Emily Bronte's Wuthering Heights - Frame Narrative

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights   to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.

Her every need is taken care of. Later, when she is confronted by Heathcliff, she is reminded of Wuthering Heights and begins to miss the place she once was so eager to leave. Catherine begins to see the Grange as superficial and confining, and at first she is only annoyed by this, but eventually the suffocating enclosure causes Catherine to lash out at her husband and all the Grange represents. Catherine, aware of her incestuous attraction to Heathcliff, believes the Grange is destroying her, and because of her disgust of the Grange and her sense of guilt, it does. In the process, Edgar too must suffer Catherine's pain because of his love for her.

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

At the beginning of the novel, Heathcliff was a victim of orphanage at a young age. He had never experienced unconditional love from anyone. After Mr. Earshawn’s death, Catherine became his addiction because she accepted him for who he was in his eyes. At first, Catherine despised Heathcliff. In time, he latches on to her becoming totally engulfed with her. This devotion turns into an overwhelming love addiction towards her (“Wuthering Heights Love and Betrayal). Catherine’s presence helps calms the family’s antagonism for him. Heathcliff tolerated a lot from the family because of the love he shared with Catherine (Peele).

1. As it deteriorates and dies, Heathcliff and Catherine’s relationship serves as a cautionary tale and a witness to love’s destructive nature. Their love for one another is an addiction. Catherine long for Heathcliff and states, “I wish I could hold you.. till we were both dead” (Brontë 357). Catherine understands their relationship as “a source of little visible delight, but necessary” (Brontë 183). She views herself as one in the same with her lover, “Nelly, I am Heathcliff” (Brontë 183). She is obsessed with him-- regardless of her relationship with Edgar, Heathcliff never ceases to occupy her thoughts. If she were to lose Heathcliff, she would effectively go through withdrawal; their love is an addiction. She wants possession of Heathcliff

Throughout the telling of the story Miss Winter often changes points of view from third to first person, from “they” to “we” to “I”. The first time she uses “I” is in the telling of Isabelle’s death and Charlie’s disappearance (Setterfield, 204). Whilst Nelly is telling the story, she more often is telling it in third person, but the telling of the story changes to first whenever it is a scene of which she is in. The telling of Wuthering Heights is a frame story with multi-layered, first – person narration (Tomlinson). The frame narrative is Lockwood’s tale as a traveler (outsider), he is hearing the family history through Ellen Dean (aka Nelly) without any background knowledge. The interior narrative is the history reiterated by Nelly (an insider with intimate knowledge) with help of other minor first-person narrators who are players in the Interior story and who break in occasionally (Tomlinson). Parts of the story that Nelly is sharing with Lockwood she heard from other characters through tertiary narration, and then later relays them to him [Lockwood] (Tomlinson). Tertiary narration is the recounting of eyewitness narrations by people who have played some part in the narration that is now being described (Tomlinson). There are a few scenes in which Catherine is conversing with Nelly. Nelly is reiterating what Catherine shared with her during those discussions. After Isabella runs away with Heathcliff to be married she writes a letter to Nelly explaining what is

In Wuthering Heights by Emily Brontë, Catherine Earnshaw is in love with Heathcliff, a poor orphan who has become her foster brother. Their inseparable bond helps them survive the harshness and cruelty of their lives. However, wealthy Edgar Linton is in love with her as well, and Catherine must choose between them. Cathy sacrifices her future with Heathcliff so that she can marry Edgar Linton. This reveals that she is selfish enough to want a comfortable life at the expense of her "true love", but that she is also pragmatic and knows that having more money will help Heathcliff into a better social situation.

Heathcliff's role as an avenger is helped by his intelligence and understanding, not just of his own motivations, but of the motivations of others. He recognizes the source of Isabella's infatuation that-: "she abandoned this under a delusion" - "picturing in me a hero of romance". He also capitalizes on Linton's poor health by inviting the pity of Cathy so that her affection and sympathy would facilitate a marriage that would leave he, Heathcliff, as master of the Grange.

The way in which a story is organized or complied adds to the ideas, themes, and character of the story. A frame narrative is a way in which a story is told were a main story leads reader into other stories within. Essentially a frame narrative is a story within another story. As in the story One Thousand and One Night the frame narrative is used to tell many different stories within the main story. Although the stories in One Thousand and One Nights are separate from the main story the stories are still relative to the main idea. In One Thousand and One Night the separate stories within are used to delay execution of one of the main characters. In the story of Canterbury tales the frame narrative is used to pass the time of a long journey

His demeanor when Catherine dies completely changes and the reader learns that he was madly, madly in love with her. His love for Catherine changed his mental state; he no longer thought rationally. Rationally, if Heathcliff loved Catherine, he would wish her to be at peace, because loving someone means wishing them to be happy; however, because he was so greedy with what little love he did receive that Heathcliff wished Catherine to be forever stuck on the earth haunting him and “driving him mad”. Nelly then describes Heathcliff as a “savage beast” who was physically hurting himself for Catherine. None of these traits mark Heathcliff as a level headed being; a trait that could be predicted when he married Isabella and made her life terrible for the sole purpose of upsetting Catherine and Edgar. This insanity only becomes more prevalent after Catherine dies, when he raises Haerton as a farmhand and imprisons young Catherine and Nelly at Wuthering Heights when her father was

Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly

While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.

It is the opinion of this essay that the character of Heathcliff evolves a lot more than the character of Catherine. When we first meet Heathcliff, he was found on the streets of Liverpool by Catherine’s father who then adopts him into the family as one of his own. This would have been a dramatic change for Heathcliff. Then after experiencing this quality of life until the death of the father he is then cast into the role of a servant/labourer by Catherine’s brother who despises him. Finally, when Heathcliff hears part of the conversation between Catherine and Nelly, he hears Catherine plans to marry Edgar Linton as she could never marry Heathcliff. “It would degrade me to marry Heathcliff now”. (82) It is here Heathcliff leaves Wuthering Heights and returns three years later, a gentleman of means and of polite demeanour, not what you would expect from him. Here we can bring back the point that one’s environment dramatically affects one’s behaviour. Like Catherine, Heathcliff defies social norms expected of his gender. After he returns back from travelling having acquired great wealth and on the surface seems a changed man, he would be accepted into middle class society as he displays the characteristics expected of him. It is well described in the book to enforce the dramatic change in him for readers to understand how far he has come from