Contributions Of Zora Neale Hrston

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

The the Novel “Their Eyes Were Watching God”, by Zora Neale Hurston, departure and reflection the idea of the harlem Renaissance using black community uniting, new beginnings- the great migration from south to north, embracing black/african culture and heritage, and lastly she uses self expression through art to bring forth the more important ideas.

The Harlem Renaissance was cultural, social and movement that took place in the 1930’s. During this time white America started to recognize the contributions of African American’s. Many great works came out of the Harlem Renaissance. Such as Langston Hughes, Duke Ellington, W.E.B Du Bois. Zora Neale Hurston was one of the many authors that contributed to the Harlem Renaissance. Zora Neale Hurston an African American author, whose work emerged during the Harlem Renaissance. Zora Neale Hurston as a revolutionary, who made a difference throughout her life and through her work. Zora Neale Hurston contributed to the Harlem Renaissance by writing several works of literature, contributing to the acceptance of African Americans, and by helping to preserve folklore and African American culture.

In the all black community of Eatonville, Zora felt like members of her town saw her for who she was. There were no racial barriers in the community because of everyone’s shared culture, and history. Growing up in her small community, she came to love it and she felt a strong tie to her hometown. She illustrates this by saying, “But I was their Zora nevertheless. I belonged to them, to the nearby hotels, to the county—everybody’s Zora” (Hurston 42). Zora argues that because everyone was of the same color, the community could see past racial labels. A “black Zora” could not exist in Eatonville, and it was not an indicator of who she was because describing Zora as “black” in Eatonville does not do her identity justice. Zora could be Zora, because she felt no race, because she was so comfortable in her skin she could be a part of a community of people. In Eatonville, she did not see people because of racial labels, she had no knowledge of the stereotypes associated with black people. Because of her ignorance, Zora looked deep into people’s character as a young girl.

In the beginning of Zora’s story, she stated a strong quote that solidified her black identity. She said, “I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother’s side was not an Indian chief” (Hurston, 1928). She goes on to mention that the only encounters that she had from “native whites” were the ones passing through the town of Eatonville, Florida that she would wave to. Zora saw no color. Her comfort zone was in that small town. She was known as

Zora Neale Hurston was born and raised in Eatonville, Florida which was the first all-black town in the United States to be incorporated and self-governed. Due to Hurston growing up in an all-black community, she was protected from racism. She states that the only white people she knew were the ones passing through the town going to or coming from Orlando. When she moved from the town of Eatonville to Jacksonville, she was introduced to a different lifestyle where she was

One of Hurston’s stories, How it Feels to Be Colored Me, reflects the author’s perspective of the colored race (specifically herself). According to the story, when Hurston reached the age of thirteen, she truly “became colored” (1040). The protagonist was raised in Eatonville, Florida, which was mainly inhabited by the colored race. She noted no difference between herself and the white community except that they never lived in her hometown. Nevertheless, upon leaving Eatonville, the protagonist began losing her identity as “Zora,” instead, she was recognized as only being “a little colored girl” (1041). Hurston’s nickname “Zora” represents her individuality and significance; whereas, the name “a little colored girl” was created by a white society to belittle her race and gender (1041).

Zora Neale Hurston was so proud to be from the black community that she mentioned it in her writings; she even changed it to her birthplace. Eatonville, Florida, had a massive impact on Zora’s life. It shaped her life and writing style. Hurston explains: "Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you."

In the text, Zora gives background information about her childhood and family life growing up. The autobiography first took place in Eatonville, Florida, which was known as Zora’s hometown. Zora Neale Hurston was an African American, female who always had a mind of her own even at a young age. Zora was not the average child while growing up, she enjoyed trying new things and she spoke her mind which could label her as deviant to the outside world. Zora also showed early signs of deviance

Zora Neale Hurston was born on January 7, 1891 in Alabama. She is known to be one of the most influential novelist of the twentieth century in African America literature. Hurston is described to be a very opinionated woman that stood for what she believed in; which reflected in some of her works. In addition to her many titles such as, being an anthropologist and short story writer, she was closely related and heavily focused on the Harlem Renaissance. Zora Neale Hurston and her political opinions placed her at odds with important figures during that time which I wholeheartedly believe played a part in the undeniable attraction that most people have towards her works. Being that Hurston was such a unique writer, to understand the ethics and themes of her and how she contributed to African American literature comes with an understanding of the background and childhood she had.

At the beginning of the essay Hurston opens up with the statement that she is colored and that she offers no extenuating circumstances to the fact except that she is the only Negro in the U.S. whose grandfather was not an Indian chief. She presents a striking notion that she was not born colored, but that she later became colored during her life. Hurston then delves into her childhood in Eatonville, Florida an exclusively colored town where she did not realize her color then. Through anecdotes describing moments when she greeted neighbors, sang and danced in the streets, and viewed her surroundings from a comfortable spot on her porch, she just liked the white tourists going through the town. Back then, she was “everybody’s Zora” (p. 903), free from the alienating feeling of difference. However, when her mother passed away she had to leave home and

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had

     The most accomplished writer of the Harlem Renaissance was Zora Neale Hurston. Hurston's many novels, books of folklore, poems, and short stories portrayed the lives of poor, unschooled Southern blacks, whom, in her words, were the greatest cultural wealth of the continent. Much of her work celebrated,