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Entrapment And Violence In Richard Matheson, Edgar Toe, And Washington Irving

Decent Essays

Richard Matheson, Edgar Allen Poe, and Washington Irving all take advantage of the metaphoric and literal meanings of entrapment and violence in each piece of their gothic literature. In “Prey”, “Black Cat”, and “The Devil and Tom Walker” the authors use entrapment to show how evil finds and can hold us one way or another. Similarly violence is incorporated to portray the dangers of what horror can inflict on one and those associated.
Entrapment metaphorically and literally refers to being trapped by some confining spirit or by any type of material imprisonment. In the short story “The Devil and Tom Walker” by Irving we are able to experience the devil and his convincing and serpent like words which he uses to trap Tom’s soul. After Tom …show more content…

The protagonist faced gruesome experiences with a cat that “even in this felon's cell, [he is] almost ashamed to own --- that the terror and horror with which the animal inspired [him]” to murder and commit wicked deeds in the presence of evil. This is an example of metaphoric entrapment due to the way that the protagonist felt as if the spirit of the cat drove him to execute immoral and malignant deeds. Although the job was done by the main character and him alone, he was trapped in the mindset of his own hatred for the cat that the evil found its way to perpetrate through his character and overtake him resulting in cold blooded murder. Although entrapment can be literal and metaphoric, its overarching purpose remains common; to allow evil to tangle itself in the character’s life and eventually cloak over the person forever.
Violence also presents itself as a common theme in gothic literature. It focuses to exemplify the effects of evil on a single person or those associated with that person. In Poe’s “The Black Cat” the deepest act of violence is portrayed by the main character. In cold blood “[he] slipped the noose about its neck and hung it to the limb of a tree” (Poe 2). This philosophical act of violence stems the conclusion of evils’ influencing traits and how they lead to acts of violence that result in death. Furthermore, this violence steers the character in a direction to affect himself in a deeper way which will eventually directly affect those around him.

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