Coriolanus: a Tragic Hero That Stands Alone

Of all literature works read thus far, the Odyssey full fills the hero’s journey in all aspects of the story. Throughout this story there are vivid examples of how the hero’s journey is outlined. From the beginning of “the hero’s journey”, which is the call to adventure Odysseus will begin his journey when he makes the choice of going into battle in the Trojan War. There will also be specific events in this epic story to display “the hero’s journey” even further. Eventually the end of the journey will be revealed when Odysseus regains his family, friends, and home. This part of

By definition tragic heroes can be considered one who is held up high by society for the good deeds they bring, but is then slowly or quickly taken away from that grace and placed in a world far below what they were originally. An example of this is the excerpt and the tragedy of Oedipus the king. The play shows that the faults humanity can fall through when put into a very stressful situation. Oedipus is a tragic hero because he wants to improve the lives of his citizens, he has a major human flaw of being impulsive and easily irritable, Oedipus takes more punishment than what the play told, his life and fate was not fully under his control, and he makes a vast realization with an equal amount of change.

The epic The Iliad by Homer argues that Achilles reaction in many situations is rage. Achilles choice to respond in such a way is very significant. It shows that this emotion is very influential in his day-to-day life. However, there has been much discussion as to whether Achilles’s rage is a virtue or a vice. Other characters throughout The Iliad have commented on his rage, such as Athena, who says, “I came to see if I could check this temper of yours,” (Homer, 235) in a discussion she has with Achilles about his quarrel with Agamemnon. Athena’s comment suggests that it takes a lot of effort to put Achilles’s rage into check. Achilles seemingly uncontrollable rages creates a man throughout The Iliad who “like[s] fighting and war” (234). Most men in this epic longed to end the war; Achilles on the other hand yearned for more battle. Achilles drive for battle makes it evident that his rage and the manifestation of it in other characters as seen throughout The Iliad is not a virtue, but a vice.

In Greek literature of mythology, we have examined Odysseus. Students and scholars alike have held debates about Odysseus. The discussion is whether Odysseus was a true hero, as read in The Odyssey. There is abundant supportive evidence to verify all sides of the debate and opinions held about Odysseus. Odysseus had encompassed many qualities that I believe make him a hero. The qualities he embodied were mental strength, physical strength, and spiritual strength. I would like to advocate for why Odysseus was a hero.

Odysseus tends to use strategy over strength to be a hero when it comes to challenges. Instead of beginning with fighting the Cyclops, he takes his time and sets up a plan. Everytime he enters a new island, he does not start telling everyone that he is Odysseus, king of Ithaca. Instead, he charms the people he meets and uses his wise words that cause them to help and pity him. Odysseus represents what being a hero is actually all about. Throughout the novel The Odyssey by Homer, Odysseus continuously shows his personality of being an admirable hero to everyone by using strategy instead of strength.

Spider-Man is your average modern day hero, he is a citizen who was bitten by an unusual and peculiar spider which gave him powers and abilities such as being able to shoot webs out of his hands and climb walls without the need of any equipment. And Odysseus is a Greek hero who was strong, heavily favored by the gods, and could take down any and all challenges he´d ever have to face. And if you ever compared the two you would see that both characters are extremely different. Why you would see this is because we know that Spider-Man is a modern day hero, but can we consider Odysseus as one. My answer to this would be NO. Society today would not consider Odysseus as a modern day hero because of many reasons. One would be that he doesn´t show

‘’ … it is as the advocate of steadfastness in battle that Tyrtaeus appears in the extant poems. His kind of poetry… has been well characterized as propaganda poetry. The hearer is constantly exhorted to march forward boldly, to grit his teeth, to fight bravely hand to hand, to endure until death , which is the warrior’s greatest glory.’’

