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Critical Analysis Of 'Settle For Half' By Arthur Miller

Decent Essays

From the very beginning of the play, the playwright familiarises the audience with multiple pivotal themes and issues; such as love, honour, family, justice and the law. Miller presents these themes diversely amongst characters, creating substantial conflict. Ultimately, this results in excessive tension between characters, foreshadowing the catastrophic ending of the play.
Alfieri, as the narrator of the play, begins the play and prepares the audience for the adverse events to come. He addresses the law and its significant role as a leading cause of destruction. He states, “And now we are civilised, quite American. Now we settle for half, and I like it better.” ‘Settle for half’ refers to Alfieri’s assured belief in the American law as he …show more content…

This demonstrates his regret and sorrow for Eddie. Additionally, “run” implies that Eddie’s downfall was inevitable and Alfieri could not prevent it. Eddie had already made his choice to inform the bureau, and Alfieri, knowing Eddie as an obstinate man, thought he could not do anything to stop him. Alfieri admits his powerlessness when it comes to Eddie, as he knows internally that Eddie’s intentions are set firmly and he cannot change Eddie’s mind. Alfieri also candidly reveals that even the law itself can be ‘powerless’ at times as some situations are out of his control. Resembling the chorus of a Greek tragedy, Alfieri painfully comments on the deteriorating events, knowing there is nothing he can do but watch the morbid outcome play out right in front of his eyes. This clearly emphasises his guilt. The justice system of America is also questioned here, as the law is expected to provide justice, however in Eddie’s case it seems that the law is unable to grant justice. The words “bloody course” foreshadow Eddie’s grotesque ending and are ironic as Eddie’s death is in fact an imbrued one as he is stabbed by Marco. “Bloody” also insinuates that death is to come as blood is associated with death. The single word “course” suggests that the entire play is a journey of impending ruinous occurrences which Alfieri painstakingly

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