Dionyyso The Role Of The God

Within the play The Bacchae there are two different sides of human nature that are emphasized, which are the civilized and the primal sides. The primal side seems to be emphasized through Dionysus who is the god of wine and festival and very fond of the effect each has on the body. When Dionysus arrives at the city he causes all of the women to go mad and travel up to the mountain to sing and dance in worship of him. Their behavior is described saying, “They’re gone—playing around in some meadow, calling out to Bromius, summoning their god.” (554-556). This shows that they seem to be reverting to their primal nature and acting savagely and out of character in the mountain. However, Pantheus is enraged at the behavior of the women and refuses to believe the divine powers that Dionysus has. He orders the women to be captured and punished for their actions. He believes that worshipping Dionysus is silly because he is not actually the son of Zeus so in his mind the whole ritual is crazy saying, “All the barbarians are dancing in these rites.” (600). Using the word barbarians displays his true belief because barbarians are remembered as savage and wild people who did not have any order in the way that they lived their life.

Theater in ancient Greece was considered the climax of the days long cultural festival of The City Dionysia. At the festival, various types of plays were shown but one of the most popular was tragedy. These tragedies show the main character, usually a god or person of myth, going through human suffering and the terrible sequence of events that followed; and were produced in 472- 401 BCE. In order for a play to be performed at The City Dionysia festival; tragic playwrights would first have to appeal to the state official that was organizing the festival by submitting ideas to him and his committee. The ideas submitted were outlines of main themes and points of interest to be performed in the play. If a playwright was selected by the state official and his committee, then they received a financial backer and a chance to compete in the drama competition of the festival. The state official, or his committee, was likely pushing their own agenda and choose playwrights that matched their ideals. This is just one example of how theater in ancient Greece was used to influence the morality of Greek culture by using the stories of tragedies, like those of Euripides.

In the myth of Dionysus there isn’t exactly a conflict between two sides of people battling for good or evil, its more as a battle between the two sides of Dionysus’ inner self. Unlike most examples of good versus evil, there isn’t a triumphant side. Just the personality switches between Dionysus being the joy-god or the heartless, savage, brutal-god. The reason for this change is due to the fact that he is the vine god; Wine is bad as well as good. He’d bring up peoples hopes and make them believe that they were capable of anything, but once they were sober again

Dionysos is defined as the god of wine, festivity, vegetation, pleasure, and divine intoxication. In the Hope Dionysos, he is depicted as a peaceful and joyful figure that represent happiness in Greek mythology. The statue is sculpted from marble as its medium and is classified as a stone

As the suitors, Odysseus and anyone who has messed with the gods could tell you, stay on the god’s good side. Odysseus’ journey home in The Odyssey was a great example of how the gods can change everything in a moment.The gods intervening was a big part in the ups and downs of Odysseus’ journey home. The painting Fisherman by the Sea by J.W.M. Turner shows two ships in the ocean fighting strong waves, looking at a light far away. The painting is showing a hopeless ship fighting waves and trying to get home to the light. It connects to the main point because of the long journey caused by the gods.Also, Geoffrey Philp, in his poem “The Cattle of the Sun God” shows a similar point of the power and what can happen if you do not listen to the gods. In Philip’s writing, the poem shows how awful the punishments the gods give can be. “The cattle of The Sun god” is about Odysseus’ crew making a dumb decision and the gods acting as their own system of justice. In the poem, Philip uses the consequences of the mortals mistake to demonstrate the power of the gods.

The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.

Dionysus was a wanderer. During these journeys he explored the world. On these journeys he came across many different people and taught them how to keep their vines healthy. On one of his journeys he was captured by pirates. While he was in bondage of these pirates they tried to tie him down. Wherever the rope would touch him it would fall apart. In

Euripides’ play, The Bacchae, brings into perspective the Greek god, Dionysus. The play focuses on Dionysus wanting to establish his divinity in the city of Thebes, “Therefore I shall prove to him [Pentheus] and everyone in Thebes that I am god indeed” (47-49). As it can be seen here, Dionysus seeks to substantiate his divinity in the city that originally rejected him right from the get-go. He demonstrates this divinity through a very unique pathway, that pathway being vengeance. This course of vengeance leads him to manipulate various character's repressed desires. Dionysus uses these repressed desires in Thebes to enact his revenge on the city, but more specifically his own family. Albeit, repressed desires are not an actually character in The Bacchae, they arguably play one of the most important roles in the play. Dionysus brings out the repressed desires within Agave and Pentheus, and this ultimately shows their true character. He manipulates the two character’s repressed desires to fit his own agenda, which was mentioned earlier, and this is ultimately why he succeeds in his conquest for vengeance and the manifestation of his divinity to the city of Thebes. It also provides an explanation for why the two character’s behave the way that they do. It’s important to know your own desires so you cannot be easily manipulated and tricked like Agave and Pentheus were by Dionysus. If the two character’s would have known their own repressed desires, then arguably they would have

