Double Indemnity Summary

Would you please contact patient and verify 2ndry Ins. information . I just receive a denial from her 2ndry insurance that we have on system saying that the patient is coverage under another payer. We receive payment already from Medicare and I bill out on paper and attach the Medicare EOB to the claim to her 2ndry insurance on 3.1.2017 and now the payer denied the claim. I transfer the visits to self paid but if the patient provide to us her 2ndry Insurance information we can bill the claim back to the payer. Please advise.

James M. Cain’s Double Indemnity is a typically literary work of roman noir genre, adapted for a film later. The story itself is about a premeditated murder planned by the married femme fatale Phyllis Nirdlinger and her secret lover Walter Huff, specifically consistent with roman noir genre. Phyllis Nirdlinger is a typical femme fatale in this novel. She seduces the insurance agent Huff regardless of her own husband. For example, “She pulled me to her and kissed back” (Cain ch2), “I liked you all the time” (Cain ch2) and many other flirty words in the novel. What’s worse, in order to capture the money from her husband, she manages to kill him with Huff. Sex and money, as the main themes of roman noir genre, are the two main motifs of this novel as well. The story happens in Glendale of California (Cain ch1), which is explained in the very beginning of the novel. This kind of setting implies its specific roman noir genre convention. “A dark railroad track in the middle of the night... a dirty road...vacant lots” (Cain ch7). The description of the surrounding environment of the railroad track has the clarified mark of roman noir genre. The ending of Double Indemnity is a huge misery. Huff could not get rid of the nightmare after cruelly killing Mr. Nirdlinger, psychologically ill. In the same time, he has large divergence with his lover Mrs. Nirdlinger. Their intimate relationship breaks up. Finally Huff commits a suicide with his lover after his crime being discovered. The

In Billy Wilder’s 1944 blockbuster hit Double Indemnity, a fast-talking insurance salesman named Walter Neff (Fred MacMurray) visits the home of the seductive Phyllis Dietrichson (Barbara Stanwyck) to renew the insurance policy on her husband’s automobiles. A romantic affair shortly ensues, and Walter is soon coerced by Phyllis into plotting a murder. Walter then comes up with an idea to receive double the amount Phyllis had previously intended, and they eventually deceive Mr. Dietrichson (Tom Powers) by making him sign a double indemnity insurance policy which in return states that the widow will receive full compensation on behalf of the bearer’s death. Mr. Dietrichson’s death is then made to look accidental; however, all does not go

My initial observation of Dashkova is her ability to be extraordinary despite her difficult upbringing. Her intelligence was compelling to the Empress Catherine and the men that she had encountered during her traveling. Dashkova portrayed herself as a strong, versatile woman, who’s not only different from most of the women during the time period, but can also outperform her male counterparts in various tasks (e.g. surgery, debate, carpenting, etc.) (pg. 144). She surprised the readers at the first moment when she met Prince Dashkov, a Moscow man. She fell in love with him and got married at the age of 16. The proposal was informal and emotional unlike the traditional arrangement with its strict regulations. Just 5 years after, Prince Dashkov passed away, leaving Dashkova 2 children and his mountainous gambling debt. In the most hopeless scenario, Dashkova managed to raise her 2 children and provided her son a wonderful education while still remaining faithful to the Empress Catherine II. She declared, “My own poverty affected me not at all” (pg. 149).

Film noir, popularized in the 1940’s, can be defined as a type of crime drama, normally in black & white, with a somewhat depressive tone to it. Themes such as sexual deviance, promiscuity, crime, and all around pessimism were prevalent in these types of films. Film noir reflected the societal attitudes of the time as people were recovering from events like the great depression, and World War II, all while dealing with the anxiety of the cold war. These events all contributed to the popularization of film noir until the social revolutions of the 1960’s changed the general attitudes of American people. The film Double Indemnity can be defined as film noir for a number of reasons. At the most basic level, Double indemnity is a 1940’s crime drama,

In Maryland, insurance policies are generally construed in the same manner as contracts. Collier v. MD-Individual Practice Ass 'n, Inc., 327 Md. 1, 5, 607 A.2d 537 (1992). An insurance contract, like any other contract, is measured by its terms unless a statute, a regulation, or public policy is violated thereby. Pac. Indem. Co. v. Interstate Fire & Cas. Co., 302 Md. 383, 388, 488 A.2d 486 (1985). We do not follow the rule, adopted in other jurisdictions, that an insurance policy is to be construed most strongly against the insurer. Collier, 327 Md. at 5; Cheney, 315 Md. at 766. We construe the instrument as a whole in order to determine the parties’ intent. Pac. Indem., 302 Md. at 388; Collier, 327 Md. at 5; Aragona v. St. Paul Fire & Marine Ins. Co., 281 Md. 371, 375, 378 A.2d 1346 (1977). In order to determine the intention of the parties, “Maryland courts should examine the character of the contract, its purpose, and the facts and circumstances of the parties at the time of execution.” Pac. Indem., 302 Md. at 388 (citations omitted). In doing so, we give the words their usual, ordinary, and accepted meanings. Id.; Mut. Fire Ins. Co. v. Ackerman, 162 Md. App. 1, 5, 872 A.2d 110 (2005) (citing Nationwide Mut. Ins. Co. v. Scherr, 101 Md. App. 690, 695, 647 A.2d 1297 (1994)). The test is what meaning a reasonably prudent layperson would attach to the term. Pac. Indem., 302 Md. at 388.

