Dionysus Analysis

Dionysus was the youngest of all god but created one of the things many adults praise, wine. Dionysus, god of wine, traveled around teaching people how to created wine. One day he was captured by foolish pirates who did not believe he was a god. To their surprise they were thrown off a boat and revolutionized into dolphins moments later.

This paper will focus on the Statue of Dionysos leaning on a female figure. Also known as the Hope Dionysos. The statue is displayed at the Metropolitan Museum of Modern Art and is located on the first floor Roman and Greek art chamber. Upon entering this sector, you will notice a grand statue that catches your eyes and captivates you as it welcomes you in gracefully. The exhibition is set up in the back center of the room, and is noticeable due to the largeness in scale and the enigmatic yet calming disposition the statue portrays. My first impression of the sculpture was how detailed and realistic the statue is. Since the statue was so defined you would be able to identify what he was wearing and how his body was shaped to how long his hair was during this time period. I was profoundly intrigued by how peaceful the statue of Dionysos embodied and found myself coming back to it and looking in awe. In curiosity, I would choose this statue for my assignment because I wanted to learn more about the history of the Hope Dionysos. In this essay I will be describing my formal analysis of the artwork, the subject matter behind it, the artist and the historical content of the statue of Dionysos.

Greek art, especially sculpture, was a common way to explore and reach past the confines of mankind’s natural appearance be it through penises, huge muscles, or generalized unrealistic body standards. Hercules and the Hydra, a sculpture by Mathias Gasteiger, presents an image of masculinity through the expressive posture and form of Hercules once you look past those gleaming bronze pectorals, and into the intricate details of the piece.

6. When, where, or how did he/she die (you may not be able to answer this question)? (This may not apply to you. )

The paintings on the base and shoulder are broken up into registers which can trace back to Mesopotamian culture and Egyptian society as well. Both registers on the shoulder and body depict two dimensional figures along side with oriental flowers. In both registers, there is an animal depicted, which is a panther. The panther is one of the forms that Dionysus the god of wine, agriculture, and fertility of nature takes on.3 The panther on this Oinochoe leads us to believe it represents Dionysus because he is the god of wine, and this particular vessel was used for wine. Another figure on the vase is a winged figure, however that part of the vase has faded to the point where it cannot be analyzed or examined. What can be seen however are lions, which at the time in ancient Greece showed wealth and power and can often be found in many Greek myths. Lions during this time are depicted roaring with their mouths open and their body flexing and tall, poised to show power and authority. The registers may have the same animals and creatures on them; however the register on the body of the vase has more of the animals. The final animal that is depicted is a feral goat, the only way it can described and identified as feral, is because it is grazing where the lions and bird like

Dionysus’ birth was imaginatively created by the Greeks to fit along with Dionysus’ role in the world.

The Bacchae by Euripides grapples with the dichotomy of the human condition, confronting the duality of having public decorum and acting upon impulsive desires. Dionysus proves to be a compelling character, acting as a living god with humanistic qualities. Dionysus' ability to allow humans to "let go" of persistant ailments and issues within their life, while not without its positive aspects, proves to be excessive. Most notably, the relationship of Dionysus and Pentheus is that of constant strife. For example, in scene 1, the introduction of The Stranger (Dionysus) and Pentheus shows the inherent flaws of Pentheus, and his inability to see what is right before him.

but Dionysus is not an unequivocal advocate of license. In fact, Dionysus endorses a type of moderation, saying that “what a wise man does is to exercise self-controlled gentleness of temper” (641).7 Indeed, the accounts of the Theban maenads, at least up until they are threatened by others, are of a group of women who are reveling, but who are neither destructive, nor as lascivious as Pentheus claims. True, their deeds are exotic, but they are not violent. Rather, they present a paradisal image in which humans and nature live in a state of mutual peace and succor.