The culture where the sculpture was produced was Roman. During this period of time, Dionysus was a religious cult figure at the temples. As a mythological personification, Dionysus was believed to be a youthful, joyful and effeminate figure. He was the God of wine, celebration and divine intoxication of power. The female figure standing next to him is Spes, the Goddess of hope, who brought harmony to society. Both statues together represented peace, calm and prosperity to the lands.

I chose to compare and contrast two works of art that featured the god Dionysos. Dionysos was a god of celebration and wine, promoting both the intoxicating power of wine and its social benefits for bringing people together. He was an advocate of peace and a promoter of peaceful civilization. Both The Hope Dionysos and the Triumph of Dionysos and the Seasons Sarcophagus represent why Dionysos was such an important and celebrated figure in mythology, which is why I chose to analyze two works of art that centered on him. My first impression of each piece was of Dionysos as a peaceful, benevolent and joyful figure. I was struck by the calm peacefulness he embodied in The Hope Dionysos and the happiness he shared on the Triumph of Dionysos and the Seasons Sarcophagus. Though there are many elements to compare and contrast, my analysis will show that both pieces are tributes and representations of Dionysos meaning and purpose in Roman art.

As Pentheus interrogates Dionysus he again is issued a direct warning not to go against the will of the gods by persecuting one whom the gods favor. As Dionysus calmly states, "Very well, I¹ll go along with this wrongful undestined destiny, but remember this: Dionysus, who you say does not exist, will wreak revenge on you for this" (Euripides 417). The story culminates in Dionysus playing on Pentheus¹ curiosity and voyeurism regarding the intoxicated hordes of Thebian women, by tricking him to go out to see them in action. Pentheus is brutally ripped apart by the possessed women, yet in effect it was his own actions that caused his destruction. As Dionysus directly addresses the hubris of Pentheus, "The sins of jealousy and anger made this Pentheus deal unjustly with one bringing blessings, whom he disgracefully imprisoned and insulted; and so he met his end at the hands of his own kin‹ an unnatural end and yet a just one" (Euripides 453).

“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of

Dionysus is the god of wine and fertility, however also became considered a patron of the arts. Along with the variety of things Dionysus was associated with, he is associated with some important concepts. These are, being able to bring a dead person back from the underworld, rebirth after death represented through the symbol of his tending to vines to bear fruit for the making of his wine. There is also the feeling of being possessed by a greater power – which he demonstrated via the influence had from wine. This means that the greater power is the wine – that at these times a man might be greater than himself and do works he otherwise could not.

Foreseeing the future, pain, drugs and alcohol. It all sounds like elements in the plot of a Hollywood movie. These elements, however, are not of a movie, but of the past of a society. “The Pueblos of New Mexico”, an essay written by Ruth Benedict talks of these different societies. Dionysian, derived from the Greek god of wine Dionysus, perceives values through “the annihilation of the ordinary bounds and limits of existence” (517). The Dionysian culture holds values that approve recklessness, glorification, states of emotional excess, and a general passion to break through the usual routine of everyday life. This society is one that has very similar characteristics to the societies of today. The frequent use of drugs and alcohol,

Dionysus moved on to Thebes, which at the time was ruled by his cousin Pentheus. Pentheus did not know who Dionysus was, or that he was a god. Dionysus was with his group of followers, we were singing and dancing while drunk on wine. Pentheus did not like the strangers, and ordered his guards to imprison all of them. Pentheus insulted Dionysus, and called him a ‘cheating sorcerer’. The prophet Teiresias, who had already dressed as one of Dionysus's followers gave Pentheus a warning: "The man you reject is a new god. He is Semele's child, whom Zeus rescued. He and Demeter, are the greatest upon earth for men.” Pentheus laughed at Teiresias, and ordered the guards to continue.