Deconstructing Tragedy And The Definition Of The Protagonist’S

Oedipus’ pride and a heightened sense of confidence is very conspicuous throughout the play Oedipus Rex. From the beginning of the play, Oedipus accepts the idea that he can avoid the prophecy given to him by the gods. Oedipus is also seen interrogating Creon and attempting to banish him with Tiresias towards the end of the play because they are saying facts corresponding to the prophecy. He tries to become like a god himself by thinking he could control his own fate. Although Oedipus’ pride can be justified by his accomplishments of being king; the tragedy of Oedipus is the pure result of his overwhelming pride because he killed his father, mocked Tiresias, and blinded himself.

“Angry people are not always wise.” (Austen) Anger, “a strong feeling of annoyance, displeasure, or hostility”,(Dictionary.com) is a feeling which can ruin a day, a friendship, a family and even more. Like in most novels, in Oedipus Rex there are many people who make Oedipus’ anger rise, this anger is like a double-edged sword. The double-edged sword. swinging that anger around can hurt not just the person you're angry with but yourself. His anger not only hurts Creon, Laius, and Tiresias but himself. The cruel story of Oedipus rex and his quick-rising anger shows that anger can derive from a person's ignorance, their arrogance and it can harm not just the person it’s is aimed for, but the angry person and everybody in the relationship.

Oedipus tells Creon that he is a traitor, because he thinks Creon told him to send the prophet, Tiresias, to find out who killed King Laius. Oedipus thinks that both Creon and Tiresias were plotting against him, by saying Oedipus was the person that killed the late king. Oedipus’s pride takes over and blames Creon for doing this in order to become the next king. Also Oedipus demonstrated his power by attacking Teiresias, “Monster! thy silence would incense a flint. Will nothing loose thy tongue? Can nothing melt thee, Or shake thy dogged taciturnity?”(Oedipus Lines 339-341). He refuses to listen to his advice and warnings due to him being blinded by excessive power and

Hubris is Oedipus's tragic flaw. He is now overly full of himself because: he rescued the city of Thebes from the Sphinx, people admire him, the citizens worship him as if he were an idol, the citizens think of him as their hero, and the Thebans have such a high esteem for him, that they made him King. One instance that proves he is filled with overbearing pride is when he proclaims, "I, Oedipus, a name that all men know." (8) This statement also brings about irony. It is ironic because his name will be remembered and well-known everywhere--as a polluter, the

Talk about road rage! Oedipus is pushed out the way by a wagon, and he retaliates by killing almost everyone in the wagon, including his father! Sure, Oedipus was destined to kill his father anyway, but the manner in which he did so gives an insight into his demeanor. Oedipus could have killed his father in any number of ways, but to do so in a fit of rage set off by so seemingly trivial of an event is just not rational. Murder may not have been as big of a deal at that time, but if Oedipus had tried that in today’s world, he would have either been executed or have been spending the rest of his life in a mental institution. This incident goes to show that Oedipus is a very rash and impulsive man, and this carries over into his administration and decision-making.

With his great knowledge and accomplishment establishing him as a man of insight and honor he is crowned King of Thebes. Oedipus, unwilling to hear or see truth, smites a blind man in the midst of his own ignorance and denial to reality. Teiresias, a blind prophet, is stood before Oedipus to reveal his visions about the identity of the murderer. “PAGE 11/40 TEIRESIAS thou hast not spared To twit me with my blindness--thou hast eyes, Yet see'st not in what misery thou art fallen, Nor where thou dwellest nor with whom for mate. Dost know thy lineage? Nay, thou know'st it not, And all unwitting art a double foe...” Teiresias reveals Oedipus' fate to him. He reveals that Oedipus doesn't know who his true parents are, and is living a doubly bad fate. Oedipus becomes engaged and accusatory of Teiresias at the thought of someone threatening his preconceived reality. “PAGE 10/40 OEDIPUS There is strength where there is truth, but not in you Oedipus. You don't possess this quality, for you are blind in your ears, mind, and eyes.” Oedipus even goes as far as to suggest that Teiresias murdered King Laius. “PAGE 10/40 OEDIPUS Thou methinks thou art he, I think that you are he who planned this crime, and he who even committed it too..” Oedipus, self righteous and pompous, believes that he can do no wrong. His ego is so big that he tears down and slanders

           He becomes convinced that Tiresias and Creon are plotting to overthrow him, though he has no evidence to prove it and thus insults the seer which was a great crime at that time because he let himself be ruled by his anger. When Teiresias announces to Oedipus that

To support this, Oedipus is stunned when Tiresias, one of his loyal subjects, refuses to tell him what happened so many years ago. “What? You know and you won’t tell? You’re bent on betraying us, destroying Thebes?” (Sophocles, line 377). Automatically, Oedipus assumes the worst of Tiresias. He believes this man is trying to betray him and his city. This quick to anger moment shows just how Oedipus thinks if someone doesn’t give him what he wants. Enraged when he hears the truth, Oedipus lashes out “You, you scum of the earth!” (Sophocles, line 381). This quote just shows how butt hurt Oedipus is when he learns about his faults. When hie ego is damaged in the slightest way, he becomes temperamental and hot headed. “No, I can’t say I grasped your meaning. Out with it, again!” 411. When Oedipus hears the truth, he lashes out, not wanting to believe in such accusations. This just shows that Oedipus can't bear the truth. “You're blind to the corruption of your life!” (Sophocles, line 471). Tiresias lashes out at Oedipus with this statement. This evidence shows just how childish Oedipus is. He doesn't think about his own faults or what he has done in the past.

