One of the characters that does not changes drastically in the second act is Edward. He is now a grown, openly gay man, still feminine by nature, the sole difference is that he is now living with his partner Gerry. Edward’s natural character yearns to be similar to the role of a housewife. The sort of housewife who wants to cook, clean, and look after every need for his partner. It is clear the dynamic of power that exists between Edward and Gerry—Edward is the bottom and Gerry is the top: “I don’t know what you mean. Everyone’s always tried to stop me being feminine and now you are too” (70). The nature of Edward is not altered from act one to act two, his intrinsic identity as a feminine homosexual connects with Edwards’s desire to be in a monogamous relationship. The stereotype with which Churchill plays in the second act, which is brought from act one, is that all feminine women wanted to marry a man and become housewives. The housewife role becomes an identity for Edward. On the contrary, the character Gerry, does not seem to be as pleased with the power of dynamic, as Edward is, since he is not being forced into any acquired identity—he (Edward) is being himself. There are times wherein the dynamics of power switches, in other words, homosexual relationships vary on deciding for a particular sexual position, some partners are versatile instead of opting for one definitive sexual position. But Edward seems to be highly aware and sure of his role: “I like doing the
First of all, through the inaccurate representation and stereotypes of both empowered and oppressed women, Shakespeare and Steinbeck explore the destruction of relationships. In Shakespeare’s play King Lear, the dominant female roles are given to Goneril and Regan who manipulate others through their empowerment to get what they desire, yet in the end of the play lead to each other’s demise – tragic ending. Neither Goneril, nor Regan have the decency to honor or remain loyal to their own husbands. They usurp their father’s authority and disrespect their marriage. However, in the beginning of the play, they remain loyal to one another. Through a feminist lens, this portrayal of women is demeaning and erroneous, but illustrates how even the most horrific character’s loyalty to one other is worthless. The lustful desires of both women for Edmund results in Goneril poisoning Regan and then committing suicide – tragic demise of both women. In similar fashion, Steinbeck depicts the disloyalty in an oppressed woman. The only female character in Of Mice and Men is Curley’s wife whose identification is known through her husband. She is considered to be the reason for the downfall of men and a distraction. Throughout the novel she is described in derogatory
While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.
Shakespeare uses language to explore the controversial gender roles. His use of two distinctively opposing female
Another scene in the play that has a positive impact is when Michael tries to force Alan to play a game that required each person to call someone who he loves the most. Michael thought that Alan is also gay but in denial so he tries to urge Alan to “come out of the closet” by confessing to his true affection on the phone. So when Alan picks up the phone to call someone, everyone at the party thought that Alan is calling another gay man. But it turns out that Alan is calling his wife, his lover and soul mate. Michael is hurt by this acknowledgement because he was wrong about Alan. This scene exhibits not all men who may have conduct like a gay man is gay. Furthermore, it also shows that any man can have gay friends but he still can be characterized as a heterosexual.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that
"This dead butcher and his fiend like queen"(V.viii.80) is the way Malcolm describes Macbeth and Lady Macbeth. The characters of Macbeth and Lady Macbeth changed considerably during the course of the play, Macbeth, written by William Shakespeare. In the beginning of the play, Macbeth is seen as a courageous soldier who is loyal to the King. As the play progresses, Macbeth is corrupted by the witches’ prophecies and by his and Lady Macbeth’s ambition. Because of the weakness of Macbeth’s character and the strength of Lady Macbeth’s character, Lady Macbeth is able to easily influence him. Lady Macbeth pushes Macbeth toward evil at first, but after he realizes what he has done, it is his decision to
The theme for honour and fidelity apply for both men and women in Shakespeare’s play ‘much ado about nothing’. Honour and fidelity is represented very differently for men and women as it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women and upper class and lower class comparisons.
8) If you had plotted the motion of the second hand on your watch instead of the clock that
changing attitudes toward life and the other characters in the play, particularly the women; and his reflection on the
“How would a modern audience view this play in a different way to an audience in Shakespeare’s time, particularly in relation to the role and status of women and attitudes to marriage and courtship?
Since historical cultural norms police the dichotomy of conventional male and female dress code, the prospect of an androgynously dressed individual is disturbing, as it serves as a reminder that gender is but a social construct. In the opening of Orlando ‘He’ acts as an assertive proclamation of Orlando’s gender. Orlando is initially presented as masculine, for example he is seen to be ‘slicing at the head of a moor’. The dynamic verb ‘slicing’ creates violent imagery associated with maleness. However Orlando’s gender is teased in Woolfe’s comical undermining
With every great story line comes a theme. William Shakespeare created an art of intertwining often unrecognizable themes within his plays. In Shakespeare’s play, The Merchant of Venice, one hidden theme is the idea of homosexuality. This theme might not have even been noticed until modern Shakespeare fans discovered them. According to Alan Bray’s book, Homosexuality in Renaissance England, “the modern image of ‘the homosexual’ cannot be applied to the early modern period, when homosexual behavior was viewed in terms of the sexual act and not an individual's broader identity.” (Columbia University Press). This difference between homosexuality as a “sexual act” and an
Main Idea: Shakespeare was not a sexist: All though the main three females in the play were seen as important and contributed tremendously towards the plot of the play. The readers see Shakespeare pushing the ideology of men and women being equal with the slow occurrence of many plots towards the play, and how it all unravels itself. These were proven in the play by when;
In Twelfth Night Shakespeare uses gender roles and cross dressing to create disguise. This creates a sense of gender ambiguity and this is what makes the audience laugh - but although it creates a sense of fun and liveliness it also examines
According to Chris, Shakespeare’s play ‘Twelfth Night’ touches on sensitive concepts within the society (1). Similar to the majority of his literary works, Twelfth Night captures the concept of love and how individuals use love through marriage to achieve power or a higher social status. Throughout the play, there is an apparent struggle for social status by the key characters. Lindheim asserts that there are some characters in the play, such as Antonio who would do everything within their means in order to achieve their sexual desires (2). For example, in a more traditional society or contemporary setting, Antonio could never hope of