Greenwood Press, 1992. The first full-length biography of Arna Bontemps. An excellent source not only for information about the man himself but also for information about the background of his works, including Black Thunder. Includes a bibliographic essay that serves as a handy guide to primary and secondary material about Bontemps. Sundquist, Eric J. The Hammers of Creation: Folk Culture in Modern African-American Fiction. Athens: University of Georgia Press, 1992. Originally presented as a series
of globalization from the mid-1990s) and afterward (9/11, or the global recession of 2008) when one could quite plausibly argue that a new era had begun. A compelling case can be made for viewing the decades of the global scramble for colonies after 1870 as a predictable culmination of the long nineteenth century, which was ushered in by the industrial and political revolutions of the late 1700s. But at the same time, without serious attention to the processes and misguided policies that led
their sons would start sprouting them. I heard the term “black heart man” used again and again as a means of expressing fear or ridicule of the Rastafarian. And this was in the early 1970s—after Bob Marley's emergence as an international viii FOREWORD star, after Selassie's arrival in Jamaica, and after so much had been written about the importance of Rastafarianism. The problem was that Rasta was counter to the strong Christian structure that dominated and continues to dominate Jamaican