Death In The Aeneid

The Aeneid, the famous epic poem written by Virgil, depicts the struggle of establishing an empire. The beginning of The Aeneid introduces Aeneas, son of the goddess Venus, whose fate is to find a new home in Italy after the fall of Troy. Throughout the perilous journey, Aeneas faces great obstacles as he strives to fulfill his prophecy and gradually transform into the ideal Virgilian hero. To emphasize his growth, I will discuss three themes in this essay: the extent of free will as it relates to fate, the influence of divine beings on mortals, and the principles of morality. All of these ideas serve as an understanding as to why Aeneas is unable to act on his own accord. This leads me to defend the view that humans require the positive guidance of a mentor figure to resist their self-indulgence.

Pericles’ Funeral Oration by Thucydides, and Sophocles’ play, Antigone, both illustrate cultural values that are crucial in understanding the dynamic of Ancient Athens. In these two pieces of literature, the cultural values are explained and understood through death. Pericles delivered the Funeral Oration as part of a public funeral for some of the Athenian fatalities in the first year of the Peloponnesian War. In Antigone, Sophocles is able to encompass values and conflicts through the death of Antigone’s brother. Pericles connects the death of soldiers to the importance of community, trust, personal freedoms, and social order that was essential in the success of Ancient Athenian Culture. Sophocles addresses the values of family, religion, and loyalty in his play, Antigone. The values highlighted in each of these works are very similar as they institute the importance of the patrioi nomoi (Athenian constitution) to the success of the Athenian state.

When it comes to death, most people tend to sympathize with the victim of death while others dwell on the pleasures the deceased had brought them while they were living. In our readings there were many instances where the individuals were remembered for the honor and glory they showed and for the extreme measures they took for leaving this world a changed place. The differences in reactions to mortality in our texts is most apparent. People strive to give their lives meaning in the face of death in each of the texts, however there is a difference between what is worth dying for. Throughout the Iliad and in the bible, Jesus and Hector die for different reasons; while on dies for honor and glory, the other dies for the salvation of others.

The ideal virtue in Roman culture was piety, also known as pietas. Pietas had three components: duty to your country, duty to your family, and duty to the gods. When a person followed these guidelines in Ancient Rome, they were considered to have piety. Throughout Aeneas’ journey, the three components to pietas are demonstrated by actions taken by Aeneas’ character. In the epic poem, The Aeneid, the idea of pietas is central to the epic, opposing the Greek ideal of furor, or passionate desire/senseless fury. In this essay, I will analyze the moments in the epic that demonstrate how Aeneas uses these three components of pietas, and how this epic celebrates the shift from Greek ideals to Roman ideals.

Throughout the Aeneid by Virgil, death is a reoccurring theme and each death has its own significance to the poem. The death of Creusa in book two shows that Aeneas will need a new wife and the death of Pallas in book ten foreshadows Turnus’s future. One of the most interesting deaths is that of Dido because the responsibility for Dido’s death falls on multiple characters: Anna, the goddesses, Venus, Juno and Rumor, and Dido herself.

After seeing the miserable souls and listening to the Sibyl’s explanation, Aeneas stands still, aghast and troubled, pondering much, and pitying in mind their unkind fate (constitit Anchisa satus et vestigia pressit multa putans sortemque animo miseratus iniquam). Aeneas is so struck by the suffering of the deceased souls that he has to pause and thoroughly consider their painful and unkind ordeal.

The epic poem The Aeneid, by Vergil adapts scenes, similes, and characters from the Odyssey written by Homer. The works of both authors include the simile of Artemis/Diana. Other characters do overlap in some of Vergil's scenes for instance, Aeneas and Odysseus encounter Cyclops. Both authors also reference the scene of the underworld. Although, Virgil adapts similarities from Homer's epic, each encounter has noticeable comparisons and/or differences. Vergil presents the epic of the Aeneid with a different purpose. At the beginning of the Aeneid, Aeneas leaves his home with other Romans after the Trojan War. Homer starts his epic with Odysseus wanting to return home form Troy.  The motives that guide each character differ from one another. Homers the Odyssey is more of the journey of a man longing to be home again, after the trojan war has ended. His actions are somewhat selfish at times. Virgil's main character Aeneas is driven by more of a scene of duty to the gods, because he is instructed to help build Rome for future generations.

It is consistently difficult to understand in old world literature, from Homeric epics to Virgil's work, The Aeneid, what the relation of fate is to the Pantheon of gods. There seems to be an ongoing debate within the texts discussing whether "fate" is the supreme ruling force in the universe and the controlling element of the lives of men, or whether fate is the will of the king of gods, Jupiter. In, The Aeneid, several situations and instances of the use of fate are presented to the reader. The direction and destination of Aeneas's course are preordained, and his various sufferings and glories in battle and at sea over the course of the epic merely postpone his unchangeable destiny.