When Oedipus hears that he is the killer, his pride is wounded for he cannot accept the truth. His judgment is so blurred that he also begins to view Creon as a traitor for using Tiresias. Creon’s words sum up Oedipus’s rage when he said, “Oedipus, your husband, he’s bent on a choice of punishments for me, banishment from the fatherland or death” (715-717). Jocasta is even surprised with Oedipus’s unusual character, as she said, “For the love of God, Oedipus, tell me too, what is it? Why this rage? You’re so unbending” (767-769). The reason why Oedipus pride is so wounded can be because his negative experiences with the Gods. As a baby, he was condemned to death, yet he survived and learned the horrible truth of his prophecy. In attempt to escape that life, he lost belief in the word of the gods because he refused that the prophecies should come true. This struggle between God and Oedipus only tears his moral beliefs as he has to be stone cold to survive his tribulations. This meant giving no consideration against people who presently posed a great threat to him.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

Some characteristics Oedipus shows while he is a king is his impatience, his ability to act rashly, and how quick he likes to take action. One example of this is on page 18 of The Oedipus Cycle when he says, “What a wicked old man you are! You’d try a stone’s patience! Out with it!” Oedipus says this after Teiresias refuses to tell him what he knows about the murderer of the previous king of Thebes. Instead of trying to persuade him further or just accept that Teiresias won’t tell Oedipus what he wants to know, his impatience causes him to act rashly and start insulting the seer. Another example of Oedipus’s tendency to act quickly appears on page 28 when Oedipus says to Creon, “You murderer! Do you think I do not know that you plotted to kill me, plotted to steal my throne?” Prior to their conversation, Oedipus asks his brother-in-law, Creon, to bring Teiresias to him so they may ask him what he knows. After Teiresias refuses to share what he knows with Oedipus, he eventually tells him that Oedipus is the murderer that he is seeking. Just from this, Oedipus quickly comes to the conclusion that Creon urged Teiresias to say this in order to usurp the throne. Another example of Oedipus’s rashness appears on page 43 of The Oedipus Cycle, “The groom leading the horses forced me off the road at his lord’s command; but as this charioteer lurched over towards me I struck him in my rage . . . Swinging my club in this right hand I knocked him out of his

exercising his free choice by making bad decisions . Oedipus certainly meets these portrayals of a tragic hero. The dialect of tragedy consists of two circles: one is a relative point and the other is impacted and the effect on its audience. Sophocles and Aristotle’s achieve that task with absolute clearness. The modern reader, coming to the classic drama not entirely to the enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek ‘fatalism’ and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce . In dramatizing stories, there will dependably blends of passionate sentiments, suspense, and fervor to discover what’s

In the play Oedipus Rex, we get follow the story of current King Oedipus, and his struggle to discover who killed the King prior to himself, King Laius; but in the process of trying to discover the truth, he also leads to his own downfall. Oedipus is a perfect example of how “Ignorance is bliss”, if you don’t know something, do not try to look into it. Oedipus makes the mistake of looking into something too much, and he discovers that he wife is really his mother, and that he also murdered his father. Oedipus is a great example of a “Tragic Hero”, he has good intentions of trying to save Thebes by looking for the killer, but he ends up causing his own downfall. Oedipus Rex is a warning from Sophocles stating that you should not attempt to look

Aristotle thoroughly describes his understanding of the tragedy in the Poetics and bases this conception on certain requirements. According to Aristotle the three most important variables that define a tragedy are plot, characters, and theme. Using Oedipus Rex as a sort of ideal, this philosopher demonstrates how a tragedy functions in order to evoke catharsis while exploring themes and human flaws, or mistakes. In Oedipus Rex, the main figure, Oedipus the King is a subject of fate, unable to escape himself and his desire to uncover the truth. In essence, this drama demonstrates the fall of a prominent figure brought down by his inescapable fortune and self-destruction. I definitely believe it is difficult to find a modern day tragedy that

However, pride is not the only characteristic, which contributes to their tragic end.  For Oedipus, there exists his temper, his unrelenting pursuit of the truth and his suspicion.  His temper is exhibited in the argument between Teiresias and himself, where Teiresias states the truth and Oedipus replies, "Do you think you can say such things with impunity?"(p.36) and later calls Teiresias a, "Shameless and brainless, sightless, senseless sot!"(p.36).  His suspicion was also shown in this exchange where he says, "Creon! Was this trick his, then, if not yours?"(p.36).  Lastly his unrelenting pursuit of the truth is demonstrated when he believes he is the murderer and that Polybus was not his