Chapter One
Larissa Jordan was a peppy young girl, especially for one who grew up on the Black Isles of Doracha. As a child, she had never been told of the island's’ dark history, nor had she been told of the reasons why families were forced to move away from the mainlands and onto the Isles. And what you don’t know can’t hurt you. At least, that’s what Larissa’s parents believed; and for twelve years, twelve blissfully peaceful years, they appeared to be correct. Of course, in those twelve years, a lot of things happened. Larissa played in the mud, she caught frogs and lightning bugs. She explored forests and swam in lakes. She learned to boat on the sea. She ran through the meadows, she read books- so many books! She laughed, she cried, and
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The townspeople knew this too, and immediately started rounding up the children into homes and shutting their doors.
“Larissa, come on inside, sweetie,” her father called from the porch.
“Daddy, it’s still light out,” Larissa whined. “Can’t I stay out a bit longer?”
“Sweetheart, we know you want to play, but you need to come in.” Her mother smiled at her from the doorway. “I’ve made hot chocolate.” It was a lie, of course. Hot chocolate was a delicacy in those times, especially in such a far away land as Scotland, but anything to keep Larissa, their one joy, safe.
“Mum, please let me stay out a while longer?”
“Larissa, come inside, please.” The sounds of the pirates were getting closer, and Larissa’s mother couldn’t keep the fear out of her voice.
Larissa could hear her the fear in her mother’s voice. She could also hear the sounds of the pirates. She figured she should, perhaps, let the matter go and run inside. But she was so far away from the house, and the pirates were quickly approaching, and Larissa was so small, and her legs weren’t long enough, and she couldn’t run too fast,
Lena revisits her ancestry after a terrorist attack in Jordan. When a voice beckons her for “the time to return home” she obeys. She had been called back “to the land of [her] ancestors” who “had tracked [her] down and [were] speaking” to her (Howe, 20). Lena’s mother had died in childbirth, leaving Lena an orphan. Ezol guides her to reconstruct the history of the Miko Kings: to “unwrap the team’s stories as one might open birthday gifts. Out of order, but with a gift for celebration” (Howe, 22). Ezol’s nightly stories allow Lena to reconstruct lost history, in which “time opens like a coffin”(Howe, 33).
In reading the first parts of Behind the Beautiful Forevers, the primary setting of Annawadi was not often described in a glowing light. The area gave me the image of a worse off poorer part of an inner city. The slum seemed to be rather crowded, often very dirty with trash being abound, unclean sewage water being prevalent, overall a rather unnerving place to live. Looking more towards the conditions of the population of Annawadi, there is not a whole lot of positive to be gleaned from here. The majority of the slum’s citizens do not have stable paying jobs, forcing people to undertake very unconventional paths to gain money, such as Sunil, who like a number of people, gain money by scavenging through garbage. Additionally due to the unsettled
Laura Kipnis’s “Against Love”, and Raymond Carver’s “What We Talk about When We Talk about Love” ,brings up the issue of what is the definition of love and is love what we think it is. Love has changed in comparison to what it once was, and we now loosely use the term, but what does it truly mean, and why do we buy in to it. Kipnis’s essay develops the idea that this “mature love” is when someone can love and be loved, and she takes the position that this does not happen. Although Kipnis believes mature love is neither a realistic expectation nor a good thing to have, I claim that the idea of mature love is not bogus, because even though it is rare to find, and may even take a few tries, I believe it is possible for people to have this mature love. Unlike Kipnis too, I believe mature love can take on different forms, and doesn’t have to just be so black and white like Kipnis explains it as.
Chapter four ends near the start of part two of the book. Lola is talking in first person and we are told how she quits most of the activities such as track and school. She also sleeps with a man for two thousand dollars which she later gives to her ex boyfriend's family, max, who died in an accident.
While reading Behind the Beautiful Forevers, I found the prologue to a bit confusing. The reader suddenly learns that the presumed main character, Abdul, is going into hiding while his father, Karam is going to offer himself to the police. I suppose the author was trying to set up direction of the story and then backtrack to the beginning where she would discuss the events that led up to the scene written in the prologue. It reads like one of those news magazine television shows, such as 48 Hours, wherein the show starts off with the attention grabbing main event in order to grab the audience and keep them interested. Such a format would be in line for Ms. Boo since she is a journalist by trade.
Don’t you think we had enough of this bigot? Think about everything he did!” Nyanna’s voice echoed through the whole room. There was a long silence. I just stared at her glaring at me. “Whatever Bethany. I know you want justice,” She comforted. Her hand slapped my shoulder as she eyed the rest like a hawk. “Alright! Now let’s annoy that rich idiot!” Nyanna brandished her sword and dash through the exit. A whole crowd followed behind her carrying knifes and pitchforks. I frowned at the sight. Something in my heart said this wasn’t right. Despise of the feeling, I followed like a lost sheep. Everyone had trooped to the Isladine River, the river that divided the castle gates from our shacks.