Before Augustus came to power, Civil war had ravished the basic principle of the Roman people. Piety, the warning to “fulfil our duties towards our country, our parents, or others connected with us by ties of blood” was undermined by faction. The duty towards country, parents and relatives was less of a bond because faction determined duty rather that Pietas. Thus Rome, a city founded in pietas, was that foundational principle. internal faction undermined the principles of pietas and corrupted its role in the city. Rome needed a moral reform towards pietas; Rome needed a refocus on the roots of the empire, its duty towards its ancestors, and unity based in pietas. Commissioned by Augustus, Virgil constructs the Aeneid so that it portrays the cruciality of pietas by redefining Greek epic heroism to include pietas. Each comparason of aeneas to another greek hero emphasises the pietas within him, showing how he is better because of it and combining the heroism of all the Greek heroes into Aeneas. By doing this, virgil shows that to unify Rome through pietas is to harness Rome’s power. Thus, Virgil reveals to the Romans a virtue which allows the individual Roman citizen embody and partake in the glory of Rome.

Many may tell themselves, “I am the master of my fate, I am the captain of my soul”, William Ernest Henley’s, Invictus. Individuals often believe life is independent of outside forces; one does not often ponder whether situations that introduce decisions or experiences are controlled by fate and the gods. In Virgil’s The Aeneid, he introduces the notion that we are all subject to the workings of fate regardless of our will or desire; this is shown through the tragic romance between Aeneas, a Trojan, and Dido, the queen of Carthage. Their love and lives are a combination of free will, fate, and the work of the gods. We are all brought into the world without choice, thus lack the will to change our destiny from birth. In the end, however it

The protagonist of the Aeneid and known hero to many, Aeneas, was a man of many virtues. His courage and obedience towards the Roman gods are clearly shown all throughout the book, as well as his passion for justice. When he leaves his lover, Dido, at the bidding of the gods, he shows obedience even when it went against his own will. The time Aeneas travels into the underworld to find his deceased father, it shows great bravery. It is even seen by the example of the crew of Aeneas that he was an incredible person, judging by how loyal they were to him. But, even with all these wonderful attributes, Aeneas wasn’t the entirely heroic person we believe him to be.

Are the deeds of mortal characters in the Aeneid controlled by the gods or by fate? Aeneas must fulfill the will of the gods, while enduring the wrath of other gods, all the while being a worthy predecessor of Augustus and founder of the Roman people. Of course, the Trojan is successful because he gives himself up to these other obligations, while those who resist the will of the gods, Dido and Turnus, die sad deaths.

Dying for one’s city in ancient Greece was revered and respected, a group of soldiers sacrificing themselves in a battle were exalted as heroes of the city. Pericles funeral oration highlights the role of death in ancient greek society. Death is honorable, and sacrifice even more so. In fact, it was expected that you would die defending your country, instead of surrendering.

Throughout the Aeneid, a constant theme of suffering is made apparent. Whether it be in war, in travels, in his meeting others; Aeneas’ journey is anything but normal. The gods are torn on the topic of Aeneas; some support his journey and his goals while others oppose them vehemently. Because of this contrast in support, Aeneas often becomes the subject of their conflict. Torn between two sides in this never-ending spat, Aeneas is forced to persevere through great contention between those of a higher power. In lines 450-476, Book VI, Aeneas states in a speech to Dido, “sed me iussa deum, quae nunc has ire per umbras, per loca senta situ cogunt noctemque profundam, imperiis egere suis;” (I was commanded by gods, who drove me by their decrees, that now force me to go among the shades, through places thorny with neglect, and deepest night). Aeneas’ most recent endeavor was to travel to Hades, among the shades, where no one before had gone and come back unscathed. Aeneas, forced to attempt the impossible, ventures into the underworld.

Another problem that is experienced by the dedicated reader of this book is the fact that the last scene was authored differently from theother parts of the book. As the novel comes to a conclusion Aeneus kills turners because of a number of reasons. Most of these reasons are not honorable. Aeneus had faced a lot of challenges throughout the poems. At the very genesis of this book, the author portrays Aeneus as responsible and dedicated man who knew his fate and duty to his people very well. This is demonstrated throughout the book, and example is when he goes back for his wife during his flight from troy. However the prominence of these themes continuously fade away and become les vivid when and the fact that he starts to understand the impacts of the gods upon his fate comes alive. Aeneus is half divine which is an advantage to him because he can be on both sides. At the beginning the author depicts Aeneus as a very understanding and human individual who understands the needs of humanity but as the epics progresses this begins to fade away slowly and his divinity becomes more prominent. As the story concludes we see that Aeneus is a completely different person compared to the beginning of the epic also his will for human understanding is gone. This scene changes the readers’ view of Aeneus that had initially been developed throughout the literally work. He becomes enraged: the opposite of the Aeneus we had known in the beginning of the epic. On second though this is not a