“The Gutting of Couffignal” is a detective fiction short story written by Dashiell Hammett that focuses on the mystery surrounding the attack on the town of Couffignal by an unknown gang, and more specifically, the robberies and murders that ensue. Hammett’s story is classified as hard-boiled fiction, which Encyclopaedia Britannica defines as a “tough, unsentimental style of American crime writing” (The Editors of Encyclopaedia Britannica). Due to its hard-boiled nature, “The Gutting of Couffignal” mainly focuses on the issue of large-scale crime in the city. However, throughout the story, Hammett uses gender stereotyping of both the protagonist and the antagonist by the readers

The movie The Maltese Falcon is about a private investigator who is striving to unravel the mystery surrounding a black enamelled bird known as the Maltese Falcon. Samuel Spade, the protagonist of the story, is what was known as a “hard-boiled” detective. Men such as that rarely show a tender side (if they have one). Likewise, they are physically tough, frequently resorting to guns or fists to get what they want. In addition, they tend to be amoral, yet with an inflexible code of honour of their own.

According to Lilly, Cullen, and Ball (232) Feminist theory has been on the back burner of modern criminology until the late 19th century. As with the other criminology theories there are many thoughts and ideas on why females commit crimes. In the beginning the theories seem to revolve around the victimization of the female gender. Then criminologist took a look at female delinquency, prostitution, and gender inequality in the criminal justice system. Lilly (233) wrote that Lombroso used physiological traits to determine what type of women would commit crime. Lombroso also argued that the women that committed the most crime were more masculine then the women who did not commit crime. He used physiological immobility, and passivity to make the argument. Lilly (235) also wrote that Sigmund Freud believed the reason women committed crime was because they has “penis envy”. Since women were physical different than men, women would become more aggressive trying to act like the male counterpart in order to fit in with the status quo.

Criminality is still assumed to be a masculine characteristic and women lawbreakers are therefore observed to be either ‘not women’ or ‘not criminals’ (Worrall 1990, p. 31). Female offenders are hallmarked for tireless and inescapable coverage if they fit into the rewarding newsworthy categories of violent or sexual. It is always important to note the reason for overrepresentation of women criminals in the media. “Women who commit serious offences are judged to have transgressed two sets of laws: criminal laws and the laws of nature” (Jewkes 2011, p. 125). Such women are hence “doubly deviant and doubly damned” (Lloyd, 1995). When women commit very serious crimes, such as murder, they attract

The 1944 Crime and Drama film, Double Indemnity, directed by Billy Wilder, showed the love story between an insurance representative and one of his client's wife who plotted to commit insurance fraud on his company, Pacific All Risk Insurance CO., in order to be together. The insurance representative, Walter Neff, met Phyllis Dietrichson during one of his visit to Mr. Dietrichson's home. Phyllis inevitably becomes interested in acquiring accidental insurances for her husband which includes double indemnity. Walter begins to suspect her intentions but shortly later, they began to have an affair and Phyllis proposes to kill her husband in order to receive the money. Walter agrees to this proposal and plans the perfect death so his company would

While most of the violent crimes that happens most are them are belongs to men, women have not been the wilting flowers promoted so heartily by Victorian adorers and (right or wrong) often evident in today's society. Before we get into detail about the fascinating phenomenon of the Black Widow, it is worth a brief overview of women's escalating role in the world of violent crime, particularly in the United States.

Feminist criminology emerged out of the realisation that criminology has from its inception centred on men and the crimes they commit. Although it can be argued female criminality was researched by Lombroso, as far back as 1800’s, female crime, it’s causes and the impact in which it had on society was largely ignored by the criminological futurity. Those Criminologist who did attempt to research female crime such as Thomas and Pollak were not only very damning of women but were also very condescending, choosing to stereotype them as either Madonna or whore (Feinman).

Sir Arthur Conan Doyle is a 19th century author who is known by his stories of Sherlock Holmes. Sherlock Holmes is a crime series based in the Victorian era when “feminists in this period were calling for women and children to have equal protection under the law” (Miller 55). He is consider one of most known iconic British characters created who solves mysteries with visual detection. One thing is clear author Conan Doyle portrays women as a weakness in Holmes’s visual approach, “his extraordinary powers” (Doyle 240) on crime cases, female criminals either get the “last laugh” or outwit him. As years went by many adaptations brought the adventures to life with their own twists and turns on their take on the story plot especially when it comes to “criminality” and femininity” (Miller 30). Such as the BBC television show version of Sherlock of its version of “The Abominable Bride” or even CBS Elementary of its version of Irene Adler and Moriarty in “The Woman” episode, the question lays are the views truly different or any better when it comes to representing female criminals or women in general.

nsurance is an interesting phenomenon. Insurers ask consumers to buy a product that they physically cannot touch and for an event that has not and might never occur. This phenomenon plays an important role in the economy and the financial markets. Well-developed insurance providers stimulate the economy by encouraging activities through risk-taking promotions. Insurers have huge funds accumulated through the small amount of premiums paid by individuals. These funds are then invested in ways that contribute to the wellbeing and growth of the insurers and promote economic growth in the countries in which they do business. Not only does the insurance system provide numerous direct and indirect benefits to individuals and their family, it benefits industry and commerce to communities and counties as a whole; it can take credit for enabling banks and financial institutions that lend money on the basis of the collateral security of insurance, also for industrial and commercial trade undertakings that depend on insurance for their operation.