In the play Hamlet by William Shakespeare, Hamlet exposes the flaws of several other characters through his interactions with them. Although they are not always aware that they are being exposed, their defects are made clear to the audience through Hamlet’s statements. Gertrude, Rosencrantz, Guildenstern, and Polonius are all exposed in this manner, and through this process their true natures are revealed.
From the beginning of the play, Hamlet resents Gertrude for her unduly swift marriage to his uncle following the elder Hamlet’s death. He feels that she has betrayed his father’s memory. He confronts her regarding this betrayal near the end of Act III, shortly after the play-within-a-play. Hamlet remarks, “You go not till I set you up a glass/
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The two of them share a common flaw. They both care only about their own advancement, and are willing to spy on and betray Hamlet in order to stay in the king’s favor. Despite the fact that they both claim to be Hamlet’s friends, they barely hesitate to accept the tasks the king sets before them. Hamlet knows that they possess this trait. He recognizes that they have been spying on him and trying to trick him. In a conversation prior to his confrontation of his mother, he tells Guildenstern, “’Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me” (Act III, scene ii). This statement shows his recognition of their actions and points out their disloyalty to him. Later, when, in conversation with Hamlet, Rosencrantz asks, “Take me for a sponge, my lord?” Hamlet replies, “Ay, sir, that soaks up the King’s countenance, his rewards, his authorities” (Act IV, scene ii). With this response, the two men’s willingness to disregard morals in favor of material gain is presented to the audience. Rosencrantz and Guildenstern’s eventual deaths are caused by their greed and their desire to be in the king’s good favor. They are taking Hamlet to be executed, and they don’t question the order. When they go to their deaths, Hamlet remarks to Horatio, “Why, Man, they did make love to this employment” (Act V, scene ii). They are no longer …show more content…
He spies on Hamlet and attempts to trick the truth out of him, and he sees nothing wrong with his actions. Hamlet points out his shortcomings on several occasions. When one of the players is reciting the speech requested by Hamlet and Polonius states, “It is too long,” Hamlet comments, “He’s for a jig or a tale of bawdry, or he sleeps” (Act II, scene ii). This statement emphasizes how superficial Polonius is. He plays with Polonius when discussing clouds in Act III, and Polonius agrees with each new assertion Hamlet makes, saying finally that the cloud is “very like a whale” (Act III, scene ii). Through this exchange Hamlet mocks Polonius’s willingness to agree with everything he says. Hamlet exposes him more explicitly at his death. After stabbing Polonius, Hamlet says, “Thou wretched, rash, intruding fool, farewell” (Act III, scene iv). Hamlet does not mean to kill Polonius, thinking he is Claudius, but his remarks here nevertheless expose Polonius’s true nature. Polonius wants only to be rewarded, and acts foolishly in order to achieve his goals. He lacks morals. Hamlet also calls him a “foolish prating knave” (Act III, scene iv) as he takes away his body, further accentuating his previous statement and making the audience once more contemplate Polonius’s
The relationship between Hamlet and Gertrude is strained at first. From the beginning of the play to act III, Hamlet is bitter with his mother. He feels this way because it has been less than
Polonius seemly hear all these vulgar and misogynistic rants and becomes ever more convinced that Hamlet is mad. He never rests easily until he ends up behind yet another arras, scheming, yet this time in Gertrude’s room and gets himself killed. The act of betrayal, by both Polonius and Gertrude has far-reaching consequences; Polonius is killed by Hamlet, Ophelia becomes mad and Laertes demands vengeance. Polonius’s betrayal disgusts Hamlet and he can only but refer to him as ‘a foolish prating knave’ and his mistreatment of his body when he says he will ‘lug his guts in the neighbour room’ can equally be taken as his disgust towards him.
