Deception Amongst Women in Greek Mythology Within the writings of Greek mythology women commonly

In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.

The story of Theseus and Hippolytus is another myth that shows the role of women in Greco-Roman society. In this story Hippolytus rejects Aphrodite to follow Artemis. In revenge, Aphrodite makes Hippolytus' mother Phaedra fall in love with him. Phaedra, unable to control her sexual desire, makes her move on Hippolytus. After he rejects her, she hangs her self and leaves a note saying that Hippolytus raped her. When his father Theseus returns he kills him. This story shows that the Roman-Greco society thought women were filled with lies and the cause of many bad things. This is different than women's roles in today society because today it is usually thought that more men lie to avoid

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

In the poem written by Homer, "The Odyssey", there is evidence of these views as pointed out by Sue Blundell. In her book, Women in Ancient Greece, she gives many examples but I would like to just touch on a few. Sue suggests many of the monsters encountered in The Odyssey are unmistakably female. Woman are to be seen as having a sexual power to engulf and obliterate men if they become to closely involved with them (Blundell, 51). This might explain why women are kept in check in Greek society and why men are not to be blamed for their

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Homer’s Odyssey challenges the common view on deception as employed only maliciously. Both a mortal, Odysseus, and one of the most revered goddesses, Athena, have the common noble goal of bringing Odysseus back home to his family after nearly two decades of absence. To achieve that goal, they mainly use deception and disguise in various forms that their physical and mental powers allow. Odysseus is famous for wittily deceiving others through verbal means, fact noted by Menelaus and Helen of Troy (Book 4). He even doubts Athena, as his own skills have made him doubt other’s honesty. Athena states after realizing Odysseus’s disbelief, “Would not another wandering man, in joy, make haste home to his wife and children? Not you, not yet” (8.

Deception, in both the Odyssey and Taming of the Shrews, is extremely prevalent. In Taming of the shrew, deception is mainly used as a means to an end, the end being marriage, but is used in other ways as well. In the Odyssey, deception is used throughout the book in countless ways, usually pertaining to getting out of dangerous situations and or death. In both books, the deceit is beneficial and harmful in separate ways, but without deception, the books would not be even nearly as interesting.

is an example of divine deception, and the fact that she is the goddess of

            There were far more restrictions placed on the women of the ancient world than on the men.  To many, this may appear to be an obvious fact.  However, the comparison of women to men in the Odyssey does not show such a discrepancy.  The women created by Homer had certain characteristics that set them apart from ordinary women.  Penelope was a woman who did not give in to the demands of her surroundings.  She suffered throughout the twenty year absence of her husband, Odysseus.  She maintained her dignity and her chastity through her refusal of the hoards of suitors that flocked to her home. Penelope represents the ideal woman for balancing her refusals of marriage and the preservation of her respect.  When ready to address her suitors, Eurymachus, a suitor himself, speaks out from the crowd in praise of Penelope.  He states, "Ah, daughter of Icarius, wise Penelope . . . You surpass all women in build and beauty, refined and steady mind" (18. 276,280).  The acts of Penelope would not have been allowed of an ordinary woman of those times.  Her loyalty to Odysseus was unflagging and quite contrary to Clytaemestra's loyalty, another character in the Odyssey, though she is never mentioned by name.

The Greco-Roman society was a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the classic mythology we will see that the roles women portrayed are very different than women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the attributes of Greco-Roman female gods and looking at the roles women play in the myths. By comparing the roles of women in the myths with women’s roles today we will see that the roles have many differences and few similarities.

The title of Sarah B. Pomeroy's book on women in antiquity is a summary of the main categories of females in the literary imagination and the societies of ancient Greece and Rome, over a period of fifteen hundred years. Beginning with goddesses, Pomery retells some Greek myths, outlining the social functions of female Olympians – the goddesses are archetypical images of human females, as envisioned by males. Desirable characteristics among a number of females rather than their concentration in one being are appropriate to a patriarchal society. Demosthenes states in the fourth century B.C. this ideal among mortal men, "We have mistresses for our enjoyment, concubines to serve our person and wives for the bearing of legitimate children (Pomery 1995)." Pomery’s goal in writing this book was to detail and outline the true significance of women in all other their roles in antiquity.

Goddess, Whores, Wives and Slaves: Classical Women of Antiquity, written by Sarah B. Pomery, focuses on the main categories of women in the literature and society of ancient Greece and Roman over a time period of fifteen hundred years. Pomery focuses on these roles and how they are significant in the development and structure of these great ancient civilizations. Her goal in writing this book was to expand upon her first book, entitled Goddesses as she discusses in the Preface of this book. She wanted to include the significance of all women’s roles beyond just that of Olympian women because the first thesis was so well received.

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,

The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”

The stories that as a whole make up the body of ancient Greek mythology have treatedthe complex subject of women in various ways. Although women are generally considered to beweak and subordinate to their husbands, there exist some examples of strong, even heroic womenin certain myths. Such “extraordinary” women include Deianeira, Phaedra, Medea, Penelope,and Clytemnestra, among others. This discussion of women will focus on the latter two,comparing and contrasting them and addressing the ways in which the former is often considereda “good” wife and the latter a “bad” wife. The comparison of Penelope and Clytemnestra willultimately show that, in certain ways, the line between “good” and “bad” wife is rather blurryand the distinction between husband-killing monster and devoted, faithful wife is not as clear-cutas one might expect.The major works in which Penelope and Clytemnestra appear are Homer’s Odyssey andAeschylus’ Oresteia, particularly the Agamemnon. One of the first things to notice about theseworks is that they were both written by men, for men. Given the ancient Greek context, this is arather obvious observation, but it deserves to be pointed out because it should be expected thatmen would have a biased view of women. Hesiod’s Theogony and Works and Days describe thecreation of Pandora, the first of “the race of women”, as a gift and punishment from the gods.While she is made to “look like a goddess immortal, / having the lovely, desirable shape of a