Emilia As A Feminist In Shakespeare's Othello

Emilia’s character, too, is determined by the plot. In the source, the villain’s wife is privy to the nefarious designs. Shakespeare wisely makes her, like the other characters, ignorant of Iago’s character. She knows that she has lost his love, and her unhappy marriage drives her to cynicism about sex; but she tries to win back her husband’s affections by carrying out his wishes, even when this involves betrayal

Emilia acts similarly when she defies her husband in the final Act of the play. She is of a middle class and serves as a maid and a loyal friend to Desdemona. Her character is somewhat different as she follows her husband, Iago, diligently but speaks disparagingly of men and believes them to be foolish and perverse. This is particularly evident in Act 4 Scene 3 “let husbands know their wives have sense like them: they see, and smell, and have palates both for sweet and sour” and “what is it that they do when they change us for others? Is it sport? I think it is”. She expresses the inequality between men and women living in this time

In Shakespeare’s “Othello”, Emilia is considered one of the minor characters. She is the wife of Iago and the lady in waiting to Desdemona. Emilia makes a crucial contribution to the play as a whole. She contributes to the characterization of a couple of key characters and adds to the dramatic irony of the play. She plays an essential role in the escalation of the dramatic action. She also adds to some of the themes of the play.

In the drama Othello, by William Shakespeare, there are several dynamic and interesting characters from the beginning to the end. There is one character who stands out more than any of the other main characters, her name is Emilia. Emilia plays a key role in the drama, it is her job to look over and take care of Desdemona who is the wife of Othello. Even though, Emilia would not me considered a main character to most people her actions have an enormous impact on the drama and where it heads. Emilia is also the wife of Lago who is considered the protagonist of the drama. Her actions shape and make the drama devolve to what it is today. Emilia is known for constantly being with Desdemona, her cordiality towards other characters, and for being suspicious of the husband Lago.

In the play Othello, although Emilia is a minor character, she signifies plenty of importance. Emilia is crucial to Iago’s plan to wreck Othello’s life. Without Emilia, Iago could have never gotten a hold of Desdemona’s handkerchief. The handkerchief was used as a tool of persuasion by Iago to create the illusion that Desdemona was having an affair with Cassio(Tiles). Without seeing the handkerchief, Othello would have never believed such harsh accusations of his wife having the affair. Emilia in essence is the key player in Iago’s plan. Unfortunately, she does not realize what he has done until it is too late. Overall, Emilia’s situation in Othello is comparable to Jocasta’s in the play Oedipus the King.

This shows how Iago isn’t really concerned about Emilia being unfaithful with Othello or anyone for that matter. He just wants to ruin Othello beyond reason.

This shows how Iago isn't really concerned about Emilia being unfaithful with Othello or anyone for that matter. He just wants to ruin Othello beyond reason.

Emilia has a similar role in this play, but she not only has an obligation to her husband Iago but she also has to answer to her mistress's powerful husband Othello. Throughout the play she has no choice but to play the role of a good obeying wife and keep what she knows to herself. She knows that she has that obligation to her husband, but she fights with herself because she seems to have a different obligation to her mistress. She has no choice but to go on living her everyday life, even after knowing what Iago was planning. She would not think of questioning him, because she would know the consequences.

Throughout the play, yes, Emilia certainly has her moments of shining independence and strength, and it is important to recognize those instances in order to decipher to what extent Emilia truly vouched for fair treatment and equality. In the midst of Shakespeare’s characterization of Iago as someone who disrespects women, Iago comments on his his spit fire of a wife by saying, “Sir, would she give you so much of her lips / As of her tongue she oft bestows on me / You’ll have enough.” (II.i.100-102). Iago shares a glimpse of how emilia behaves when nobody else is around, saying that she talks without end, given Iago’s demeaning nature it can be interpreted that he

