unfortunately been exposed to the adult world Holden so despises. However, Holden is completely unable to come to this conclusion. “In his world, children are innocent and adults corrupt. While this keeps everything nice and simple in Holden's mind, it also makes it impossible for him to really understand the process of growing-up” (Shmoop Editorial Team). Holden is so desperate to keep his worldview that all children are innocent that his mind completely shuts out the possibility of children who have learned of the monstrosity of the adult world, not wanting to believe that kids have snuck past him in his role as a proverbial Catcher in the Rye. Furthermore, the appearance of the salacious vandalism occurs near the end of the novel, when Holden is on the verge of a breakdown. The precise moment in the story where

He is not intensely preoccupied with academic achievement like many more modern teenagers, having failed out of several prestigious preparatory schools, but he is clearly intelligent and tends to dwell on“heavy” topics like death and loss of innocence. His cynicism and sensitivity, in addition to the trauma he experiences from losing his brother Allie, suggest that he has depression or another untreated mental illness, an interpretation which is common among readers and supported by Holden’s visit with a psychotherapist at the end of the novel. Despite the risks he faces through having an untreated mental illness, shown when he is warned that he is “riding for some kind of a terrible, terrible fall” through self-destructive behavior, the conformist culture and social niceties of the 1950s prevented him from being able to discuss his thoughts for a large portion of the novel. (186) This culture, specifically the “phony” prep schools, is clearly toxic for Holden and likely contributed heavily towards his negative mental state, and therefore the negative image he often has of

As the story proceeds, we see Holden accept the fact that children will “fall off the cliff” and there’s nothing anyone can do, this represents the struggle of preserving the innocence of children versus letting them experience the way of life on their own. The next day, after seeing his little sister, Phoebe, he decides that he wasn’t going to wait until wednesday to leave for the woods, but he was going to leave that day. Phoebe was at school and he wanted to tell her about this new plan and to say goodbye to her. He walked to her school and wrote a note to give to the principle to give to her, before walking into the school, Holden sits down on the steps “While [he] was sitting down, [he] saw something that drove [him] crazy. Somebody’d written ‘Fuck you’ on the wall. It drove [him] damn near crazy” (Salinger 221). Holden discloses that he was so angry with someone writing this absurd word on the wall, that he was ready to bash whoever it was and even kill them. This shows a whole new side of Holden, he behaves irrationally and violent over the cause of someone defiling school property and subjecting children to “jump over the cliff” of innocence and adolescence. Children grow up and lose their innocence at all different ages and there is no way to preserve it in ways like how Holden wants to. Our society manipulates ways of contorting children’s innocence in ways exhibited like this.

After spending some time in New York, Holden decides to reach out to some of his old friends. He calls an old friend, Carl Luce and asks to meet him for dinner. While he can’t make dinner, he does agree to a drink and they arrange to meet at a popular bar in the city. Holden arrives at the bar early and begins drinking. After a moment, he begins to describe others in the bar. He describes the singers and people sitting near him in a negative tone, criticizing them and their behavior. He says “The bartender was a louse, too. He was a big snob” (157). Although Holden doesn’t know him personally at all, he immediately forms a negative opinion of him. This feeling of resentfulness towards others is likely due to the critical way he thinks about himself and his constant feeling of being an outsider. As the story progresses, Holden takes a trip to visit his little sister Phoebe. He sneaks into his parents’ home and finds her sleeping. He notices she has a nice skirt and jacket set laid on the chair and explains how his mother has impeccable taste. He also notes most kids dress terribly and says, “You take most little kids, even if their parents are wealthy and all, they usually have some terrible dress on” (166/167). Even after continuously saying how much he loves kids and how great they are, Holden still has a negative opinion about them. He consistently has a negative opinion about others,

To begin with, Holden has isolated himself from the world, much like many adolescents who have created their own alienation from society to deal with their dilemmas. Social alienation is a condition reflected by low common values when one feels, isolation from a human is the end result they believe they need. “I felt like giving someone a buzz. My brother, My sister, Jane Gallagher's mother, Sally Hayes, Carl Luce. So I ended up not calling anybody.” (Salinger, 77) These are the words of Holden which reflected his current state. Here, one can see, Holden has options to talk to someone and interact but refuses. For many people, alienation can be both a good and bad state, It prevents one from getting hurt or losing people because

Rather, he is saddened by her sitting in his room in her slip. He imagines her buying the dress she has just taken off and realizes that she is a real person and not just a toy to be used for his pleasure. Holden's desire to understand and feel for other people stops him. Holden also admits to being a coward, but the reader realizes he is just a scared boy trying to act like a man in an adult world. Even so, he doesn't flinch in the face of danger when threatened by bullies, such as his roommate Stradlater or the pimp, Maurice. Much more important than his physical courage is the moral tenacity with which he clings to his beliefs in the face of a hostile society. (Lettis, 5)

Later on Holden recalls when he was attending Pencey College how his gloves were stolen by some crook. He continues describing the situation of confrontation hypothetically, at first with assertion and authority. Eventually he admits to himself, “Only, I wouldn’t have the guts to do it. I’d just stand there, trying to look tough” (Salinger P. 99). Holden goes on to describe to the reader his unaware fear of confrontation and violence, hinting at a dread of vulnerability and a closed off persona, another clear sign of Major Depressive Disorder. When Holden was a younger boy he knew a girl named Jane Gallagher whom he was childhood friends with, they often even held hands and had an emotional bond. Ever since he heard about Stradlator (his old roommate) taking her out on a date he’d been thinking of calling her up. Finally on page 130 he calls her up and her mother picks up. Startled, she hangs up and admits he should’ve asked for Jane, “But I didn’t feel like it. You really have to be in the mood for that stuff” (Salinger P. 130). His inability to feel motivated to make an effort for somebody he once loved shows his social-isolation.

Holden remembers witnessing extreme bullying at one of his schools. He knew a boy at his school that was being bullied. The boy ended up committing suicide while wearing Holden’s sweater, which made the situation more personal for Holden. James Castle, the boy, gossiped about another boy at the school. That boy and his friends locked James Castle inside a room. They started bullying him by beating him up and saying mean things. Even though James was much smaller than them, he would not take back what he said and he jumped out the window. Holden was angry when the bullies were only expelled and not arrested. Holden says, “I was in the shower and all, and even I could hear him land outside….there was old James Castle laying right on the stone