In book eleven, Virgil stresses the protagonist’s views on unnecessary violence when Latin envoys are sent to Aeneas to beg for a truce so they may collect their dead to which Aeneas replies “I would wish for those that were killed to have left this battle alive and I would wish not to have come here, if the fates had not given me this place and this home. Nor do I wage war with this race. It was the King who abandoned our friendship and trusted more in the weapons of Turnus” . Here we can see clearly that Aeneas was reluctantly forced into this war, not necessarily by the Latins but rather by the fates. It is possible that Virgil wished to communicate his own opinions on war to his audience in a subtle and stylistic manner by using Aeneas as his mouthpiece. Aeneas is the hero who we have all grown to love by this point in the epic and so expressing ideas via him would be the best approach as they will be more easily accepted when suggested by a well liked character. This technique could also allow Virgil to convey his personal thoughts in such a way that it would still be in keeping with the rest of the story. Virgil further suggests that an intense desire for combat is unhealthy and not particularly admirable by portraying Turnus, the enemy, as the embodiment of such a characteristic. After being manipulated by Allecto, Virgil states that the “love of the sword raged

Nearly every story in Greek mythology revolves around a character with a certain outstanding attribute, be it strength, intellect, or even musical talent. Heroes such as this might spend their lives questing for kleos, or the myth might simply be a tale in which the hero was trying to accomplish a certain task, such as returning home or rescuing a lover from Hades. In every case, these heroic tales would always end with tragedy; the hero would be killed by a jealous lover, go mad, or have a loved one taken away from him. However, one Greek hero existed whose story did not end with tragedy: Odysseus. Homer's The Odyssey is unique among all other Greek myths in that it is the only story in which the hero does not meet a tragic end; why

This just emphasizes how Achilles was not just concerned about his soldiers and showing face, but he was more driven by his rage and his grudge against Agamemnon for what he did to him.

Odysseus is one of the greatest epic heros in the history of literature. The Odyssey, by Homer, is an epic poem, which depicts the journey home of Odysseus. Angering many gods, this voyage takes him through multiple obstacles, and ends up taking almost twenty years longer than it should've. Throughout his journey, “The Son of Laertes” must get his crew out of trouble multiple times. He uses his intellect and other strengths to do so, and never gives up, no matter the circumstance. Even after losing everything he needs in a storm worthy of the gods, Odysseus still never gives up, and gets himself out of trouble yet again. Throughout his entire journey, coming home from the Trojan War, Odysseus repeatedly uses many heroic traits to get himself and his crew out of many unfortunate situations. These heroic traits, how Odysseus uses them, and the steps of his journey all come together to illustrate that he is an epic hero. Odysseus characterizes himself as an epic hero based on how he almost perfectly follows the characteristics of an epic hero, gets his crew out of trouble multiple times, and follows the Hero's Journey.

“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.

Volumnia, unlike the other women in the play such as Virgilia, does not recoil from war and the battlefield. Instead, Volumnia both identifies with the war hero and delights in both his triumphs and his pain. In describing the pride she would gain from her sons' deaths in battle, Volumnia separates herself from the other women in the play who want nothing to do with war, "I had rather eleven die nobly for their country than one voluptuously surfeit out of action." (1.3.20-21). Thus the pride that Coriolanus derives from his own wounds and wounded body is a product of his mother's pride in having a wounded son. Volumnia describes with pride Coriolanus's bloody brow, "Though you were born in Rome!' His bloody brow/ with his mailed hand then wiping" (1.3.31-32). The pride that Volumnia procures from her son's victories and injuries winds up reflecting itself on Coriolanus who describes these victories and wounds with equal pride. By the end of the first act, Volumnia's descriptions of mothering demonstrate the warlike spirit she has channeled into her raising of Coriolanus. The imagery she uses in Act 1 Scene 3 also separates her from the other women in the play. Volumnia speaks of "blood," "swords," and "death," while women like Virgilia speak of "sewing" and "butterflies."

Finally, there is great irony in the lamentations of both Helen and Briseis for Hector and Patroclus respectively. Helen proclaims her respect for Hector’s kindness: "Hector, you’d win them to my side . . . you with your gentle temper, all your gentle

In the play Oedipus the King, Oedipus struggles to accept the truth and lets his temper over power him. He can be displayed as a tragic hero. His refusal to accept the truth led to Oedipus’ down fall. A tragic hero, as defined by Aristotle, “is a literary character who makes a judgment error that inevitably leads to his/her own destruction.” Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero.