Comparing Male and Female Relationships in Cat in The Rain and Hills Like White Elephants by Hemingway

Short story telling can often portray attributes of the human condition. Unfortunately, for the two male antagonist characters in Ernest Hemingway's “ Hills Like White Elephants,” and Charlotte Perkin's Gilman “The Yellow Wallpaper,” these truths can be less than flattering. While both Hemingway and Perkin's Gilman use themes of dominance, lack of communication, and selfishness to illustrate the isolation of the protagonists from their antagonist husbands; the differing plot techniques, use of imagery, and climax, set the writing styles apart and distinguish the uniqueness in both marriages. Central to both stories, are the protagonist's sense of isolation. Both authors' use this theme stemming from conflict between the protagonist wives and the antagonist husband characters.

Every time the man or the woman try to change the subject and avoid talking about the abortion, they end up saying something that refers to or alludes to the baby or the abortion. The woman suggests that the hills look like white elephants (324), which the man fails to acknowledge. The lack of clear communication between the two causes tension and arguments at every turn. When the woman agrees sarcastically that the man has never seen white elephants, he says, "Just because you say I wouldn't have doesn't prove anything" (324). The woman is clearly annoyed at the insensitivity of the man's negative feelings toward her pregnancy. For her, the baby is a priceless treasure, but for him it is a worthless fetus.

In Ernest Hemingway’s short story “The short happy life of Francis Macomber”, we are presented to problems some couples face. One of them being infidelity, although the one guilty of infidelity does not face the consequences you normally would face if you were unfaithful to your spouse. Another problem or theme in this short story is gender roles, the wife wants a husband who is rich, strong and brave. The husband on the other hand just wants a beautiful wife, and maybe also a faithful one too. Initially you get the impression that they are really living up to the expectations, but if you read on you will find out that everything just isn’t like it should be.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Through the precise use of diction between the woman (“jig”) and the man, Hemingway reveals how a lack of knowing someone can lead to emotional dismay. Concise diction in a relationship means, conversation only scratches the surface and the two “lovers” don’t truly know about the other person’s emotions. The story is full of short, one-line phrases of conversation between the couple about trivial things. They converse about the “lovely hills” and the “simple operation,” yet they never ask each other about their feelings. The lack of in depth communication of opinions creates a tension filled atmosphere that just keeps building up and up as the story continues. The “simple operation,” an abortion, is seen by the couple as the issue they need to resolve, however, the man, who can’t handle the responsibility, instead of talking it through with his “lover” chooses to manipulate her. He tries to convince jig, who is easily pushed-over as she is stuck by lust and will do anything to keep the relationship together. She doesn’t care to sacrifice her happiness for his, rather she fears that if she doesn’t go through with the operation, he will leave her, she is indecisive and relies on the man to make many decisions. The man deceives

Love between two genders is one of the most common themes in writing. In literature, love is often praised, appreciated and cherished. Another common theme in writing is the looming specter of inequality between men and women, which has been strongly depicted throughout history and is still worryingly present in the world today. It is extremely interesting to realize that though love is treasured and valued, in most cases, it takes both genders to create love, and those genders are often separated by inequality. Both these themes coincide well together; the clash of love and gender inequality is interestingly captivating. In John Updikes A&P and Ernest Hemingway’s Hills Like White Elephants, both stories send a conclusive message to the reader that equality between both sexes in love and attraction is almost impossible; one gender will always be more powerful than the other.

In comparison with Ernest Hemingwayn’s “Hills like White Elephants” and Charlotte Perkins Gilman’s “The Yellow Wallpaper”, both female’s thoughts and feelings are oppressed under the constant weight of their male supplements. With this being the case, are women truly happy with whom they are choosing to spend the rest of their lives? In both Hemingway and Gilman’s short stories, the females are both being portrayed as characters who capitulate to the demands of their male-orientated significant others, causing the distressing departure of their relationships.

