“Lump of death.” A little something of nothing. That’s not possible. How can something exist from nothing? Lord Byron’s poem, “Darkness,” brings about the concept of battling darkness with light, trying to bring light out of darkness only to prove to be futile. Byron not only starts off immediately contradicting himself, but continuously does so throughout the poem through his particular use of vocabulary. His word choice ultimately shows how he cannot determine what he means, since everything he says is followed by an opposite. The idea that darkness conquers all in the end in Lord Byron’s poem is derailed because of his specific word choice and the chaos it brings to the poem’s overall meaning; the contradictory vocabulary completely …show more content…
However, if they claim it is a dream and then immediately contradict that, then it cannot be a dream at all ever. That raises the question of how the rest of the poem should be interpreted – as a dream or as some partial truth? That leads into another question: if this was interpreted as a dream, then would it really hold any weight? Would we take anything away from this as we would if we chose to make this a reality? The fact that the first half of the first line sounds so determinate, and then is completely undermined by the “which was not all a dream.” This line shows right away that it is already contradictory. The next phrase that is striking is “fearful hope.” The fearful hope in the initial reading is that of understanding of why there would be some lingering fear while also trying to hold onto hope in the fight against darkness. However, fear and hope do not go together, at least they seem like they should not because how can you fear yet be hopeful. If you are afraid of what is to come, then how can there be hope about what is to come. For “all the World” to have fearful hope, then the World is not hopeful, they are just afraid of the darkness. As each fire dwindles down to embers, their hope dwindles into just fear, but was there really any hope to begin with if it was a “fearful hope?” No. How can two extremes coexist? If someone is fearful of
Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.
Clint Smith is a writer, teacher, and doctoral candidate in Education at Harvard University with a concentration in Culture, Institutions, and Society. Smith Clint wrote a poem called “Something You should Know.” The poem is about an early job he had in a Petsmart. The poet allows the readers into his personal life, but before he had trouble opening up to people and his work. Moreover, Clint wrote an insight in the poem about relying in anything to feel safe and he says it is the most terrifying thing any person can do.
The speaker then moves to a restaurant where he picks up a chicken noodle soup and gets his want across to the staff by simply pointing at it. The stanza ends with the line “I am adjusting well to the new way”(10), showing that according to the speaker the new law is working fine for him and he is able to live a normal life. However, with the entrance into the third stanza we begin to question whether the speaker naturally only acted this way towards the phone call and the staff in the restaurant, without using any words or he was actually saving them for his lover. The second reason is more likely to be true, due to his statement in the next verse “I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you”(11/13). Here, the second character is introduced in the poem – the long distance lover. It becomes obvious that the speaker, who is most probably a man, is in a long distance relationship with a woman and the way communicate is via phone call. The speaker tells his lover proudly he has only used fifty-nine words today and has saved the rest for her. This shows the speaker’s devotion towards his lover because he has chosen to use most of his words on her.
Death is a topic that unites all of humanity. While it can be uncomfortable to think about, confronting death in unavoidable. “Dying” addresses that discomfort and universal unwillingness to consider the inevitability of death. Pinsky’s use of imagery, symbolism, and tone create a poetic experience that is like death, something every reader can relate to. In “Dying,” Pinsky describes how people are oblivious and almost uncaring when it comes to the thought of death. Pinsky is trying to convince the reader that they shouldn’t ignore the concept of death because life is shorter than it seems.
The Vacuum by Howard Nemerov talks about a widower and his late wife, and how he uses the vacuum as a symbol for her death. The poem expresses deep sorrow and sadness that derive from the loneliness of the speaker, after his other half’s passing away. Nemerov attempts to take his readers on a grief-stricken journey, by strategically employing figurative language (mainly personification, metaphor, simile, and alliteration), fractured rhyme schemes and turns in stanza breaks in the poem.
A mental disorder, or mental illness, can be a very serious issue in the world today. Not only today but even back many years ago. There have been many complications with studying mental illnesses, but with the basic knowledge and research of these topics, we can then understand the result of answering the question: How are mental illnesses viewed in Ireland compared to the United States? Looking at examples of mental illnesses around the world including examples from the book Reading in the Dark, written by Seamus Deane will help provide a good understanding of want a mental illness can look like in the life of a child. Although mental illness seems like a broad topic, there is a lot that can be taken away from it. Knowing a basic definition and background, and how mental illnesses were viewed in both Ireland and the United States, in the 1900’s and today, can help one understand how mental illnesses are caused in different countries around the world.
The 2016 census reported that 14% of the United States population was living below the poverty line. And sometimes, desperate times call for desperate measures. Leading people to go as far as committing a crime just to feed their family. This was the theme of Cage The Elephant’s song, “Ain’t No Rest For The Wicked,” written by Matt Schultz. In the song, Schultz utilizes personal experiences and an emotional appeal to address the issues of poverty to the upper classes and to justify how people in poverty or “the Wicked” handle their situation by the means of crime and immoral ways.
The nightclub is dark when the two boys arrive, except for the light that bathes the bandstand. Sonny’s music is what everyone has come to hear and seems to be everyone’s salvation, their hope. The people in the room live in Harlem and are familiar with the darkness that surrounds them. Everyone in the story from the boys’ family whose “darkness in [their] faces” (p. 39) frightened them to the woman with the tambourine whose music “brought a poison out of her” (p. 51) seems familiar with the darkness that lives in them and their town. Throughout the concluding scene, the bandstand and the music that is made there is treated with a reverence as they live in the darkness and can only touch the light, but never be in it, as the listeners in the
The two short stories “Black Swan Green” written by David Mitchell and “Letters To A Young Poet” by Rainer Maria Rilke both share a common central idea. In both stories, there is a mentee looking for advice from their mentors. The mentees have a passion for poetry and are aspiring poets. The mentors inform their mentees that someone who wants to be a poet should get their motivation from natural aspects. For one thing, It’s your natural beauty that makes you who you are as a person and a poet. Poetry is for yourself, your thoughts and ideas, not an audience.
The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
“The Sky is Gray” by Ernest Gaines is a realistic example of a long epidemic has hovered over the African American community like an dark storm cloud just waiting to burst. Personally, this story called to me, like I was meant to read it. The mother in this short story reminds me of my own mother. Stepping into that masculine role to show strength and provide for her family. Then, teaching her son these harsh life lessons to ensure his survival in a society that is not welcoming to an African American man; act rationally, not emotionally.
The poem begins with the narrator's describing the poem as a 'dream' that ''was not at all a dream'', which already causes doubt and tension within the reader. The narrator then goes on to talk about
“Every production of an artist should be the expression of an adventure of his soul,” said William Maugham, a British playwright from the 19th century. Vincent Van Gogh, an artist who is considered by many one of the most inspirational artists in history, was no stranger to depicting his struggles in life or feelings in his work. Van Gogh’s piece Starry Night, designed in the year 1889, shows this to be true in that it was the result of his experiences in an asylum that encouraged this piece. Despite this work has being so well known, many critics and observers of the piece have differing views on what he was trying to communicate through it. Two prime examples of this can be seen by the views expressed in the poems entitled, “Vincent” and “The Starry Night”, written by Don McClean and Anne Sexton, respectively. While the poem “Vincent”, has a depressing tone to it, “The Starry Night”, by Anne Sexton, depicts Starry Night as having a more lively mood, which more accurately represents that of the painting, by Vincent Van Gogh.
Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.