Daisy Miller And The Story Of An Hour Patriarchy

The protagonist’s mental decline serves to illustrate the results of the aforementioned inferior treatment of women by their male counterparts. As one critic argues, “‘The Yellow Wallpaper’ [is] a story of female confinement and escape.” (Korb) The aspect of confinement is illustrated in the protagonist’s husband preventing her from expressing herself in a healthy fashion. The escape occurs when the protagonist looses her sanity and is reduced to a psychotic wreck as a result of her husband’s treatment.

It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the

The diction and tone demonstrate a wonderful descent into madness. The story is written in first person, allowing us to better understand the narrator’s state of mind. As the story progresses, there is an abundant use of exclamation marks, giving off an erratic, exited tone. Many sentences are short and choppy, portraying the uncertain and off-balance state of mind of the narrator. Although it is clear that the narrator has finally lost her mind, the ending of The Yellow Wallpaper is still fairly ambiguous. It suggests that the narrator was finally able to free herself, although she did lose her sanity in the process. This is evident as she casually remarks that “jumping out the window would be

Kate Chopin is known for being criticized for empowering the subject of female sexuality and independence. In Chopin’s short story, “The Story of an Hour”, it is placed in a time where men were known as being the head of the household while women were only in charge of raising the children and caring for the home. In the 1890s, women didn’t have so much power to themselves compared to today’s society where female empowerment is frequently encouraged. Chopin’s story narrates a sequence of Mrs. Mallard’s emotions that goes within the motion of the story. As she overcomes the sudden death of her husband, her emotion of grief soon turns into the sudden feeling of freedom, later on emerging into a strong independent woman.

Kate Chopin’s short story, “The Story of An Hour,” emotionally illustrates the hour in which a young woman with a heart condition finds out her husband has been killed in a mining accident. In the beginning, she grieves over the loss of her husband, but she soon becomes relieved and joyous when she realizes that she is now free. However, her husband returns after having been far from the mines for the day and her heart problems return and she dies. Kate Chopin was an early feminist author and was well acquainted with death after losing many siblings as a child, her husband (who left her a large amount of debt), and her mother with whom she was very close. As a means of therapy, Chopin took up writing and her ideas about feminism and death are very clear. In “The Story of An Hour,” Chopin uses multiple symbols and an allusion to a Greek god to illustrate and support the idea that male oppression harms the souls and lives of women.

Angelyn Mitchell interprets Chopin’s work “The Story of an Hour” as a feminist piece of work. She believes that Chopin wants to prove the double conscience of females, which is when women connect their inner self with their outside and gain freedom. “In ‘The Story of an Hour,’ the quest for freedom is complicated by three important factors: biological determination, patriarchal social conditioning, and the patriarchal institution of marriage.” Mitchell uses Mrs. Mallard’s heart condition to show biological determination. “Richards, a friend of her husband, rushes to relate the sad news of his death before someone ‘less careful, less tender’ can do so.” Patriarchal social conditioning is shown by showing that Mrs. Mallard does not act as a woman

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.

Similarly, “The Yellow Wallpaper” symbolizes the trapped narrator with an urgency to escape from her dwelling. Like Elisa, the narrator finds a task that would keep her boredom away as “life is very much more exciting than it used to be” (443). By staring at the wallpapers pattern constantly all day, she is no longer bored. In addition, the narrator believes that in order to escape she must free the woman behind the wallpaper. The narrator turns insane by visioning a woman in the wallpaper and trying to escape. The narrator is imprisoned, and the bothersome patter of the yellow wallpaper begins to straighten out to her. The narrator finds a channel of hope outside the windows, through the bars, wanting to leave the room and depart into the real world. Both Elisa Allen and the narrator feel a need, a desire for an escape from their current lives.

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

“The Yellow Wallpaper” provides an insight into the life of the narrator- a woman suppressed and unable to express herself because of her controlling husband- leading the reader down her fall to insanity, allowing for her inner conflict to be clearly expressed. The first person point of the view the author artfully uses and the symbolism present with the wallpaper cleverly depicts the inner conflict of the narrator, losing her own sanity due to the constraints of her current life. However, while it seems that the narrator in “ The Yellow Wallpaper” succumbed to her own insanity, the endless conflict within herself and her downward spiral to insanity is seen through a different light, as an inevitable path rather than a choice taken as the story develops.

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman

In 1878, Henry James wrote, Daisy Miller, a novella about a young American girl and her travels in Europe. Daisy Miller is a complex short story with many underlying themes such as appearance versus reality, knowledge versus innocence, outward action versus inward meditation, and Nature versus urbanity. In this short story, one is left to judge whether Daisy Miller, the main character of the story, is “a pretty American flirt” or a misunderstood, modern young woman. By probing into the complexities and contradictions of Daisy’s character, it is obvious that Ms. Miller is merely a misunderstood young woman.

In Chopin’s short story “The Story of an Hour” focuses on the character Mrs. Mallard and how she comes to terms with the death of her husband. But the story also subtly suggests how woman were labelled as these domesticated creatures and controlled by societies principles in that time and age. This can be interpreted in the setting of the story and the characterization of the individuals within the story.

away the remainder of their lives under their husband’s thumb. In Chopin’s time period, women