Desdemona in William Shakespeare's Othello
In Act One, Scene Three when we first hear of Desdemona through her father Brabantio, the image of a small, shy and innocent young girl comes to mind. When Brabantio tells the Duke of his daughter he calls her ‘A maiden never bold; / of spirit so still and quiet’ and the only reason she married Othello is because ‘she feared to look on’ him. Brabantio seems sure that this is the daughter he knows so well and he believes that she must have been ‘wrought upon’ as he does not think it is possible that she would disobey him and marry behind his back. We see Desdemona as an innocent victim through Brabantio’s eyes, however the Desdemona that presents
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Desdemona claims she cannot stay put as ‘a moth of peace’, the marriage has not yet been consummated and she does not want to be hidden away from the man that she loves. This strong sense of will Desdemona shows in Act One contrasts to her actions further on in the play. At this point her strong will and love she holds for Othello’s also shows how she completely commits herself to him, her ‘heart’s subdued’ to Othello. It could be argued that this results in her becoming the ‘innocent victim’ as she stops standing up for herself and instead stands up for Othello. Desdemona refuses to blame Othello for her unhappiness in Act Four, instead she declares that it is her ‘wretched fortune’.
In Act Two, Scene One, Desdemona’s strong will is further enforced, as she is able to confront Iago’s comments, which his wife Emilia would rather just set aside. Where Emilia says to Iago, ‘You shall not write my praise,’ Desdemona says to Iago, ‘What wouldst thou write of me, it thou should praise me?’ This clearly displays how Desdemona is not afraid to speak her mind. She does not shy away from others and she comes across as a strong and confident woman.
When Desdemona tries to reconcile the relationship between Othello and Cassio, she is simply doing it for Othello’s best
Act I of Verdi’s Otello starts without a prelude. It starts directly with the storm. This opera has an aggressive starting which is represented by strong music. The opera begins outside a castle in Cyprus, near the shore in the midst of an unleashed evening storm full with queasy violin and horn undulations and high-woodwind lightning flashes (Hepokoski, 1987). Verdi represents the storm with trumpets, cornets, and trombones. Then, followed by Cassio, Montano, and his full train, Otello enters the castle.
In Shakespeare’s play Othello, one of the main character’s Desdemona possesses the most essential symbol and object in the play, a handkerchief. The handkerchief appears in Act III of the play and is a particularly important part in the plot of the play. It helps weave the entire story together. The handkerchief symbolizes Othello’s love and trust to Desdemona and Desdemona’s marital fidelity to Othello.
Desdemona is portrayed as a very inquisitive women, whom loves to explore the things and people outside of her class. She fell in love with Othello because of her curious nature and being attracted to his acts of bravado. Her intentions are sincere; however her curiosity in this act is seen as folly. She asks her cousin Lodovico about his arrival and informs him of Cassio’s dismissal. This angers Othello as she is praising another man, taking a persona of being proactive about him. For Othello this concludes that she is disobedient and has dishonored him - to put her in place, he resorts to violence:
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that
"You don't love someone because they're perfect, you love them in spite of the fact that they're not” (Picoult, 384). This quote is the definition of true love, something the two protagonists of this play sadly never had. The tragedy Othello is about a general of the Venetian army, and his beautiful wife Desdemona, whose lives are completely ruined by the deceitful, cunning, and cowardly Iago. One of Iago’s biggest accomplishments was breaking up Othello and Desdemona's relationship by getting it into Othello’s head that Desdemona was cheating on him. This really made the reader question Othello’s feelings towards Desdemona as for someone who claimed to have love Desdemona with a passion, Othello sure was quick to believe Iago’s lies and turn on Desdemona. Based on his actions towards Desdemona, Othello proved that he does not truly love Desdemona because he is insecure, lacks trust, and is a very jealous person.
am’. It is not very clear on what Iago means as he does not make it
In Shakespeare’s Othello, Othello and Desdemona’s marriage was doomed from the start. They did not start well; their marriage was controversial because of their race and Othello’s failure to follow proper etiquette while he was courting her. However these issues could have been overcome with time. The biggest problem is Othello’s attitude to Desdemona. Othello’s model of Desdemona prevents him from considering her a person. He thinks of her instead as superior to himself in every way, to the point that she is a god. Her race, beauty, and status make her godly in his mind. She becomes untouchable in Othello’s mind, and he begins to distance himself from her. Because Othello thinks of Desdemona as “Alabaster”(5.2.5) he will never consider
Othello insults and strikes Desdemona in public and Desdemona being horrified by these actions says that “I have not deserved this” (4.1.241). Desdemona finds Othello to be incorrect in his actions and she expresses her feelings to Othello. This proves Desdemona to be ahead of the time the play was written since unlike other women Desdemona defends herself and her beliefs strongly. Therefore, Desdemona is shown as an all-around powerful woman.
Shakespeare's “Othello” is a tragedy written about a black lieutenant and his terrific outcome. Being manipulated by the villain Iago, drives him to kill his own wife. Othello is responsible for Desdemona's death because he allowed Iago to manipulate him, he didn't trust Desdemona and strangled her while she slept.
The three characters of Iago, Desdemona and Othello are gradually revealed to the audience as Act One unfolds. All three are linked to one another and talk to and about each other. Their characters unfold through their interaction with others and how they behave in isolation. The first impression formed of Iago comes from what Roderigo says. Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory. He despises Cassio, partly because he
The contrasting characters; Desdemona and Emilia, form an interesting and important relationship in the play Othello. Desdemona is very ‘sheltered’ from the ways of the world and Emilia is very ‘down to earth’ and ‘experienced’. From this difference we see a fascinating relationship between the two of them.
In the play, The Tragedy of Othello, judging from the relationship between Desdemona and Othello, seems to say that marriage based on an innocent romantic love is bound to fail. There is a common thread of betrayal and deceit among many characters. Othello and Desdemona being the most vividly portrayed. The two appear to love one another romantically at first, but it soon after transforms into a secular love. This comes to pass because there is no foundation for a relationship. There is no trust, no communication, and no understanding.
to be weak and naïve in the eyes of her father. We can tell this from
Identity is a part of everyone and it changes as they grow, but how it changes varies depending on aspects of the person’s life. In the play Othello by William Shakespeare, and Desdemona is an influential character who is married to Othello. Her identity changes as the play progresses, but the characteristics in her life change her identity. Desdemona has many factors influencing her identity, but three of them are family, gender and sexuality, and race and culture. Family includes her father’s treatment of her, and how he feels when Desdemona betrays him. Race and culture influence the way her community sees her relationship with Othello, and also how her community sees her. Finally, gender and sexuality forces her to take on gender roles in her relationship with Othello, in being the weaker sex, and also how people view her because she is a woman (they see her as property). Desdemona from Shakespeare’s play Othello, changes her identity through her family, gender and sexuality, and race and culture.
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.