Ernest Hemingway grasps the intimacy and authenticity of human relationships, in his book, “In Our Time.” The book consists of short stories following the lives of different individuals. Few of the short stories include The End of Something, Mr. and Mrs. Elliot, Cat in the Rain, and The Doctor and The Doctor’s Wife. Through these short stories, relationships between male and female characters, lack meaningful intimacy. There is a disconnect amongst these couples. Hemingway redefines intimacy and what it means. Intimacy goes beyond sex; it is a bond between individuals. He is depicting two forms of intimacy through his characters. One form of intimacy is emotional intimacy, which is portrayed in the male characters. The other form would be sexual intimacy. Thus, Hemingway is changing our perception of intimacy; it is not only found in male and female relationships, but also in friendships. The bond between the male characters is more meaningful and stronger than the female and male relationships.

Ernest Hemingway, a literary icon of the early twentieth century, challenged the typical lengthy and detailed prose of authors before him by pioneering a stylistic revolution centered around heavy dialogue and minimalistic details. More specifically, “Hemingway used a journalistic style and unadorned prose to capture the everyday lives of men and women caught up in history’s most momentous events,” without wasting pages establishing the setting or background within a work like most authors of the nineteenth century (The Letters… 442). Often, the mood, setting, and emotion within Hemingway’s stories are established through symbolism and constant dialogue. Hemingway expertly implements his unconventional and unique authorial style to convey the disparity in gender communication and perspectives and its effects on relationships in his 1927 short story, Hills Like White Elephants.

Ernest Hemingway penned a short story titled, “Hills Like White Elephants.” The story takes place at a train station in Spain and depicts a troublesome dilemma for the two main characters. The story begins with the characters casually discussing what kind of beer to partake in; the tone quickly shifts when the man mentions a surgery to his female friend, Jig. The reader is left to infer that the two characters are discussing an abortion. Ernest Hemingway uses symbolism throughout the story so the reader can delve into a deeper meaning without the ensnarement of excessive emotion. Throughout the story, Hemingway uses several examples of symbolism to depict Jig’s inner struggle with the decision she is faced to make.

Also, Hemingway was considered to be “vitally concerned with re-establishing what he felt were the proper rules of man and women in their relationship to each other” (Fiedler, 305). This is shown in his portrayal of women in

The pair is sitting outside at a table facing the dry hills. The girl looks out at the bleak, arid landscape and comments to her paramour that "[the hills] look like white elephants"(143). He brushes off this remark as a flight of fancy; after all, the hills bear no physical resemblance to white elephants. The girl is looking at these hills as being emblematic of their current lifestyle, and is trying to find some good in it, perhaps to convince herself to heed her partners wishes and go through with the abortion. She is trying to find magic in something very grim, but this self-pacifying tactic fails. His callous response to her attempt at finding beauty only furthers the emotional and ideological

Relationships can be difficult, but a lot of couples work through the difficultly by supporting and helping each other. In the short story “Hills like White Elephants”, written by Ernest Hemingway, an unnamed American and a young woman, named Jig, are waiting for a train to arrive. Set in the mid-1920s, the couple are sitting at a bar drinking beers, and awaiting to travel to their next destination. Talking vaguely with each other, Jig describes the hills as “white elephants”, meaning an unwanted gift. During the story, the couple discuss an ‘operation’ that the man wants the girl to have, but she doesn’t to want to, symbolizing wanting to keep their unborn child. In this story, “Hills like White Elephant”, the theme is the ending of a relationship, by the of lack of communication, selfishness and choices.

In the short story the "The Cat in the Rain" by Ernest Hemingway, the cat is a symbol around which the story revolves. As a central symbol, the cat reveals the psychological state and emotional desires of the American wife.

The bonds between men and women varied across the world in the 1920’s, with certain countries embracing women within society, yet other countries saw women as nothing more than homemakers. In his time in Europe, Ernest Hemingway witnessed the utmost respect men had towards women. Yet when Hemingway arrived back in America he saw the misogynistic attitudes towards women and their movement for suffrage. Ernest Hemingway’s “Cat in the rain” is the adventure of American women seeking suffrage in the 1920’s, alongside portraying the juxtaposition of treatment of American women to European women.