To fully understand a character’s role in a play, one must examine their relationship between that character and those around them. This is the case with Ophelia and her brother, Laertes. Ophelia, alone, seems to be depicted as many women at the time were. However, through conversation with Laertes and comparison between the pair from their father, Shakespeare is able to fully showcase Ophelia’s character. In Hamlet, Shakespeare uses contrast in the relationship between Laertes and Ophelia to show society’s perception of different genders and the complex relationships that stem from it. One of the main ways Shakespeare is able to demonstrate the contrasts in their views is through their interactions. In their conversation, the author is able to establish Ophelia’s role as both a sister and a woman in that society. Upon leaving, Laertes advises her, “If with too credent ear you list his songs/Or lose your heart or your chaste treasure open/To his unmastered importunity” (I, iii 31-37). In this scene, Laertes is saying goodbye to his sister before leaving for France. Laertes’ choice of advice is notable, because it is the last thing he plans to say to Ophelia, who he won’t be able to see for some time. This advice shows how Ophelia is perceived, especially by those close to her. Ophelia is treated as many women were at the time. She is treated as a frail, naive child, despite her complexities. Though the pair are close, Laertes falls into the trap of seeing his sister as only a woman.
Alternatively, Ophelia tells her brother,
Do not, as some ungracious pastors do, / Show me the steep and thorny way to heaven, / Whiles, like a puffed and reckless libertine, / Himself the primrose path of dalliance treads / And recks not his own rede (I, iii 51-55).
In this, Ophelia shows how her opinions nearly contradict that of her brother and the society she lives in. When her brother tells her to be wary of giving her virginity to someone, she essentially tells him to follow his own advice and avoid being hypocritical. She abandons the traditional belief that a woman’s virginity are inherently more ‘precious’ than a man’s virginity. These quotes develop the characters through the contrast between the pair. In doing so,
In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
In the exchange between Laertes and Ophelia, one learns a great deal about Hamlet, as well. Laertes explains to his sister that she must consider Hamlet's rank and position and know that he is not free to choose a bride for himself (1.3.19-26). He also cautions her not put any faith in "Hamlet, and the trifling of his favor / [and to] Hold it a fashion and a toy in blood, / A violet in the youth of primy nature" (1.3.5-7). He means that Hamlet follows a passing whim where she is concerned, and that he does not truly love her. In other words, Laertes impresses upon Ophelia that Hamlet merely feels toward her the passion that is present in the springtime of youth. It is clear that Laertes believes he is telling his sister the truth about her situation with Hamlet because if he thought Hamlet would marry her Laertes would most likely encourage a relationship between them. Hamlet and Laertes are friends and if Hamlet married Laertes' sister he would at some point enjoy the advantages of a brother-in-law of the King.
The scene in which Ophelia is advised by her father and brother is rich fodder for a Feminist reading. In this scene, Ophelia takes the role of a naïve woman receiving advice from dominant, authoritative males. Her "wiser" brother counsels her to "weigh what loss your honor may sustain if with too credent ear you list his songs, or lose your heart, or your
Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.
Ophelia is also put forth as a foil to Lord Hamlet. Before the events of the play unravel Ophelia, whom is the daughter of Polonius and sister of Laertes, gives us traits of Hamlet She reveals that he was a model courtier and scholar, “The glass of fashion and the mould of form, Th’ observed of all observers.” Ophelia also offers another dimension to the story, the love interest. They both love each other, even though it may seem that this love is not a legitimate one too many seeing as how Hamlet was going crazy. Or so it seemed, yet again she brings out information to us, that Hamlet was not nuts but just enraged.
The noble and innocent youth Ophelia tries her hardest to obey/impress her elders. Prince Hamlet and Ophelia have a complicated relationship in which they have on and off’s. At the beginning Ophelia’s love for Prince Hamlet is strong but she has to keep her innocence/ obedience
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does.
In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his
Hamlet and Laertes share a different but deep love and concern for Ophelia. Before his leave to France, Laertes provides lengthy advice to Ophelia pertaining to her relationship with Hamlet. Laertes voices his concern of Hamlet's true intentions towards Ophelia and advices her to be some what wary of his love. Laertes tells Ophelia
Ophelia and Laertes also had a very important relationship as brother and sister. Although they didn’t get to see each other all of the time they both played a big role in each other’s lives. In Act
A more noteworthy comparison between Hamlet and Laertes would be each man’s intense relationship with Ophelia, the former’s love interest and the latter’s sister. Both men are passionately preoccupied with Ophelia’s actions, mainly those pertaining to her sexuality, but in different ways. Prior to the events in the play Hamlet actively pursues a romance with Ophelia, but during his staged madness he violently criticizes her for acting at all interested in his advances. As the play progresses Hamlet flips back and forth between sneering at Ophelia and declaring his love for her, but in either case he shows an obvious devotion to the girl. Laertes holds the same amount of devotion, but towards protecting her from Hamlet and anything else that may compromise her virtue. When he is told of her descent into
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)