Essay about Deception in Shakespeare's Taming of the Shrew

910 WordsMar 1, 20134 Pages
Analytical Essay Year 10 English In the Shakespearian play: The Taming of the Shrew, deception is one of the major concepts. A tangled web is created in the play through deception of character behavior and the change between clothing and class. Most of the deception in the play have particular motives behind them and create dramatic irony. Shakespeare has used dramatic irony to create a comedic play. Character deception in The Taming of the Shrew is used largely, and Lucentio one of the main characters in the play uses deception throughout some of the first few acts. Lucentio, upon seeing the beauty of Bianca ‘falls in love at first sight’ and wishes to conjure a plan to woo her. Tranio (Lucentio’s best-friend) assists…show more content…
Another clear example of character deception in The Taming of the Shrew is Petruchio’s deception of Katherine. Petruchio pretends that he loves Katherine so much, that he cannot allow her to eat his inferior food or sleep in his poorly made bed; all in the name of ‘love’. “That bate and beat will not be obedient. She eat no meat today, not none shall eat; last night she slept not, nor tonight she shall not,” (Act IV Scene I The Taming of the Shrew). The motive for Petruchio’s deception of Katherine is that he wishes to tame her. Katherine is the ‘shrew’ of the play and has needed to be tamed-not through violence or words; but by actions of ‘love’. All the character deception in The Taming of the Shrew creates dramatic irony. Dramatic irony involves the reader/audience knowing something about what’s happening in the plot, about which the character(s) has/have no knowledge. Dramatic irony can be used in comedic plays, such as this one to engage the reader/audience. Throughout the play, characters are may be oblivious to recognising the truth, however, the reader/audience can sympathise with this character because the reader/audience knows the true motives of the circumstance. The characters mentioned earlier create examples of dramatic irony. Lucentio disguises himself as Cambio; Bianca’s Latin Tutor, little does Bianca or Baptista (Bianca and Katherine’s father) know about
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