In the last act, Emilia is capable of speaking out Iago’s bloody guilt in front of gentlemen bravely. For instance, she is unafraid of resisting Iago by saying “’Tis proper I obey him, but not now… I will ne’er go home”(V, ii, 195). Emilia’s anger is perfectly delineated through her speech. To some extent, Emilia is equivalent with the status men since she firmly claims that she "will not charm [her] tongue", and that [she] is bound to speak” (5.2.183-184). When Iago demands Emilia to go home, she expresses her emotions being long suppressed. In spite of the traditional view that restricts wives to be reticence and passive, Emilia becomes an outspoken individual as she breaks the rule of obeying the husband in order to act on her behalf. At last when Iago brutally stabs Emilia to death, her self-sacrifice is heroic as she lived to protect her mistress. Furthermore, Emilia is in fact the only character in the play that is excluded from Iago’s malicious plan because of his neglect. Emilia’s disobedient acts ultimately constitute Iago’s downfall and significantly display the ideas that women can be as strong as men, thus, her braveness and belief fits the ideology of

When Othello kills Desdemona, Emilia is outraged and can no longer keep herself together. She screams at Othello expressing love deeper than that of just a handmaiden “Sweet Desdemona, O sweet mistress, speak!” (5.2.149) Emilia then does the unthinkable and turns on Iago, declaring him the villain, the architect of the whole tragedy. Even as Iago tried to silence her, she defies him and continues to have the moral courage to accuse him, “perchance Iago, i will ne’er go home” (5.2.234) After Iago stabs her, Emilia asks to die by Desdemona's side “Ay, ay! O, lay me by my mistress’ side” (5.2.284) - the women's love eternally sealed. The final scene allows Emilia's true feelings that have been suppressed throughout the entire play to finally rise to the surface because of

In addition, Emilia proves her underrated intelligence by standing up for what she believes is right. Desdemona, Othello's wife, and Emilia's relationship grows because of her great loyalty towards her. At the end of the play Emilia stands up for Desdemona because Othello kills her. She explains Desdemona's true love for him and would never do anything to hurt him, which proves Desdemona's innocence. Not only does Emilia stand up for Desdemona, but she also voices her opinion to Othello. Emilia shows no fear standing up to Othello to prove to him that his wife has always been faithful. At first Othello finds it implausible but then Emilia says, "Thou art rash as fire, to say that she was false. O, she was heavenly true!" (Shakespeare V: ii, 165-166).Women are looked at in Othello as unintelligent and unfaithful, but Emilia changes that stereotype by standing up to the men. From the start Emilia and Iago's relationship always seemed rocky. Emilia's confidence in herself shows that she is not afraid to stand up to her husband. Emilia realizes the danger she puts herself in when she stands up to Iago. In order to make things right, she does whatever it takes, even if that means ruining their marriage or taking her life.

Emilia didn't have a very wonderful marriage relationship with her husband Iago. She wished for more because she really loved Iago and did some bad things like stealing the handkerchief that she knew meant so much to Desdemona just to make Iago happy, of which she did not notice(3.3.297-320). In another incident where Emilia is not appreciated by her husband, is seen when Iago is ready to compose a poem for Desdemona, because she is beautiful but refuses to do the same thing to Emilia, his wife (2.1.117-134). According to Emilia, men are the cause of many marital relationships. The jealous men posses make them ruin the relationship they have. In the play, we see this come to pass when Othello, because of being jealous loose the trust he had on his wife to the point of killing her. She further says that, women cheat on their husbands because their husbands don't satisfy their wives sexually for they go to sleep with other women beside their wives (4.3.87-88).

Helen Gardner in “Othello: A Tragedy of Beauty and Fortune” considers Iago’s wife Emilia to be a true hero of the play because of her fearless outlook on death itself:

Undoubtedly a stronger character, Emilia has also accepted her role in society. At the end of the play while revealing Iago's plan she states 'Tis proper I obey him, but not now' (V.2.195). Although she has just betrayed Iago,she still feels the need to explains her reasoning for not obeying him. Bianca is also a victim of the role society has set for women. She feels obligated by the standards of society to be circumstanced or to' put up with'. It was natural for women to be feminine and to obey the men of the society and it was unnatural for them to do anything of the contrary. this concept was widely believed and understood by Shakespeare's audience. Modern feminist disagree and say it is not natural for a woman to be feminine, however the women in Othello are pre-feminism and only seem to compound the ideologies of 'feminism' through their actions and behavior.