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Debasing Exchange : Edith Wharton's The House Of Mirth

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In “Debasing Exchange: Edith Wharton’s The House of Mirth,” author Wai-Chee Dimock argues that the society portrayed in the novel, which is a reflection of 19th century upper class New York, revolves around the idea that the business ethics of the economic “marketplace” determines all aspects of the culture. More specifically, this causes all forms of social interactions to be viewed as “currency,” with the precise value of a certain act or relationship determined by whoever possesses the most power. As Dimock herself puts it, “as a controlling logic, a mode of human conduct and human association, the marketplace is everywhere and nowhere, ubiquitous and invisible” (375). While some might wonder whether the marketplace really is the ultimate guiding structure for this particular fictionalized society, Dimock contends nevertheless that this interpretation is a viable one, due to the marketplace’s “ability to reproduce itself,” and thus “assimilate everything… into its domain” (375). I myself find Dimock’s argument both interesting and useful in interpreting The House of Mirth because of the clarity with which she presents the often complicated, critical lens of Marxism. Para. 1: Dimock proposes that the society portrayed in The House of Mirth revolves entirely around the rules of the “marketplace,” or in other words, a prescribed set of “business ethics” that encapsulates all aspects of life. Para. 2: Lily Bart as a character shows the all-pervasiveness of society as a

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