Rosencrantz and Guildenstern are two of Hamlets childhood buddies who when asked by the king, try to find out what is troubling their friend. The two of them go to Hamlet pretending to be his friends, when in all actuality they are only there because the king asked them to find the truth. Hamlet realizes their purpose for their visit is to find the real reason for his sadness as of late. As the play continues the twins are asked again by the king to go to Hamlet and try again to find the real reason for Hamlets behavior. Hamlet insults them at every chance knowing they are lying to him about their purpose of the visit. "Tis as easy as lying; govern these
Rosencrantz and Guildenstern were present when Hamlet spoke to the head player about adding a few lines to the play "The Murder of Gonzago." They did not actually hear what those lines were to be, but surely they could not help but realize that the king's anger during the play was probably related to the changes Hamlet made. When the king rose in anger and left, he was followed by everyone except Hamlet and Horatio. Hamlet, of course, was not concerned for the king, since he knew the cause of his anger. Horatio's heart was turned toward Hamlet, so he also remained behind. Had Rosencrantz and Guildenstern been loyal to Hamlet, they would have remained behind also, but ambition sent them after the man
There is a general understanding that appearances can be deceiving. This is one of the most fundamental questions in philosophy, appearance vs. reality. When we meet people and get to know them throughout our lives, we soon discover that there is a genuine side to everyone behind the appearance they show. In the play Hamlet, by William Shakespeare, the characters Polonius, Rosencrantz, Guildenstern, and Claudius use appearance vs. reality to manipulate and deceive, which ultimately leads to their downfall.
Cleverly, Hamlet decides to feign madness before the King and the court as a way for others to ignore him, so he may construct his plan of revenge for his father’s death. What is interesting is that he initially does not set out to kill Claudius the current king, which suggests that he is troubled on whether or not the apparition he spoke with is truly his father telling the truth. He deceptively uses Ophelia as a messenger to the King to describe his initial count of being mad. This causes the King, Polonius, and Ophelia to spy on Hamlet. When putting on a production to see whether Claudius is truly guilty of being the murder Lord Hamlet states, “that he must be idle” which suggest that his madness is feigned. With Claudius being deemed guilty, Hamlet knows what he must do. Interestingly, Hamlet is unable to kill Claudius the first time when he gets a chance since he did not want to send Claudius to heaven. The level of distress of Hamlet is apparent when he sees his mother after passing Claudius praying to God. Getrude calls for help and a noise is heard behind a curtain. Without thinking Hamlet slays Polonius; the person behind the curtain. This is a very controversial moment for this
King Claudius expresses, “Welcome, dear Rosencrantz and Guildenstern. Moreover that we much did long to see you, the need we have to use you did provoke our hasty sending.” (2.2.1-4) He addresses them in what is seemingly a sincere manner, proclaiming the supposed yearning he has had. However, these so-called sincere actions towards Hamlet’s childhood friends are just to convince them to take on the role of spying on Hamlet’s actions and reporting them back to Gertrude and Claudius. He continues to mask his true motives by saying, “To draw him on to pleasures and to gather...you may glean..to us unknown, afflicts him thus that, opened, lies within our remedy.” (2.2.15-19) King Claudius’ choice of words convey an inkling to the audience that he cares for Hamlet because of how he expresses his need to find out Hamlet’s condition, and fix it. This also presents Gertrude with the idea that Claudius has Hamlet’s best interests at heart. This, in King Claudius’ favor, solidifies his honorable, yet selfless stature with his contriving
She means a lot to him, but now she has rejected him (by returning his
In the end, Rosencrantz and Guildenstern are naively loyal to Hamlet, and this becomes their downfall. They know that Hamlet has killed Polonius, and yet, they take no precautions as they accompany Hamlet to England. Their trust in both Claudius and Hamlet gets them killed. Hamlet’s reveals his mistrust of his schoolmates in a conversation with his mother, and refers to Rosencrantz and Guildenstern as, "...my two-school fellows, whom I will trust as adders fanged..."
