Creon In Sophocles Antigone

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

In my eyes a hero is a person who shows courage, is humble, does not give up, and is someone everybody can relate to. The protagonist in “The Odyssey” by Homer, Odysseus is a hero because although he is emotional throughout the book and lets his emotions take over his actions, he displays immense courage and perseveres through his journey and hardships.

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

Hero. Hero comes from the greek word heros meaning “A person who faces adversity, or demonstrates courage, in the face of danger.” Growing up we have always read stories about heroes coming to save the day; for instance, Captain America. Being that our whole lives we were mostly exposed to heroism, have you ever asked yourself what is the opposite of a hero? A villain is the opposite of a hero, but their is another opposite form of a hero; a tragic hero. A Tragic hero is “A literary character who makes a judgment error that inevitably leads to his/her own destruction” (“Tragic hero as defined by Aristotle”). For instance, in the play written by Sophocles Antigone, the tragic hero is Creon. Creon who is Antigone’s

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

King Creon’s tragic flaw is hubris. He does not listen to advice given to him by the blind prophet Teiresias. When Teiresias tells Creon, “Give in to the dead man, then: do not fight with a corpse- what glory is it to kill a man who is dead? Think, I beg you: It is for your own good that I speak as I do. You should be able to yield for your own good” (Antigone 36-40). King Creon does not like the fact that the prophet believes he is wrong and should do what everyone else has so far advised him to do. He accuses Teiresias as giving him such a prophecy because of bribery from others and a hunger for gold. Hubris is also revealed from King Creon in Scene III. Creon’s son, Haemon, tells Creon that the people of Thebes believe they have never seen a girl die such a shameful death and that the people live in fear of Creon. Haemon tells Creon he also believes Antigone should have been allowed to bury Polyneices and should be set free. King Creon responds with, “You consider it right for a man of my years and experience to go to school to a boy?” (Antigone 95-96). This shows that Creon does not believe a man of such age, “wisdom”, and “experience” should listen to anyone or change because of anyone else’s

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

​The legitimacy of a state or political leader has often been questioned in many different countries throughout the years. In Antigone one can question the legitimacy to rule of Creon. In different instances throughout Antigone, it is evident that many of Creon’s subjects obey his laws and demands because of fear, not because they believe his orders and laws are justified. For example, Antigone’s sister Isemene refused to help Antigone with the burial in fear of being captured and killed by Creon (Sophocles, p. 3). In another instance, the Sentry obeys Creon’s order to find and capture the one who disobeyed him, Antigone, in order to save himself from the wrath of Creon (Sophocles, p. 13). Creon instills fear in his subjects in order to obtain

How could somebody who carries a ton of tragic flaws be considered to be a tragic hero? The Burial at Thebes: A Version of Sophocles’ Antigone translated by Seamus Heaney is a play about leader Creon creating laws about how to treat the bodies of Eteocles and Polyneices. Eteocles and Polyneices are sons of Oedipus and siblings of Antigone. Polyneices although is known as a traitor which is why Creon makes a law that carries punishments if disobeys to not bury his body with respect. Antigone on the other hand decides to disobey his rules and causes major conflict. Due to Antigone's action with burying Polyneices body, it causes Creon to show many of his tragic flaws that consist of being hubris and very stubborn. Based on Aristotle's definition, Creon is the tragic hero of Antigone because although is had many tragic flaws, he had good, rational reasons for his laws and punishments, he was loyal to his kingdom and was a humble man.

Oedipus is the quintessential Greek tragic hero; his story marks a tale of inevitable distress and sorrow. However, in Antigone, this was not the case and the tragic hero was not easily identifiable. A tragic hero is a character, usually of high birth, neither completely good nor evil, whose downfall is brought about by some weakness or error in judgement. In Sophocles' Greek tragedy, Creon is portrayed as a struggling king who must come to the reality that his actions are in favor against him. Stubbornness and excessive pride are the driving force behind Creon’s downfall as a tragic hero. He is reluctant to acknowledge the views of others, ignores familial values, and executes his rule as a king in a tyrannical manner.

In scene 1, Creon first realizes that someone had buried the body and doesn’t know who so he lashes out at everyone. One of those people is Choragos when involved in a conversation with him he does this very thing, “Stop! Must you doddering wrecks. Go out of your head entirely? ‘The gods!’ Intolerable!” (201). Choragos mentions to him that he thinks the gods could have been involved with the burying of Polyneices and Creon thinks that he is foolish in making such accusation because why would the gods care for such a thing, so he lashes out at him believing that he is the one who knows the right information. Later in scene 3 Creon has by now discovered who has buried Polyneices. As he speaks to Choragos and Haimon about the matter he says “Do you want me to show myself weak before the people. Or to break my own word? No, and I will not. The women dies.”(217). He is so concerned about his throne and his appearance to the people that Creon doesn’t want people to think less of him. The fact the Antigone played with him not intentionally but he doesn’t see it that way makes him say that line about how she should not be spared. Finally in scene 5 Creon has a talk with Choragos about the punishment of Antigone, and Choragos makes him come to realization that what he did to Antigone was harsh and that he should free her from jail. Creon says this to

Soon after his decision of the fate of Antigone, Creon’s tragic flaw blooms the greatest. This Hubris focuses on the Creon’s relentless, uncompromising, and egotistical attitude. Many try to convince Creon to reconsider on his misguided decision, however, Creon does not yield. It is at this point when one realizes the Hubris of Antigone. Creon possesses a false sense of pride and/or confidence in his intelligence. He believes he cannot be wrong, therefore his uncompromising and egotistical attitude shines brightest. It portrays him as “superficial, pigheaded, self-important man.” (Porter) This is Hamartia, his relentless,

A hero is something that society has formed an idea about the characteristic it should posses from history. Through the stories told from the past a hero is developed through their qualities and characteristics they value. When one views a hero from a different culture they can form an opinion on what matters to that culture. One will notice that through all these different heroes that they all share common features. In ancient Hebrew culture Moses represents a hero and for ancient Greek culture Odysseus represents heroic figures.

When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that Creon is indeed the tragic hero of the play Antigone.