This section is about a girl name Anaxandra. She is taken hostage by a foreign country and its ruler, Nicander. The reason Anaxandra is taken hostage is so that her father could reveal where he is hiding his treasure. Anaxandra ends up telling Nicander where the treasure is accidently. This mistake costed her her family’s love. She was abandoned and was forced to go across the sea to live on Nicander’s island. Nicander’s daughter, Callisto, was Anaxandra’s only friend but Castillo sick and unable to get out of bed. One day when Anaxandra on the outskirts of the island, pirates came and raided the island. They killed everyone and and burned the entire country to rubble. The only survivor was Anaxandra because she jumped off a cliff into the
While Jaquino is away, Marzelline sings a heartfelt aria. Marzelline’s aria is on confessing her feelings for Fidelio. She sings her true thoughts on the passions she hopes would occur in her marital bliss with Fidelio. She sings of her dreams of being a loyal wife, fulfilling her domestic chores and then enjoying a pleasure filled night with her husband, Fidelio. The aria is light and hopeful with a cheerful ending. Then, Leonore, disguised as Fidelio, enters the garden carrying chains and a box.
Scene 3 The scene starts with Phoebe Gale and the Jessica’s entering. Once again Phoebe Gale is being swarmed by the girls as the walk much like a bee’s nest. Jones Dawson enters calling out to Phoebe Gale though she just keeps walking ignoring him. Jones Dawson: Phoebe!
Sharon Olds in "True Love" wonders about a true meaning of love in her uniquely written poem about a married couple. She hints that true love is about belonging to one another. That belonging or self-possession is reflected via ties of marriage. She further says that children, which are a product of marriage, only tighten marital bonds even more. The speaker starts her poem by describing two people having sex and looking at each other in a “complete friendship”. However, as much as the poem at first seems to have a positive meaning, the message appears to be quite opposite. In fact, “after making love, we look at each other in complete friendship" (2-3) sounds odd if used when describing the love between friends with benefits or a married couple. Friends with benefits contribute to unhealthy relationships that they are in, which is built on lust and only physical desire. Her poem, perhaps is an ironic portrayal of true love. A true love, if it even exists, is very difficult to preserve and can take a different turn especially within the marriage.
She couldn’t imagine what was so wrong with her deep inside that they would treat her like a burdensome object… Once again she would arrive at a foreign place. Once again be the newcomer, an outsider, the one who did not belong.” (Esquivel, p. 52) . Here, one could imagine how a five-year-old must feel, being sold off and taken away like a replaceable object surely does awaken a sense of empathy towards her. Surely, she must feel as if she was a surplus to requirement or a no-good object. Even her mother didn’t value her as she stated “Malinalli will be given to a new family who will take care of her, for she is part of the old fire that I want to forget” (Esquivel, p.
The book starts off with the antagonist, Valentine, tricking a warlock into summoning a powerful demon named Agramon. Agramon kills the warlock but is told that he needs to follow Valentines orders because he poses the mortal cup. At the institute, which is where all the shadowhunters live, Alec and Isabelle’s mother returns, not believing Jace didn’t know Valentine was his father. This makes Jace upset so he leaves, going to a bar. In the bar Jace picks a fight with all the werewolves there. Luke Garroway, the leader of the pack and Clary’s step dad breaks up the fight and Clary has to go talk to Jace. The Inquisitor then comes and sends Jace to prison for one night in the Silent City and on the same night Valentine and Agramon kill all the Silent Brothers
Mark's expression was one of supreme confidence and satisfaction as he revealed himself to Lila, and attempted to gauge her thoughts. The rapist thought he perceived a gliimmer of recognition and shock but, even if so, those emotions could also have been put down to the damage from the the appearance of a second male, the damage caused by his punch, or the cock that slammed into her from behind.
How can to people with Daddy issues fall in love with each other and make the relationship work? You will find out in this third and final installment of the Ishmael Series. The brothers are still dealing with their father leaving them and starting another family.
Rhys’ protagonist, Antoinette Cosway, in Wide Sargasso Sea suffers racial antagonism, sexual exploitation and male suppression. Though the contexts of Rosa and Antoinette’s childhood circumstances are very different they face overtly similar situation of oppression and identity crisis in their journey of claiming their autonomy and respect. Rosa is subjected to her husband, Cedric’s irrational blames and very often his inferiority complex of being a colonized, dehumanized by whites in the colony. On the other