Many people would act guilty if they were confronted of being part of a murder scandal but she was clueless. Gertrude was blinded by the lies Claudius told her and could not consider that the truth is the person she is newly wedded to, could do such a thing. Gertrude tells Hamlet “Be thou assured, if words be made of breath and breath of life, I have no life to breathe what thou hast said to me.” (Hamlet, 8). Gertrude tells Hamlet she will not tell anyone of his accusations on Claudius and keeps his secret but is still baffled by his absurdity. Gertrude can not handle the truth. Carolyn Heilbrun states, “The ghost thinks him mad again- as well she might- but she promises Hamlet she will not betray him- and she does not.” (Heilbrun, 6). Meaning that Gertrude has never crossed young Hamlet and never will. This is important because Gertrude wants Hamlets trust, she feels obligated to as a loving mother. She wants to believe her son but she just can
Even though Rosencrantz and Guildenstern’s original loyalties were with their friend Hamlet, when the king asks, as loyal subjects, they obey. Hamlet figures it out pretty quick, dismissing them, sending them on unimportant errands and generally making sure they weren’t around. They eventually turn their friendship against Hamlet to confirm his madness to the king. This results in their later commission to kill Hamlet and eventually their own
William Shakespeare’s play Hamlet is perhaps one of his most intriguing and scandalous pieces of work. One character who is liable for much of this excitement and outrage is Hamlet’s mother, Queen Gertrude. To some readers and critics, Gertrude is conceived as an erratic, superficial and sensual woman. Others discern the Queen as an earnest, intellectual and sagacious woman whose tragic fault is her yearning for sexual satisfaction. Throughout the text, there are several legitimate arguments for both sides, but in the end, Hamlet seems to sum up the Queen’s true persona with the words “Frailty, thy name is woman”. Evidence of Gertrude’s true nature can be found in many instances through out the play such
The purpose of this essay is to analyze the role of Gertrude in "Hamlet", which is counted as one of the famous plays of English language (Thompson and Neil Taylor 74) and the most popular work of Shakespeare (Wells and Stanton 1). This essay will evaluate the role of 'Gertrude', who was the mother of Prince Hamlet and also the title character of the play.
Polonius’ interactions with Hamlet are often the source of misinterpretations that Polonius is a bumbling fool. In every conversation, Polonius appears oblivious to the witty and cruel remarks Hamlet makes in response to his persistent questioning. Even when explicitly called a “fishmonger,” Polonius feigns surprised ignorance and suggests that Hamlet is insane rather than sarcastic (II.ii.187). He appears to continue ignoring Hamlet’s thinly veiled insults even when Hamlet compares Ophelia to “maggots in a dead dog,” assuming that Hamlet is “still harping on [his] daughter” (II.ii.669). However, Polonius is not the “tedious old fool” that he appears to be; just as Hamlet confessed to being “not in madness,/But mad in craft,” Polonius merely feigns stupidity (II.ii.224; III.iv.204-5). By pretending to be clueless, Polonius is able to question and study Hamlet further without
One of the more subtle elements of corruption in the play is the manner in which the court of Denmark functions. It is a game of favors, a constant play, with the director as the King, his subjects the players, and none more prominent than Polonius, the royal advisor. Polonius' two main faults lie in his ingratiating manner and his incessant spying. While he tells his daughter Ophelia that Hamlet is not true in his affections, he explains to the King that he warned Ophelia against Hamlet because the Prince it far above her station in life. Polonius perceives himself to be witty and tries to weasel his way around with actions and words to best fit the situation and above all benefit himself. His inclination to spy on people is obvious for he sends a man to France to find out how his son is behaving, he spies on his daughter while she is with Prince Hamlet, and he hides behind the arras to listen to the confrontation between the Queen and Hamlet. Rosencrantz and Guildenstern also try to win favor with the King, foregoing any friendship they once had with Hamlet, to 'play upon [him] . . . pluck out the heart of [his] mystery,' acting as little more than spies for the King, feigning friendship to obtain Hamlet's secrets (3.2.372-374).