Defamiliarization
What is it?
Defamiliarization is the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar. According to Viktor Shklovsky, a Russian writer who coined the term ‘Defamiliarization’, “The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects, unfamiliar‟, to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged. Art is a way of experiencing the artfulness of an object; the object is not important.”
Defamiliarization vs. Habitualization:
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To feel that waking is another dream That dreams of not dreaming and that the death We fear in our bones is the death That every night we call a dream.
To see in every day and year a symbol Of all the days of man and his years, And convert the outrage of the years Into a music, a sound, and a symbol.
To see in death a dream, in the sunset A golden sadness--such is poetry, Humble and immortal, poetry, Returning, like dawn and the sunset.
Sometimes at evening there 's a face That sees us from the deeps of a mirror. Art must be that sort of mirror, Disclosing to each of us his face.
They say Ulysses, wearied of wonders, Wept with love on seeing Ithaca, Humble and green. Art is that Ithaca, A green eternity, not wonders.
Art is endless like a river flowing, Passing, yet remaining, a mirror to the same Inconstant Heraclitus, who is the same And yet another, like the river flowing.
Here, we clearly see how language is used to create the apparent confusion in reading which prolongs the time taken to absorb this piece of writing by the reader. The way in which time, a river, water and human beings are connected with very clearly noticeable connections and the way in which the connected words are repeated twice, makes us ponder on the associations, make an extra effort to understand the significance of them. May be a flowing river and time can be easily connected, nothing unusual in it, but the familiar is defamiliarized in terms of feel by
It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”
According to Mandel, art reminds us that we’re human. It is a subconscious human instinct, even “in the midst of catastrophe” (Knopf).
In the passage “Two Ways of Seeing a River,” author Mark Twain attempts to share the feelings of loss he experienced after he was disillusioned to the beauty of the Mississippi River. Twain was a famous Nineteenth century author who had previously worked as a steamboat captain and who grew up along the river. The organization of the paragraphs in relation to each other is linear, and the content of each paragraph is dominated by a different rhetorical device.
| a celebration of the genius that enabled certain people to convey profound insights through art.
Art, in each and every form that it comes in, shows us who we are. Our
“Art is an irreplaceable way of understanding and expressing the world. There are some truths about life that can be expressed only as
Philosopher Arthur Danto, author of “The Artworld,” an artistic criticism, states that “to see something as art requires something that the eye cannot descry—an atmosphere of artistic theory, a knowledge of the history of art: an artworld” (201). Artistic theory, according to Danto, requires the presence of a subject, style, rhetorical ellipses, and that of historical context. Danto is capable of developing this view on art with the aid of an imaginary character, Testadura. Testadura, however, makes mistakes, as well as corrections, about the objects before him.
Art is an object or piece of work that brings one pleasure. Art is also something you see or feel and you cannot even begin to describe the ways you like it or how it makes you feel. Art is something that portrays beauty and happiness. Art lets you see the world through another person’s perspective. Most art seems to tell a story about where a person has been and the things they have encountered along the way. It lets you connect with the artist and see things through their eyes. Art is a way of expressing one’s self without words. When I think of art, I think of paintings, portraits, sketches, and sculptures.
that one is dreaming and that the dream is coming from the self. The notion that
“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”
The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.
Art is simple. Art is complex. Art is everything. Take a moment, everyday, to find art in the surrounding world. By doing this simple task, the understanding of art emerges. This
As onlookers peer into the artworks in front of them, there is no question as to whether or not they considered what the artwork means, where it came from and what the artist was interested in who created it. The
For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and
“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.