According to Pseudo-Dionysius, there are two ways of approaching God who is ultimately at the center of all speculation. There is a positive way and a negative way. Pseudo-Dionysius argues that we attribute names to God from the point of view of his being the source, nevertheless if we are to speak of God as he is in himself, we must deny all these things of him. God is not really good, not really just, and so on. We actually apply those terms to him only insofar as he causes good things and so on. Both the negative way and the positive way are necessary for a balanced discourse about God. Cataphatic theology says that God is King. It therefore demands Apophatic theology to save it from anthropomorphism. Apophatic theology states that God doesn't

Dionysus was throwing on of his many killer parties. Nobody liked Dionysus’s parties. He invited everybody near and far from Greece. Nobody was planing to come, but himself. He was planning to throw a party to celebrate all of the gods and goddesses. The whole town was talking about not going to the killer party. In the middle of the pocket sized town Artemis, the goddess of hunting was getting into a fight with her twin brother Apollo, the god of music and many of other things. Apollo was telling Artemis to go to the party, and say if it was safe or not. Everybody in the town was starting to chant Apollo's name. They wanted Artemis to go to the party and see if it was safe. Artemis didn’t even want to go to the party let alone by herself. Artemis told Apollo many times that she didn’t like parties. She wanted to go practice her bow techniques. Sence Artemis wanted to be brave for her followers she agreed to go to the party to see if it was safe.

This Roman sculpture, titled “Dionysus”, created in A.D. 50 – 150, portrays the God of wine and grape harvest himself with his satyr follower, Pan. Roman art was highly inspired by Greek art, to the point where sometimes it’s hard to tell the difference. In this piece, the influence of Greek art is evident, as the idealistic of the High Classical period come together with elements from Roman verism and narrative to create a sculpture that depicts the casual and kind relationship between Dionysus and Pan. At first glance, you see what looks like a youthful male interacting with a satyr, which is a half-goat half-man mythological creature, while standing next to a tree trunk. The grapevines in the youth’s hair, and the cup of drink – presumably wine- he’s holding, as well as the ceremonial staff he’s holding in the other hand are well known indicators that it is, in fact, Dionysus.

The sculpture is made up of marbles and has been there since the Bronze Age. The approximated size of the sculpture is 20 by 39. Iconographic analysis method of analyzing an art work is applicable to this sculpture. Evidently, this is an iconic sculpture since it represents Poseidon who lived among the Greeks and Romans long ago. The main reason of coming up with the sculpture is simply to celebrate his life as an icon. The art work appears spontaneous and the purpose of coming up with the work was public. The artist simply wishes to express a memory to the people. The main question after looking at the sculpture is if the artist managed to create it out of their mind or they had a copy of picture to extract the idea from. After examining the sculpture for a while, you will realize that the main aim of the artist was to create a memory among the people regarding the iconic

Nietzsche believed that life is defined by Apollo, the god of the sun, music and dreams and Dionysus, the god of wine, ecstasy and fertility and nature. The Apollonian is based on logical thinking, form and structure. The Dionysian style is based more on passion, chaos, emotions, and instinct.

There are many greek Gods. Some greek God’s sit in silence but than there are those who have legendary stories.Then there are some really really lame god’s like mine,the god that I was picked to talk about was the greek God Dionysus. When I was given this God to make a paper about I was not that thrilled about who I was given, But after doing research I found out that he is kind of one of the boring ones. But there are a few cool things about him, one of those things are is that he is one of the sons of Zeus and known to be the God of many things but mostly wine, harvest, pleasure, and madness. He is known for having a love for festivals as well.

In this tale, it’s about the king of Phrygia, Midas, who had minuscule emolument to himself and this experience of being able to spend on anything lasted not as outstretched as he wanted it to be. Then one day, Silenus who was found in a bower of roses , inebriated since he was the concomitant and preceptor to the god Dionysus. Then Midas had taken with him to his kingdom and entertained him for ten days. Then when Silenus went back, he led Midas to Dionysus, who was overjoyed to bequeath him back since he took care of Silenus, and then he propounds Midas what ever wish he made it will come true. Without any kind of thought, nor any commonsensical he wished that whatever he came to impact would turn into gold. Of course, Dionysus made the wish